1 8 11 https://ausmed.arts.uwa.edu.au/files/original/2a811f44be39802eecd6e243f21fc2eb.jpg 43b9df4028aa21a04a2286976435060d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 478 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Alban's Church, Highgate, at the 2011 Beaufort Street Festival Subject The topic of the resource Beaufort, Beaufort Street, Beaufort Street Festival, festival, festivals, leisure, recreation, street festival, street festivities, Mt Lawley, Mt. Lawley, Mount Lawley, Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St Alban, Anglicanism, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA Description An account of the resource An image of St. Alban's Church, Highgate, Western Australia being used by the community at the Beaufort Street Festival. St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St George’s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Alban’s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St George’s Cathedral. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 12th November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglican church Anglicanism architect architecture Beaufort Beaufort Street Beaufort Street Festival bell turret buttresses Church church building festival festivals Fred Collett (builder) Highgate J. J. Talbot Hobbs (1864-1938) leadlight windows leisure limestone Mount Lawley Mt Lawley Mt. Lawley neo-Romanesque Norman architecture oculus windows parish church preparatory school quoins recreation red brick Romanesque architecture Saint Alban Saint George Saint Michael semi-circular arches St Alban St. Alban St. George St. Michael stained glass stained-glass stone street festival street festivities The Sisters of the Church of England Victorian Romanesque style WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/81ef0e915b6afde6f5e20764c127b75b.jpg 552ee92c8622cd9776905ee069f3f062 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Alban's Anglican Church, Highgate, WA Subject The topic of the resource Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA Description An account of the resource A view of St Alban’s Anglican Church, Highgate. St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St George’s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Alban’s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St George’s Cathedral. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglican church architect architecture bell turret buttresses Church church building Fred Collett (builder) Highgate J. J. Talbot Hobbs (1864-1938) leadlight windows limestone neo-Romanesque Norman architecture oculus windows parish church preparatory school quoins red brick Romanesque architecture Saint Alban Saint George Saint Michael semi-circular arches St. Alban St. George St. Michael stained glass stained-glass stone The Sisters of the Church of England Victorian Romanesque style WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/632f329e8d91cb48e11cbb0bb7a09b8b.jpg 56258e402a6af6f149a0cdf4490ed0c1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Alban’s Anglican Church, Highgate, Western Australia Subject The topic of the resource Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA Description An account of the resource A view of St Alban’s Anglican Church, Highgate. St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St George’s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Alban’s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St George’s Cathedral. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglican church architect architecture bell turret buttresses Church church building Fred Collett (builder) Highgate J. J. Talbot Hobbs (1864-1938) leadlight windows limestone neo-Romanesque Norman architecture oculus windows parish church preparatory school quoins red brick Romanesque architecture Saint Alban Saint George Saint Michael semi-circular arches St. Alban St. George St. Michael stained glass stained-glass stone The Sisters of the Church of England Victorian Romanesque style WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/ed485036d2d50773612e2017d0627c87.jpg 9afc9145a8a77481ddaef7589e171afd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 965 Width 967 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beehive Corner, Adelaide Subject The topic of the resource Adelaide, arch, architecture, banded brickwork, commercial building, corbel, English & Soward, Federation Gothic style, gable, golden bee, Gothic Revival, Haigh’s chocolate store, historic site, John Rundle (1791-1864), King William Street, lancet arch, neo-gothic, quatrefoil, pinnacle, red brick, restoration, retail, Rundle Mall, SA, shopping mall, South Australia, tourelle, turret Description An account of the resource A view of Beehive Corner at the Western end of Rundle Mall in Adelaide, South Australia. This historic corner site was originally owned by John Rundle and has been known as ‘Beehive Corner’ since the 1840s. The Federation Gothic style building pictured here is the second building to stand on the site, replacing an older, plainer building erected in 1849. The present building was constructed between 1894 and 1896, most probably by architects English & Soward. It provides a rare example where neo-gothic architecture was used for a commercial building. Its characteristic gothic features include the lancet-arched windows with quatrefoil insets, the banded brickwork, the corbel effect, the pinnacles and the tourelle (or turret) bearing the name ‘Beehive Corner’ in gold lettering. Original features and details that had been stripped away during the twentieth century were restored in 1998. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 7 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource Dorey, Margaret, &ldquo;Beehive Corner, Adelaide,&rdquo; <em>Medievalism in Australian Cultural Memory</em>, <a href="../../../items/show/499">http://ausmed.arts.uwa.edu.au/items/show/499</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch architecture banded brickwork commercial building corbel English & Soward Federation Gothic Style gable golden bee Gothic Revival Haigh’s chocolate store historic site John Rundle (1791-1864) King William Street lancet arch neo-Gothic pinnacle quatrefoil red brick Restoration retail Rundle Mall SA shopping mall South Australia tourelle turret https://ausmed.arts.uwa.edu.au/files/original/1deb6bca81221ad57ee5e80789c669a8.jpg cc717a17fe37ce5264bff13ffc4752da Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 688 Width 974 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beehive Corner, Adelaide Subject The topic of the resource Adelaide, arch, architecture, banded brickwork, commercial building, corbel, English & Soward, Federation Gothic style, gable, golden bee, Gothic Revival, Haigh’s chocolate store, historic site, John Rundle (1791-1864), King William Street, lancet arch, neo-gothic, quatrefoil, pinnacle, red brick, restoration, retail, Rundle Mall, SA, shopping mall, South Australia, tourelle, turret Description An account of the resource A view of Beehive Corner at the Western end of Rundle Mall in Adelaide, South Australia. This historic corner site was originally owned by John Rundle and has been known as ‘Beehive Corner’ since the 1840s. The Federation Gothic style building pictured here is the second building to stand on the site, replacing an older, plainer building erected in 1849. The present building was constructed between 1894 and 1896, most probably by architects English & Soward. It provides a rare example where neo-gothic architecture was used for a commercial building. Its characteristic gothic features include the lancet-arched windows with quatrefoil insets, the banded brickwork, the corbel effect, the pinnacles and the tourelle (or turret) bearing the name ‘Beehive Corner’ in gold lettering. Original features and details that had been stripped away during the twentieth century were restored in 1998. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 7 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource Dorey, Margaret, &ldquo;Beehive Corner, Adelaide,&rdquo; <em>Medievalism in Australian Cultural Memory</em>, <a href="../../../items/show/500">http://ausmed.arts.uwa.edu.au/items/show/500</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch architecture banded brickwork commercial building corbel English & Soward Federation Gothic Style gable golden bee Gothic Revival Haigh’s chocolate store historic site John Rundle (1791-1864) King William Street lancet arch neo-Gothic pinnacle quatrefoil red brick Restoration retail Rundle Mall SA shopping mall South Australia tourelle turret https://ausmed.arts.uwa.edu.au/files/original/15dba33037cc1a55b4a04d73d4d7166b.jpg 0e8d1fa33792f08e6118d4588b0b87a2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1084 Width 813 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Neo-Romanesque Apse, Christ Church, North Adelaide Subject The topic of the resource Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style Description An account of the resource A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows. About Christ Church: Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The building’s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches. For more on Christ Church, North Adelaide, see E. J. R. Morgan & S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, <a href="../../../items/show/476" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/476</a><br /> <br />Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, <a href="../../../items/show/475" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/475</a><br /> <br /> Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #478, <a href="../../../items/show/478">http://ausmed.arts.uwa.edu.au/items/show/478</a><br /> <br /> Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, <a href="../../../items/show/479">http://ausmed.arts.uwa.edu.au/items/show/479</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglicanism Anglo-Norman Anglo-Norman design arch architecture Bishop Bishop Augustus Short (1802-1883) building Christian Christianity Church Church of England churches ecclesiastical ecclesiastical building gable gables Henry Stuckey Henry Stuckey (1821-1851) limestone neo-Romanesque North Adelaide red brick rounded arch SA sandstone semi-circular arch South Australia stained glass Victorian Romanesque style https://ausmed.arts.uwa.edu.au/files/original/ae3d407985cec704ce8edab50a725144.jpg d71a7a664d109d415e14ecabfe2a34fe Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 446 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apse, Christ Church, North Adelaide Subject The topic of the resource Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style Description An account of the resource A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows. About Christ Church: Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The building’s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches. For more on Christ Church, North Adelaide, see E. J. R. Morgan & S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p>Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, <a href="../../../items/show/476" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/476</a><br /> <br />Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, <a href="../../../items/show/475" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/475</a><br /> <br /> Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #478, <a href="../../../items/show/478">http://ausmed.arts.uwa.edu.au/items/show/478</a></p> <p>Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, <a href="../../../items/show/480">http://ausmed.arts.uwa.edu.au/items/show/480</a></p> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglicanism Anglo-Norman Anglo-Norman design arch architecture Bishop Bishop Augustus Short (1802-1883) building Christian Christianity Church Church of England churches ecclesiastical ecclesiastical building gable gables Henry Stuckey Henry Stuckey (1821-1851) limestone neo-Romanesque North Adelaide red brick rounded arch SA sandstone semi-circular arch South Australia stained glass Victorian Romanesque style https://ausmed.arts.uwa.edu.au/files/original/92e1366f8d73fc33fe5b98eadfe0b845.jpg c6d46014ff6df9e0a0b0d55d9c9df499 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 739 Width 985 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Neo-Romanesque Apse at Christ Church, North Adelaide Subject The topic of the resource Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style Description An account of the resource A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows. About Christ Church: Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The building’s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches. For more on Christ Church, North Adelaide, see E. J. R. Morgan & S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p>Dorey,Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, <a href="../../../items/show/476" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/476</a><br /> <br />Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, <a href="../../../items/show/475" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/475</a></p> <p>Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, <a href="../../../items/show/479">http://ausmed.arts.uwa.edu.au/items/show/479</a><br /> <br /> Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, <a href="../../../items/show/480">http://ausmed.arts.uwa.edu.au/items/show/480</a></p> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglicanism Anglo-Norman Anglo-Norman design arch architecture Bishop Bishop Augustus Short (1802-1883) building Christian Christianity Church Church of England churches ecclesiastical ecclesiastical building gable gables Henry Stuckey Henry Stuckey (1821-1851) limestone neo-Romanesque North Adelaide red brick rounded arch SA sandstone semi-circular arch South Australia stained glass Victorian Romanesque style