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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/703/&lt;/a&gt;</text>
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                <text>â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown</text>
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                <text>Alice Perrers (1348-1400), anniversary, art, artwork, birthday, Black Prince (1330-1376), Court, Custance, Dante Gabriel Rossetti (1828-1882), Edward III (1312-1377), English language, Geoffrey Chaucer (c.1343-1400), history painting, jester, John of Gaunt (1340-1399), knight, â€˜Legend of Custanceâ€™, Lute, palace of Sheen, poetry, Pre-Raphaelite, reading, royalty, troubadour.</text>
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                <text>This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled &amp;ldquo;Geoffrey Chaucer Reading the &amp;lsquo;Legend of Custance&amp;rsquo; to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince&amp;rsquo;s Forty-Fifth Birthday&amp;rdquo;, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King&amp;rsquo;s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown&amp;rsquo;s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer &amp;amp; Laura MacCulloch, &lt;em&gt;Ford Madox Brown: The Unofficial Pre-Raphaelite&lt;/em&gt;, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the &amp;lsquo;Father of English poetry&amp;rsquo;. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because &amp;ldquo;the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity&amp;rdquo; (Velma Bourgeois Richmond, &amp;ldquo;Ford Madox Brown&amp;rsquo;s Protestant Medievalism: Chaucer and Wycliffe&amp;rdquo;, &lt;em&gt;Christianity and Literature&lt;/em&gt;, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled &lt;em&gt;The Seeds and Fruits of English Poetry&lt;/em&gt;, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns.</text>
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                <text>Ford Madox Brown</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>1847-1851</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>Oil on Canvas, 372cm x 296cm</text>
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        <name>â€˜Legend of Custanceâ€™</name>
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        <name>Dante Gabriel Rossetti (1828-1882)</name>
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        <name>Geoffrey Chaucer (c.1343-1400)</name>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;p&gt;Newspaper article; PDF&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; &lt;a href="http://nla.gov.au/nla.news-article32367278" target="_blank"&gt;http://nla.gov.au/nla.news-article32367278&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Lecture System</text>
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                <text>book, books, Economics, English, History, lecture, lecturing, note-taking, medieval origins, Philosophy printing, professors, reading, Shakespeare, student learning, teaching, teaching methods, University, university origins, university examination, university teaching, class, education</text>
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                <text>Weighing in on a wider printed debate about the cost and value of university teaching, the author of this article takes issue with the prevailing focus on lectures as the principal delivery mode for teaching in universities. He associates the development of lecturing with the medieval origins of universities and the need to disseminate knowledge before the invention of print. Following â€˜the book ageâ€™, however, the author suggests that lectures are redundant and superfluous. Rather than guiding students in their wider learning as intended, he argues, lectures have the opposite effect in that students regarded them as an adequate alternative to reading. In an age where books are accessible and the ability to read almost universal, he recommends that the teaching of subjects such as English, History, Economics and Philosophy should instead be based on independent student reading followed by class discussion. This would also have the effect of allowing professors more time to conduct research instead of preparing lectures. â€œIn the tenacity with which they [universities] still adhere to the propagation of knowledge by lecturesâ€, the author chides, â€œthere is something peculiarly medievalâ€.</text>
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                <text>â€œDiogenes Mactubâ€</text>
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                <text>National Library of Australia</text>
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                <text>The West Australian</text>
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                <text>8 August 1931, p. 4</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The West Australian</text>
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PDF</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article32702148"&gt;http://nla.gov.au/nla.news-article32702148&lt;/a&gt;</text>
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                <text>Jubilee Grant</text>
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                <text>Benevolent Asylum, celebration, civilisation, colony, commemoration, criminal class, gala, improvement, indigent, jubilee, Legislative Council, literature, medieval past, â€œmedieval-ismâ€, modernity, poor house, print, progress, public library, literacy, Queen Victoria, reading, reformatory, reading practices, Victorian era, Western Australia, medievalism</text>
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                <text>In this article, the author debates how Â£5000 earmarked for a Queenâ€™s Jubilee commemoration by the WA Legislative Council could be best spent. The author begins by outlining the three suggestions that had been put forward, namely the establishment of a public library, the building of a poor house that would euphemistically be called a â€œBenevolent Asylumâ€, or a festive gala for the colony with a banquet and fireworks. The author then goes to lengths to discount the utility of the gala idea, and the appropriateness and representative benefit of the reformatory idea, before suggesting that the building of a public library would best suit the occasion. For its capacity to humanise, cultivate and civilise, the article links the practice of reading with modernity and the Victorian ideals of progress and improvement. In doing so, it defines the Victorian â€˜spiritâ€™ in opposition to an â€˜otherâ€™, medieval past: â€œFrom the introduction of printing is dated the decay of medieval-ism and the rise of modern European progress. To the introduction of cheap and wholesome literature may the marvellous onward march of the Victorian era be chiefly attributed. How better can the Jubilee of that era be perpetuated than by founding an institution which embodies above all the spirit to which that success is due.â€</text>
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                <text>Anon.</text>
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                <text>National Library of Australia</text>
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                <text>11 September 1886, p.22</text>
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                <text>Western Mail</text>
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