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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>advertising, advertisement, advertisements, British Museum, chess, Elizabeth I, England, Erin Jackson Vis, exhibition, Extraordinary Stories, Isle of Lewis, Lewis chess set, museum, Norway, Perth, Phoenix Jewel, queen, review, Scotland, sign, WA, Western Australia, Western Australian Museum</text>
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                <text>These photographs are of advertising for the Extraordinary Stories exhibition at the Perth branch of the Western Australian Museum. The signs feature a photograph of a queen piece from the twelfth century Isle of Lewis chess set found in modern-day Scotland but probably made in Norway. The text on the A-frame sign the playing of chess as part of its advertisement, making the medieval image â€˜speakâ€™ to a modern audience. The exhibition included many items on loan from the British Museum, including the sixteenth-century Phoenix Jewel of Elizabeth I of England, which is also included in one of the photographs. &#13;
&#13;
For an extended review of the exhibition see Erin Jackson Vis, 'A commonwealth of stories',  Review of The Extraordinary Stories Exhibition, The Western Australia Museum, in History Australia, Vol. 9, No. 2, Aug. 2012, pp. 178-180.  &#13;
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                <text>Photographs: Shane McLeod&#13;
Advertisements: Western Australian Museum</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Upon hearing of Arthurâ€™s death in the final book, his queen Guinevere goes with five ladies to a nunnery at Almesbury. Here she leads a virtuous and penitential life of fasting and prayers, dressed in white and black, until her own death years later. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent &amp; Sons. </text>
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                <text>c. 1893</text>
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                <text>line-block reproduction on paper, 20.8 x 16.0 cm;&#13;
Hyperlink</text>
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                <text>A photograph of the King and Queen of the Balingup Medieval Carnivale. The royal couple, accompanied by members of their court and guards, took part in the parade each day and then sat in state in the royal tent in the combat arena. </text>
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                <text>McLeod, Shane</text>
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            <description>Information about rights held in and over the resource</description>
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        <name>Balingup</name>
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              <text>&lt;br /&gt; &lt;a href="http://www.ea.com/the-sims-medieval" target="_blank"&gt;http://www.ea.com/the-sims-medieval&lt;/a&gt;</text>
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                <text>Bard, battle, blacksmith, Castle, characters, computer, computer game, EA Games, fantasy, game-play, gamers, graphics, heroes, king, kingdom, knight, life-simulation, medieval setting, medievalism, merchant, queen, quest, SIMS, simulation, treaty, virtual world, war, weaponry, battles, skirmish, wizard, wizards, wizardry</text>
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                <text>In SIMS Medieval, the latest instalment of the virtual reality SIMS computer game series, players control a number of different heroes and characters ranging from kings and queens to knights, merchants, priests and blacksmiths. They send these characters on quests to earn points, and use these points to build a medieval kingdom. They can then â€˜negotiate treaties, conduct trade or declare war on surrounding kingdomsâ€™.</text>
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                <text>EA Games</text>
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        <name>battles</name>
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      <tag tagId="2370">
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        <name>computer game</name>
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        <name>EA Games</name>
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      <tag tagId="2122">
        <name>fantasy</name>
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        <name>game-play</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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            <elementText elementTextId="4975">
              <text>Black &amp; White Photograph</text>
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              <text>&lt;a href="http://www.adm.monash.edu.au/records-archives/archives/cgi-alias/monpix?IMAGE_NUMBER=4398"&gt;http://www.adm.monash.edu.au/records-archives/archives/cgi-alias/monpix?IMAGE_NUMBER=4398&lt;/a&gt;</text>
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                <text>"Rumpelstiltskin" Pan Pow Productions stage performance at Monash University, 1974</text>
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                <text>Alexander Theatre, child, fairytale, gold, Grimm Brothers, king, knights, medieval costume, medieval dress, Monash University, Monash, university, Pan Pow Productions, performers, play, queen, Rumpelstiltskin, spinning wheel, straw, theatre, theatre group, theatrical production, Victoria</text>
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                <text>A Photograph of Act 1, Scene 4 from a 1974 stage performance of "Rumpelstiltskin" at the Alexander Theatre, Monash University, featuring Beverley Gardiner as Gretchen and Penelope Richards and Paul Kennedy as the two knights.&#13;
&#13;
â€œRumpelstiltskinâ€ is a childrenâ€™s fairytale by Jacob and Wilhelm Grimm. It was first written in 1812 and expanded in 1857. It tells the story of a Millerâ€™s daughter who is forced to spin straw into gold on threat of her life for three successive nights. A little man appears and offers to spin the straw for reward. On the first night she gives him her necklace, on the second her ring but on the third she has nothing to give and promises him her first born child. Years later, after she has married the king and has her first child, the man appears and gives the queen three days to guess his name or he will take her child. After two days of guessing to no avail, the queenâ€™s messenger (according to the 1857 version) stumbles upon the man dancing and singing in a house in the forest. The song he sings mentions his name, which the queen correctly reveals the following day. Although no date is given in the tale, the characters - involving a king, a queen and royal knights - and the importance of the spinning wheel are often assumed to indicate a medieval setting.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="12957">
                <text>Monash University Archives</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="12958">
                <text>Monash University</text>
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            <name>Date</name>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12960">
                <text>Monash University</text>
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              <elementText elementTextId="12961">
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Image that appeared in The Illustrated Australian News [orig.];&#13;
PDF</text>
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                <text>The Illuminations of Melbourne - the General Post Office</text>
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            <description>The topic of the resource</description>
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                <text>Royal visit, God Save the Queen, lights, illuminations, Queen, royal family, General Post Office, Melbourne, English sentimentality, Queen Victoria, Victoria</text>
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                <text>Image of the Melbourne General Post Office at night. The building was illuminated to celebrate the arrival of Queen Victoria to Australia. The lights on the building read "God Save the Queen" and "Long May She Reign." It was a medieval custom to decorate such things as streets, buildings and gates in honour of royal progresses, partly as a demonstration of loyalty to the monarch.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="14488">
                <text>The Illustrated Australian News</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="14489">
                <text>The Illustrated Australian News</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>The Illustrated Australian News</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>25 June 1887</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14492">
                <text>The Illustrated Australian News</text>
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        <name>English sentimentality</name>
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        <name>General Post Office</name>
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      <tag tagId="1274">
        <name>God Save the Queen</name>
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      <tag tagId="1276">
        <name>illuminations</name>
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      <tag tagId="1275">
        <name>lights</name>
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        <name>Melbourne</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Western Mail Newspaper Article:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article39112784" target="_blank"&gt;http://nla.gov.au/nla.news-article39112784&lt;/a&gt;</text>
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                <text>To Hold the Bridal Veil</text>
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                <text>Bandeau, bridal fashion, coronet, fashion, hair, hairstyle, head-dress, medieval fashion, medieval head-dress, medieval style, medieval dress, medieval queen, queen, pearl, Riche of Hay-Hill, tiara, vogue, medieval vogue</text>
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                <text>In these pages, the latest fashion advice from London regarding bridal headgear is relayed. The article begins by informing readers that wealthy English brides were wearing diamond tiaras on their wedding days. However, it surmises, it was unlikely that local brides would have diamond tiaras at their disposal, and so goes on to describe and provide sketches of some alternative head-dresses that were being used by â€œRiche of Hay-Hillâ€, a hair expert in London. The first of these suggestions is a floral head-dress that â€œmight be made in the shape of a tiny coronet or crown poised on her head like that of a medieval queenâ€. Other suggestions include various arrangements of pearls and glass beads strung onto wire and worn as coronets or bandeaus.</text>
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                <text>Anon.</text>
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                <text>National Library of Australia</text>
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                <text>The Western Mail</text>
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            <name>Date</name>
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                <text>1 March 1951, pp. 36-37.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2897">
                <text>The Western Mail</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;br /&gt; &lt;a href="http://nla.gov.au/nla.news-article39366728" target="_blank"&gt;http://nla.gov.au/nla.news-article39366728&lt;/a&gt;</text>
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                <text>Queen wears Coronation Gown</text>
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                <text>During her first royal visit in 1954, Queen Elizabeth II opened the sitting of Australiaâ€™s federal parliament at Parliament House on 15 February 1954. As this photograph from the Western Mail shows, she wore her coronation gown and the sash of the Order of the Garter.&#13;
â€˜The Most Noble Order of the Garterâ€™ is the highest order of chivalry in the British heraldic system. It was established by Edward III in 1348, and membership was limited to the sovereign, the Prince of Wales and twenty-four knights. Over time, the membership has been widened to make allowances for members of the British royal family and foreign monarchs. &#13;
&#13;
The star of the Order, containing the heraldic shield of the St George Cross encircled by the garter inside an eight-pointed star, is clearly visible on the Queenâ€™s sash in this image. &#13;
&#13;
For more on the history of the Order of the Garter, see Stephanie Trigg, â€˜The Vulgar History of the Order of the Garterâ€™ in Gordon McMullan &amp; David Matthews (eds), Reading the Medieval in Early Modern England, Cambridge: Cambridge University Press, 2007, pp.91-105.</text>
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            <name>Source</name>
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                <text>The National Library of Australia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>25 February 1954, p.57</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2377">
                <text>The Western Mail, Copyright Expired</text>
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