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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article51597233" target="_self"&gt;http://nla.gov.au/nla.news-article51597233&lt;/a&gt;</text>
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                <text>&amp;lsquo;The New Renaissance&amp;rsquo;, &lt;em&gt;Australian Women&amp;rsquo;s Weekly&lt;/em&gt;, 6 April 1955</text>
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                <text>Art, art appreciation, Art Prize, Australian Womenâ€™s Weekly, canvas, Henri Matisse (1869-1954), leisured, Leonardo da Vinci (1452-1519), magazine, Michelangelo di Lodovico Buonarroti Simoni (1475-1564), â€˜new renaissanceâ€™, patronage, populace, privileged, prize, Renaissance, Rembrandt Harmenszoon van Rijn (1606-1669), rich. </text>
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                <text>This article from &lt;em&gt;The Australian Women&amp;rsquo;s Weekly&lt;/em&gt; in 1955 posits contemporary Australian society as being at the precipice of a &amp;lsquo;New Renaissance&amp;rsquo; in terms of widening access to and public interest in fine art. Pinpointing Ancient Greece and the Renaissance in Europe as rare periods in history when art was appreciated not only by the rich and privileged but by a large proportion of the population, the article suggests that evidence of a growing and widespread interest in art is noticeable in art school attendance and patronage trends. As a result, &amp;lsquo;Housewives and shop-assistants, politicians and plumbers are now among those able to tell a Matisse from a Michelangelo and to live more fully because of that ability&amp;rsquo;. The article&amp;rsquo;s overall purpose is to advertise a &amp;pound;2000 Art Prize offered by &lt;em&gt;The Australian Women&amp;rsquo;s Weekly&lt;/em&gt;, so it is in the magazine&amp;rsquo;s interest to draw links between the flourishing of art in the Renaissance and the potential for contemporary interest in art to enrich society.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article51597233" target="_self"&gt;http://nla.gov.au/nla.news-article51597233&lt;/a&gt;</text>
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                <text>&lt;em&gt;The Australian Women&amp;rsquo;s Weekly&lt;/em&gt;</text>
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                <text>6 April 1955, p.2</text>
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