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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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                <text>Roaming Tiger, &lt;em&gt;The West Australian&lt;/em&gt;, 12 December 1953</text>
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                <text>Aesop, Androcles, animals, anthropomorphism, coat of arms, circus, courage, emblem, fables, folklore, gratitude, honour, lion, loyalty, medieval romance, Narrandera, New South Wales, NSW, popular culture, Reynard the Fox, Red Riding Hood, Remus, she-wolf, stories, story-tellers, symbolism, tiger, wolf.</text>
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                <text>This interest piece from &lt;em&gt;The West Australian&lt;/em&gt; in 1953 discusses the symbolic use of animals in roman legends and medieval fables, and their anthropomorphic investment with human characteristics. Using an incident in New South Wales where a circus tiger wandered into a neighbouring house and licked a sleeping child as their impetus, the author claims that animal stories have been popular since the days of Aesop. Amongst other examples, they note that in medieval stories about Reynard the Fox, he was usually depicted as a genial, roguish hero, and that the writers of medieval romances regularly employed the lion to symbolise courage and honour.</text>
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                <text>C. R. Collins </text>
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                <text>National library of Australia: &lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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                <text>12 December 1953, p.33</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.myspace.com/knightqueste"&gt;http://www.myspace.com/knightqueste&lt;/a&gt;</text>
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                <text>Knightqueste Myspace Profile</text>
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                <text>Myspace, Wollongong, NSW, New South Wales, Australia, Australian music, Australian metal, music, metal, local music, fantasy, pop culture, popular culture, leisure, chivalry, knighthood, knight, knights, band, bands, Australian band, metal scene, masculinity, masculine, band page, social network</text>
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                <text>A hyperlink to the Myspace music profile for Australian metal band, Knightqueste. Based in Wollongong, New South Wales, Knightqueste have utilised elements of a typically 'masculinised' medieval past. In particular, there is a strong focus on elements of knighthood, battles and medieval weaponry. &#13;
The Knightqueste band page also includes a banner featuring the band's name in elaborate font, and the phrase "Majestic metal rocking into the Renaissance." </text>
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                <text>Knightqueste</text>
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                <text>Accessed 13/02/2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Knightqueste</text>
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        <name>knights</name>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>record, records, music, orchestra, orchestral, Alan Jay Lerner, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, cinema, entertainment, film, Franco Nero, Guinevere, Hoyts Century Theatre, York, King Arthur, knight, knighthood, Lancelot, movie, New South Wales, NSW, popular culture, Richard Harris, Round Table, Sydney, theatre, theatres, Vanessa Redgrave</text>
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                <text>An image of a record found in a York secondhand store featuring the soundtrack to the popular 1967 film "Camelot." An example of the popularity, commerciality and timelessness of Arthurian legends, the film was a box office hit in the West. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. It starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. For more information about the film, consult &lt;a href="http://www.imdb.com/title/tt0061439/"&gt;http://www.imdb.com/title/tt0061439/. &lt;/a&gt;&lt;br /&gt;</text>
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                <text>Carter, Bree</text>
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                <text>27 November 2011</text>
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                <text>&amp;ldquo;Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed November 28, 2011, &lt;a href="../../../items/show/26"&gt;http://ausmed.arts.uwa.edu.au/items/show/26 &lt;/a&gt;</text>
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                <text>Level 3 undergraduate unit â€˜Romancing the Medievalâ€™ coordinated by Stephanie Trigg at the University of Melbourne. The unit covers a variety of genres of medieval literature, as well as post-16th century works that re-create or revive medieval culture, including those by Edmund Spenser, Alfred Tennyson, J.R.R. Tolkien, fairy tales, and the film versions of Tolkienâ€™s work by Peter Jackson.</text>
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                <text>A member of the public dressed as the iconic wizard Gandalf from J. R. R. Tolkienâ€™s Lord of the Rings at the Perth Medieval Fayre. Like the Merlin figure in Arthurian legend, the character of Gandalf is a sage. He harbours power through wisdom and knowledge. The name â€˜Gandalfâ€™ was taken from Norse mythology. In Peter Jacksonâ€™s 2001-2003 screen adaptation of the Lord of the Rings trilogy, Gandalf was played by Sir Ian McKellen.&#13;
&#13;
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        <name>Merlin</name>
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        <name>Perth Medieval Fayre</name>
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        <name>Peter Jackson</name>
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        <name>sage</name>
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        <name>Sir Ian McKellen</name>
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      <tag tagId="2128">
        <name>Tolkien</name>
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        <name>Western Australia</name>
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        <name>wizard</name>
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        <name>wizardry</name>
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        <name>wizards</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/f831f16f6a038866a39469614b680844.pdf</src>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Saltbush Bill, Knight of the Stockwhip gives performance to Royal Family at Buckingham Palace.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Popular culture, Saltbush Bill, Knight of the Stockwhip, Buckingham Palace Performance, Buckingham Palace, Royal family, boomerang, stockwhip, William Mills, stockwhip king, knight, knighthood, bush, Australian bush</text>
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            <description>An account of the resource</description>
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                <text>Born in Victoria, Saltbush Bill was dubbed â€˜Knight of the Stockwhipâ€™ and travelled throughout Australia performing feats with the stockwhip. The royal family invited him to perform for them in London at Buckingham Palace, which he did. He was presented with a jewelled tie pin for his efforts. As Knight of bush skills, Bill displayed talents with the indigenous hunting tool, the boomerang as well.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="7983">
                <text>Unknown</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="7984">
                <text>National Library of Australia</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="7985">
                <text>The Sydney Morning Herald</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7986">
                <text>27 March 1912</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7987">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7988">
                <text>Newspaper article; PDF</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>Australian bush</name>
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        <name>boomerang</name>
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        <name>Buckingham Palace</name>
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        <name>Buckingham Palace Performance</name>
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        <name>bush</name>
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        <name>knight</name>
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      <tag tagId="2482">
        <name>Knight of the Stockwhip</name>
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        <name>knighthood</name>
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        <name>popular culture</name>
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        <name>Royal family</name>
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        <name>Saltbush Bill</name>
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        <name>stockwhip</name>
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        <name>stockwhip king</name>
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        <name>William Mills</name>
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  <item itemId="368" public="1" featured="0">
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        <src>https://ausmed.arts.uwa.edu.au/files/original/8ab8b8621f19235bdb9eeb6a47151b06.pdf</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>&lt;p&gt;Newspaper Article; PDF&lt;/p&gt;&#13;
&lt;p&gt;http://nla.gov.au/nla.news-article17134200&lt;/p&gt;</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Medieval Precedent for Women Playing Bowls</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>women, women in sport, medieval women, bowls, bowling, Pepys, unfeminine, feminine, femininity, medieval precedents, medieval precedent, sport, sports, recreation, leisure, popular culture, exercise</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The â€˜new phenomenonâ€™ of women participating in sport post World War I is discussed at length. The writer argues that women are physically capable of participating in some sports. The counterpoints to this argument are that they could suffer a loss of femininity from over-developed muscles, that women are&#13;
not as competitive as men, and that women are invading the traditional and non-negotiable spaces of menâ€™s sport. The precedent for womenâ€™s involvement in sport is cited as the medieval fashion of aristocratic women playing bowls, as quoted from Shakespeareâ€™s Richard II. Samuel Pepys also was supposed to have â€˜played at bowlsâ€™ with his wife.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7994">
                <text>Unknown</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="7995">
                <text>National Library of Australia</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="7996">
                <text>The Sydney Morning Herald</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7997">
                <text>27 September 1934</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7998">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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      <tag tagId="2428">
        <name>bowling</name>
      </tag>
      <tag tagId="2427">
        <name>bowls</name>
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      <tag tagId="2436">
        <name>exercise</name>
      </tag>
      <tag tagId="93">
        <name>feminine</name>
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      <tag tagId="94">
        <name>femininity</name>
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      <tag tagId="2435">
        <name>leisure</name>
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      <tag tagId="2432">
        <name>medieval precedent</name>
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      <tag tagId="2431">
        <name>medieval precedents</name>
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      <tag tagId="574">
        <name>medieval women</name>
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      <tag tagId="2429">
        <name>Pepys</name>
      </tag>
      <tag tagId="1172">
        <name>popular culture</name>
      </tag>
      <tag tagId="168">
        <name>recreation</name>
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      <tag tagId="2433">
        <name>sport</name>
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      <tag tagId="2434">
        <name>sports</name>
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      <tag tagId="2430">
        <name>unfeminine</name>
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      <tag tagId="2425">
        <name>women</name>
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      <tag tagId="2426">
        <name>women in sport</name>
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