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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Eating the Leek&amp;rsquo; (Henry V, Act V, Scene I), &lt;em&gt;The Bulletin&lt;/em&gt;, 4 March 1893.</text>
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                <text>Cartoon, Fluellen, Henry V, John Bull, medieval costume, Pistol, political cartoon, politics, Shakespeare, Sir George Richard Dibbs (1834-1904), Sir Robert William Duff (1835-1895), theatre, New South Wales, NSW politics, William Ewart Gladstone (1809-1898), William Shakespeare (c.1564-1616).</text>
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                <text>This political cartoon by &amp;lsquo;Hop&amp;rsquo; enacts a scene from William Shakespeare&amp;rsquo;s historical play, &lt;em&gt;Henry V&lt;/em&gt;. In the scene, Fluellen the Welshman angrily berates the unfortunate Pistol, a crony of Sir John Falstaff, and forces him to eat a raw leek. The cartoon, Louise D&amp;rsquo;Arcens suggests, uses this rather cryptic information &amp;ldquo;to depict the recent appointment of the New South Wales governor Sir Robert Duff by the British Prime Minister Gladstone,&amp;rdquo; (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.182). The &amp;lsquo;leeks&amp;rsquo; both seem equally unpalatable to the protesting recipient(s): Pistol and the Premier Sir George Dibbs respectively. The fact that Mr Gladstone and Her Majesty&amp;rsquo;s Government would appoint the next Governor without approval from the NSW Government indicates the lesson in humility that was forced upon the colony by Whitehall. Ironically, the John Bull figure holds a switch with the words &amp;lsquo;Silken Bond&amp;rsquo; written upon it. This sounds suspiciously like &amp;ldquo;an iron fist in a velvet glove&amp;rdquo; rationale to contemporary ears.</text>
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                <text>Livingston York Hopkins (â€˜Hopâ€™)</text>
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                <text>The Bulletin</text>
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                <text>The Bulletin</text>
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                <text>4 March 1893 (Cover)</text>
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                <text>â€˜The Scaly Monsterâ€™</text>
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                <text>Alderman, â€˜Bloody Jack,â€™ boat, cartoon, democracy, E. Montague Scott (1835-1909), John McElhone (1833-1898), knight, NSW politics, political cartoon, politics, Sydney Municipal Council,  respectability</text>
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                <text>&amp;lsquo;The Scaly Monster&amp;rsquo; drawing shows an unruffled &amp;lsquo;Bloody Jack&amp;rsquo; McElhone boarding a vessel embarking for England. This feisty Sydney alderman had a reputation for forthrightness and &amp;lsquo;fisticuffs,&amp;rsquo; which was not always appreciated by others. He was once referred to by Daniel O&amp;rsquo;Connor as &amp;ldquo;&amp;lsquo;an illiterate mountebank,&amp;rsquo; &amp;lsquo;a commercial Shylock,&amp;rsquo; &amp;lsquo;an unscrupulous vulture,&amp;rsquo; and &amp;lsquo;a political Quilp&amp;rsquo;&amp;rdquo; (See Martha Rutledge, 'McElhone, John (1833&amp;ndash;1898)',Australian Dictionary of Biography, National Centre of Biography, Australian National University, &lt;a href="http://adb.anu.edu.au/biography/mcelhone-john-4087/text6529"&gt;http://adb.anu.edu.au/biography/mcelhone-john-4087/text6529&lt;/a&gt;, accessed 11 June 2012). O&amp;rsquo;Connor had previously had a run-in with McElhone after calling him a &amp;ldquo;servile lickspittle&amp;rdquo;, for which he received a punch below the left eye. It is not entirely clear to whom or what &amp;lsquo;The Scaly Monster of the House&amp;rsquo; refers when he states, &amp;ldquo;I do not care two straws what the public think. I treat the whole matter with contempt&amp;rdquo;. It is probable that the cartoonist is merely highlighting the typical McElhone response to opposition of any kind. By all accounts he was well-used to causing indignation and political controversy. He was, however, essentially an honest man who frequently asked difficult questions of the government, and as a result &amp;ldquo;exposed many public wrongs&amp;rdquo; in the process. A bearded knight charging from behind may be Sir Henry Parkes, or it could be Sir John Robertson who also sported a luxuriant beard and flowing white locks. Either way, the &amp;lsquo;knight&amp;rsquo; is a representative &amp;ldquo;champion of democracy&amp;rdquo; (Marguerite Mahood,The Loaded Line: Australian Political Caricature 1788-1901,Carlton: Melbourne University Press, 1973, p.131), and a visible embodiment of political fairness and respectability.</text>
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                <text>Possibly MS (Montague Scott)</text>
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                <text>3 May 1884 (p. 13)</text>
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                <text>The Bulletin</text>
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