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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;a href="http://www.allegromusic.com.au/artist/troveresse-medieval-music-ensemble/bio" target="_blank"&gt;http://www.allegromusic.com.au/artist/troveresse-medieval-music-ensemble/bio&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Troveresse Medieval Music Ensemble</text>
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                <text>Helen Dell, Drama, France, Iberia, Melbourne, music, performance, poetry, song, Troveresse Medieval Music Ensemble, Vic, Victoria</text>
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                <text>Troveresse Medieval Music Ensemble was founded by mezzo soprano Helen Dell in Melbourne, Victoria, in 2007. Their concert program includes Loveâ€™s Paradise â€“ love stories and songs from twelfth and thirteenth-century France; Songs from the Heart â€“ songs by and for women from medieval France; All You Who Love â€“ medieval and early renaissance music from the Iberian Peninsula. As well as music their performances include stories, poetry, and drama.</text>
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                <text>13 April 2012</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Newspaper Article: &lt;a href="http://nla.gov.au/nla.news-article37689201" target="_blank"&gt;http://nla.gov.au/nla.news-article37689201&lt;/a&gt;</text>
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                <text>Early English Portraiture</text>
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                <text>Beggar, De Regimine Principum, dialogue, Geoffrey Chaucer (c.1340-1400), heresy, John Gower (c.1330-1408), John Lydgate (c.1370-1450), knight, manuscript, marginalia, medieval dress, medieval poetry, Occleve, poet, poetry, portrait, Sir John Oldcastle (d.1417), The Regiment of Princes, Thomas Hoccleve (c.1367-1426), tribute, review</text>
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                <text>&lt;p class="MsoNormal"&gt;In this &lt;em&gt;Western Mail &lt;/em&gt;article from 1930, the author begins by providing a somewhat negative review of Thomas Hoccleve&amp;rsquo;s poem, &amp;ldquo;The Regiment of Princes&amp;rdquo;. Asserting that the poem &amp;ldquo;looks better than it reads&amp;rdquo;, the author describes it as a &amp;ldquo;long and tedious poem on virtues and vices in imitation of an older writing&amp;rdquo;. The author goes on to suggest that Hoccleve has &amp;ldquo;an historical, rather than a literary value&amp;rdquo;, because he drew in the margin of the book what was thought to be the most accurate portrait of his near contemporary, Geoffrey Chaucer (c.1340-1400), and revered him in the text. The author concludes that although not a great poet, Hoccleve was probably an &amp;ldquo;earnest, forthright man&amp;rdquo;, because he knew his limitations.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Thomas Hoccleve (c.1367-1426) was an English poet and clerk of the Privy Seal. &amp;ldquo;The Regiment of Princes&amp;rdquo; was written in 1410-11 and was addressed to Prince Henry, the future King Henry V. It describes the virtues of a good ruler, and survives in 43 manuscript copies. For the text of Hoccleve&amp;rsquo;s &amp;ldquo;The Regiment of Princes&amp;rdquo;, see &lt;a href="http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm" target="_blank"&gt;http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>This article from the Western Mail offers a positive review of Edwin Arlington Robinsonâ€™s long narrative poem â€˜Tristramâ€™, published in 1927. Following poems titled â€˜Merlinâ€™ in 1917 and â€˜Lancelotâ€™ in 1920, this poem is the third instalment in a trilogy by Robinson based on Arthurian legends. â€˜Tristramâ€™ is a retelling, in blank verse, of BÃ©roulâ€™s late twelfth-century medieval romance â€˜Tristram and Iseultâ€™. The story of Tristram and Iseult is a tale of adulterous love between a Cornish Knight and the Irish bride of his uncle, King Mark. Robinson was awarded a Pulitzer prize for his â€˜Tristramâ€™ in 1928.</text>
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PDF</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span&gt;&lt;a href="http://nla.gov.au/nla.news-article4533824" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article4533824&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>A poem advertising the film â€˜The Vikingâ€™ on page 6 of the Darwin newspaper, the Northern Territory Times on July 24, 1931. The poem mentions historical Viking Age Danish kings Gorm and his son Harald Bluetooth, and other terms associated with the Vikings, including sagas, skalds, the North Sea, and serpent vessels. </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Viking, vikings, poem, poetry, poet, poems, Adelaide, Freya, Thor, Norsemen, Odin, legend, legends, raid, The Register, SA, saga, ships, skald, South Australia</text>
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                <text>A poem included in the â€˜Poems and Rhymesâ€™ section on page 4 of the Adelaide newspaper â€˜The Registerâ€™ on August 31, 1918. The poem evokes the Norse gods Odin and Thor in its imagery of shipbuilding, specifically modern steel ships being built in Australia. </text>
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                <text>National Library of Australia</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10520">
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="10521">
                <text>Newspaper Article; Poem; PDF</text>
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  <item itemId="474" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism in the Classroom</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34457">
                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="https://sols.uow.edu.au/owa/sid/CAL.SUBJECTINFO?p_subcode=ENGL337&amp;amp;p_year=2011&amp;amp;p_source=WebCMS" target="_blank"&gt;https://sols.uow.edu.au/owa/sid/CAL.SUBJECTINFO?p_subcode=ENGL337&amp;amp;p_year=2011&amp;amp;p_source=WebCMS&lt;/a&gt;</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10198">
                <text>Sex, Power, and Chivalry â€“ Medieval to Modern Literature</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Miguel de Cervantes, cinema, Louise Dâ€™Arcens, Clint Eastwood, fiction, film, William Morris, NSW, New South Wales, poetry, Alfred Tennyson, University of Wollongong, Wollongong, literature, university, universities</text>
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                <text>An undergraduate unit taught by Louise Dâ€™Arcens at the University of Wollongong in New South Wales. The unit begins with literature from the medieval period, including texts by Malory, Marie de France, the Gawain poet and Troubadours, Cervantesâ€™ early seventeenth-century satire of the medieval period â€˜Don Quixoteâ€™, and the nineteenth-century medievalism of Tennyson and Morris. After considering modern romance fiction, the unit concludes with the Clint Eastwood film â€˜Unforgivenâ€™, asking if any chivalric or courtly ideals have been transplanted to the American frontier. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="10201">
                <text>D'Arcens, Louise</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="10202">
                <text>University of Wollongong</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="10203">
                <text>University of Wollongong </text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10204">
                <text>July 2010</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10205">
                <text>Louise Dâ€™Arcens, University of Wollongong</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10206">
                <text>Unit hyperlink</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="10207">
                <text>English</text>
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        <name>Alfred Tennyson</name>
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        <name>cinema</name>
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        <name>Clint Eastwood</name>
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        <name>fiction</name>
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        <name>film</name>
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        <name>literature</name>
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        <name>Louise Dâ€™Arcens</name>
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        <name>NSW</name>
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        <name>poetry</name>
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        <name>universities</name>
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        <name>university</name>
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        <name>University of Wollongong</name>
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      <tag tagId="2981">
        <name>William Morris</name>
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      <tag tagId="3097">
        <name>Wollongong</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
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        <element elementId="28">
          <name>URL</name>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/703/&lt;/a&gt;</text>
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            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="31301">
                <text>â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31302">
                <text>Alice Perrers (1348-1400), anniversary, art, artwork, birthday, Black Prince (1330-1376), Court, Custance, Dante Gabriel Rossetti (1828-1882), Edward III (1312-1377), English language, Geoffrey Chaucer (c.1343-1400), history painting, jester, John of Gaunt (1340-1399), knight, â€˜Legend of Custanceâ€™, Lute, palace of Sheen, poetry, Pre-Raphaelite, reading, royalty, troubadour.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31303">
                <text>This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled &amp;ldquo;Geoffrey Chaucer Reading the &amp;lsquo;Legend of Custance&amp;rsquo; to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince&amp;rsquo;s Forty-Fifth Birthday&amp;rdquo;, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King&amp;rsquo;s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown&amp;rsquo;s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer &amp;amp; Laura MacCulloch, &lt;em&gt;Ford Madox Brown: The Unofficial Pre-Raphaelite&lt;/em&gt;, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the &amp;lsquo;Father of English poetry&amp;rsquo;. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because &amp;ldquo;the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity&amp;rdquo; (Velma Bourgeois Richmond, &amp;ldquo;Ford Madox Brown&amp;rsquo;s Protestant Medievalism: Chaucer and Wycliffe&amp;rdquo;, &lt;em&gt;Christianity and Literature&lt;/em&gt;, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled &lt;em&gt;The Seeds and Fruits of English Poetry&lt;/em&gt;, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns.</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31304">
                <text>Ford Madox Brown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="31305">
                <text>The Art Gallery of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31306">
                <text>1847-1851</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31307">
                <text>The Art Gallery of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31308">
                <text>Oil on Canvas, 372cm x 296cm</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="5925">
        <name>â€˜Legend of Custanceâ€™</name>
      </tag>
      <tag tagId="5920">
        <name>Alice Perrers (1348-1400)</name>
      </tag>
      <tag tagId="1019">
        <name>anniversary</name>
      </tag>
      <tag tagId="575">
        <name>art</name>
      </tag>
      <tag tagId="1230">
        <name>artwork</name>
      </tag>
      <tag tagId="4295">
        <name>birthday</name>
      </tag>
      <tag tagId="5921">
        <name>Black Prince (1330-1376)</name>
      </tag>
      <tag tagId="892">
        <name>court</name>
      </tag>
      <tag tagId="5922">
        <name>Custance</name>
      </tag>
      <tag tagId="3908">
        <name>Dante Gabriel Rossetti (1828-1882)</name>
      </tag>
      <tag tagId="5923">
        <name>Edward III (1312-1377)</name>
      </tag>
      <tag tagId="1262">
        <name>English language</name>
      </tag>
      <tag tagId="5208">
        <name>Geoffrey Chaucer (c.1343-1400)</name>
      </tag>
      <tag tagId="5924">
        <name>history painting</name>
      </tag>
      <tag tagId="163">
        <name>jester</name>
      </tag>
      <tag tagId="4439">
        <name>John of Gaunt (1340-1399)</name>
      </tag>
      <tag tagId="96">
        <name>knight</name>
      </tag>
      <tag tagId="631">
        <name>Lute</name>
      </tag>
      <tag tagId="5926">
        <name>palace of Sheen</name>
      </tag>
      <tag tagId="1272">
        <name>poetry</name>
      </tag>
      <tag tagId="3911">
        <name>Pre-Raphaelite</name>
      </tag>
      <tag tagId="791">
        <name>reading</name>
      </tag>
      <tag tagId="232">
        <name>royalty</name>
      </tag>
      <tag tagId="2332">
        <name>troubadour</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="492" public="1" featured="0">
    <fileContainer>
      <file fileId="540">
        <src>https://ausmed.arts.uwa.edu.au/files/original/ed3e43619ac78c915ad38e7fcfe0b947.pdf</src>
        <authentication>30aa5ae8c7cb23b2f52261855c6449ad</authentication>
      </file>
    </fileContainer>
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="10512">
              <text>Poem; PDF</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10502">
                <text>â€˜The Vikingâ€™ poem </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10503">
                <text>Viking, vikings, poem, poetry, poet, poems, Adelaide, Freya, J.A. Fort, Norsemen, Odin, legend, legends, raid, The Register, SA, saga, ships, skald, South Australia, The Spectator, Thor, Valhalla</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10504">
                <text>A poem by J.A. Fort published in the UK magazine The Spectator and reprinted on page 5 of the Adelaide newspaper The Register on September 25, 1926. The poem describes the attraction of going on a Viking raid by ship, including the knowledge that if you are killed you will go to Valhalla and meet Norse gods such as Odin, Thor and Freya, as skalds sing and tell sagas. The poem was presumably reprinted as it was considered of interest to the readers of the newspaper. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10505">
                <text>Fort, J.A.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="10506">
                <text>National Library of Australia; The Spectator</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="10507">
                <text>The Spectator; The Register</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10508">
                <text>25 September, 1926</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10509">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10510">
                <text>Poem; Newspaper Article; PDF</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10511">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1123">
        <name>Adelaide</name>
      </tag>
      <tag tagId="3171">
        <name>Freya</name>
      </tag>
      <tag tagId="3172">
        <name>J.A. Fort</name>
      </tag>
      <tag tagId="1219">
        <name>legend</name>
      </tag>
      <tag tagId="1763">
        <name>legends</name>
      </tag>
      <tag tagId="3130">
        <name>Norsemen</name>
      </tag>
      <tag tagId="3173">
        <name>Odin</name>
      </tag>
      <tag tagId="1595">
        <name>poem</name>
      </tag>
      <tag tagId="1965">
        <name>poems</name>
      </tag>
      <tag tagId="1271">
        <name>poet</name>
      </tag>
      <tag tagId="1272">
        <name>poetry</name>
      </tag>
      <tag tagId="3174">
        <name>raid</name>
      </tag>
      <tag tagId="887">
        <name>SA</name>
      </tag>
      <tag tagId="3110">
        <name>saga</name>
      </tag>
      <tag tagId="2551">
        <name>ships</name>
      </tag>
      <tag tagId="3121">
        <name>skald</name>
      </tag>
      <tag tagId="885">
        <name>South Australia</name>
      </tag>
      <tag tagId="3175">
        <name>The Register</name>
      </tag>
      <tag tagId="3176">
        <name>The Spectator</name>
      </tag>
      <tag tagId="3177">
        <name>Thor</name>
      </tag>
      <tag tagId="3178">
        <name>Valhalla</name>
      </tag>
      <tag tagId="2556">
        <name>viking</name>
      </tag>
      <tag tagId="2703">
        <name>vikings</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
