1 8 23 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self">http://www.artgallery.nsw.gov.au/collection/works/703/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown Subject The topic of the resource Alice Perrers (1348-1400), anniversary, art, artwork, birthday, Black Prince (1330-1376), Court, Custance, Dante Gabriel Rossetti (1828-1882), Edward III (1312-1377), English language, Geoffrey Chaucer (c.1343-1400), history painting, jester, John of Gaunt (1340-1399), knight, â€˜Legend of Custanceâ€™, Lute, palace of Sheen, poetry, Pre-Raphaelite, reading, royalty, troubadour. Description An account of the resource This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled “Geoffrey Chaucer Reading the ‘Legend of Custance’ to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince’s Forty-Fifth Birthday”, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King’s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown’s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer & Laura MacCulloch, Ford Madox Brown: The Unofficial Pre-Raphaelite, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the ‘Father of English poetry’. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because “the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity” (Velma Bourgeois Richmond, “Ford Madox Brown’s Protestant Medievalism: Chaucer and Wycliffe”, Christianity and Literature, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled The Seeds and Fruits of English Poetry, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns. Creator An entity primarily responsible for making the resource Ford Madox Brown Source A related resource from which the described resource is derived The Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1847-1851 Rights Information about rights held in and over the resource The Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 372cm x 296cm â€˜Legend of Custanceâ€™ Alice Perrers (1348-1400) anniversary art artwork birthday Black Prince (1330-1376) court Custance Dante Gabriel Rossetti (1828-1882) Edward III (1312-1377) English language Geoffrey Chaucer (c.1343-1400) history painting jester John of Gaunt (1340-1399) knight Lute palace of Sheen poetry Pre-Raphaelite reading royalty troubadour Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"><a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html">http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html</a>   Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜â€˜Thingless Namesâ€™? The St George Legend in Australiaâ€™ Subject The topic of the resource Article, beer, commercial, dragon, La Trobe Journal, Andrew Lynch, Perth, poetry, rugby, St George, St George Illawarra Dragons, St Georgeâ€™s Cathedral, stained glass windows, statue, â€˜â€˜Thingless Namesâ€™? The St George Legend in Australiaâ€™, The University of Western Australia. Description An account of the resource ‘‘Thingless Names’? The St George Legend in Australia’ is an article by Andrew Lynch from The University of Western Australia. It appeared in the La Trobe Journal (No. 81, pp. 40-52) in Autumn 2008. The article briefly considers the impact of medievalism in Australia during the nineteenth century before focussing in particular on the many uses of the figure of St George, with or without the dragon, which can be found throughout Australia. A wide range of examples, including statues, stained glass windows, street names, poetry, beer commercials, St George Illawarra Dragons rugby club, are used, and there is a particular focus on St George’s Cathedral in Perth.   For the article see <a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_self">http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html</a> Creator An entity primarily responsible for making the resource Lynch, Andrew Publisher An entity responsible for making the resource available La Trobe Journal Date A point or period of time associated with an event in the lifecycle of the resource Autumn 2008 Rights Information about rights held in and over the resource Andrew Lynch; La Trobe Journal; State Library of Victoria Format The file format, physical medium, or dimensions of the resource Journal article; Hyperlink â€˜â€˜Thingless Namesâ€™? The St George Legend in Australiaâ€™ Andrew Lynch article Beer commercial dragon La Trobe Journal Perth poetry rugby St George St George Illawarra Dragons St Georgeâ€™s Cathedral stained glass windows statue The University of Western Australia. https://ausmed.arts.uwa.edu.au/files/original/90faa97aeaf719d655ea596e102635ad.jpg 43587f426593b031263a2f0d00ad6e15 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3505 Width 679 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Microfilm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Jack Cade: A Tribute to the Much-Maligned Patriot (see ‘Henry VI’ Second Part. Act IV. Scene X)’, The Bulletin, 8 December 1894. Subject The topic of the resource Alexander Iden, doggerel, Henry VI Part II, Jack Cade, John Bull, Kent, London, poetry, political commentary, rebellion, revolt, roast beef, verse, Victor J. Daley (1858-1905), William Shakespeare (c.1564-1616). Description An account of the resource Victor Daley was an Irishman who came to Australia as a young man. He wrote romantic verse and was referred to by Vivian Smith as, “one of the most attractive poets of the nineties in Australia” (Vivian Smith, ‘Poetry’, The Oxford History of Australian Literature, ed. by Leonie Kramer, Oxford, Oxford University Press, 1981, p.319). He also wrote under the pen-name Creeve Roe (trans. ‘Red Branch’), which conjures the image of a “Celtic bard singing ancient songs” in an unmistakably Antipodean context (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.124). In this period poem, Daley praises the memory of Jack Cade, a Kentish rebel leader who died in 1450. The poem critiques Shakespeare’s treatment of Cade in Henry VI, Part II. Daley’s objective seems to be setting the record straight and praising Jack Cade for his courage. He also seeks to summon local resistance to social values that he thinks have no place in an Australian bush setting. Addressing the English Bard directly he states, “I think thy mediaeval / social views suit not this clime.” The denouement, which involves a fight between the well-nourished Kentish squire Alexander Iden and the near-starving disconsolate rebel Cade, produces imagery of John Bull, over-stuffed with English beef, taking-on those who are ill-prepared for resistance. It is a decidedly one-sided encounter, and the outcome – Cade’s death – is never seriously in doubt. The rationale for condemnation is that the likes of Alexander Iden, depicted “Gasconading in his garden,” frequently attract undeserved honours and knighthoods, while the impoverished people (Jack Cade among them) fare ignominiously. The poem closes after encouraging the downtrodden to take their lead from Cade, and concludes with a toast to the memory of his brave deeds. Creator An entity primarily responsible for making the resource Victor J. Daley Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 8 December 1894 (p. 22) Rights Information about rights held in and over the resource Public Domain Alexander Iden doggerel Henry VI Part II Jack Cade John Bull Kent London poetry political commentary rebellion revolt roast beef verse Victor J. Daley (1858-1905) William Shakespeare (c.1564-1616) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.allegromusic.com.au/artist/troveresse-medieval-music-ensemble/bio" target="_blank">http://www.allegromusic.com.au/artist/troveresse-medieval-music-ensemble/bio</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Troveresse Medieval Music Ensemble Subject The topic of the resource Helen Dell, Drama, France, Iberia, Melbourne, music, performance, poetry, song, Troveresse Medieval Music Ensemble, Vic, Victoria Description An account of the resource Troveresse Medieval Music Ensemble was founded by mezzo soprano Helen Dell in Melbourne, Victoria, in 2007. Their concert program includes Loveâ€™s Paradise â€“ love stories and songs from twelfth and thirteenth-century France; Songs from the Heart â€“ songs by and for women from medieval France; All You Who Love â€“ medieval and early renaissance music from the Iberian Peninsula. As well as music their performances include stories, poetry, and drama. Creator An entity primarily responsible for making the resource Allegro Music Date A point or period of time associated with an event in the lifecycle of the resource 13 April 2012 Rights Information about rights held in and over the resource Allegro Music, Troveresse Medieval Music Ensemble Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English drama France Helen Dell Iberia Melbourne music performance poetry song Troveresse Medieval Music Ensemble Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/f2ea23f307d73ef64a42007decc5eb29.jpg 38e6038199730aa22baceedba77d75f8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2817 Width 2476 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Journal (microfilm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Romance' Subject The topic of the resource Alice Werner (1859-1935), castle, chivalry, â€˜Creeve Roeâ€™, Gothic medievalism, knight, L. D. (1859-1935), Lucia Di Valle Rojana (1859-1935), melancholia, poetry, romance, tournament, Victor Daley (1858-1905) Description An account of the resource The long-vanished past is briefly reconfigured in this sad and poignant poem. It allows us a fleeting glimpse of what has (or may have) been, even though we find ourselves standing in the waking world â€œUnder blue skies in a fair land.â€ True Romance, it suggests, has gone the way of stately knights in armour, beautiful â€˜maidens forlorn,â€™ castles, and all the accoutrements and trappings of the chivalric medieval past. In gothic literary fashion the buildings, mores and customs have all crumbled, decayed, and vanished, and the poem â€œlament[s] the irredeemable loss of this world, which â€˜Ages ago [...] faded out and diedâ€™â€ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910 Turnhout, Brepols, 2011, p.139). While these verses do convey sadness and melancholia, Australia was a new land, at least in terms of European settlement and influence, and so it can be concluded, as Louise Dâ€™Arcens suggests, that that, â€œthis melancholy poem is not coupled with any attempt to reanimate the spirit of nostalgia in the presentâ€ (Dâ€™Arcens, p.139). Creator An entity primarily responsible for making the resource L. D. (Alice Werner aka Lucia Di Valle Rojana) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 15 August 1885 (p. 22) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (microfilm) Language A language of the resource English â€˜Creeve Roeâ€™ Alice Werner (1859-1935) castle chivalry Gothic medievalism knight L. D. (1859-1935) Lucia Di Valle Rojana (1859-1935) melancholia poetry romance tournament Victor Daley (1858-1905) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Local URL The URL of the local directory containing all assets of the website. <a href="http://www.maxwellwines.com.au/maxwell-mead/">http://www.maxwellwines.com.au/maxwell-mead/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maxwell Mead Subject The topic of the resource Anglo-Saxon, Beowulf, beverage, label, honeymoon, honey wine, king, McLaren Vale, Maxwell Mead, Maxwell Wines, mead, poetry, SA, Scandinavia, South Australia, stained glass, sword, Viking. Description An account of the resource The McLaren Vale, South Australia, company Maxwell Wines produce three varieties of Maxwell Mead. Their website explains that although mead was first drunk much earlier than the medieval period, it has a particularly strong association with Scandinavian culture during the Viking Age (c. 790-1000), where the Mead of Poetry is a mythical drink that allows one to become a poet. Mead is also drunk by the Danish warriors in the Anglo-Saxon epic poem Beowulf. The website also claims that the term ‘honeymoon’ comes from a newlywed couple being given mead as an aphrodisiac in the hope of conceiving a child (this etymology is difficult to prove). The label of Maxwell Mead features a medieval king standing in front of a stained glass window and holding a sword. For their website see <a href="http://www.maxwellwines.com.au/maxwell-mead/">http://www.maxwellwines.com.au/maxwell-mead/</a> Creator An entity primarily responsible for making the resource Maxwell Wines Rights Information about rights held in and over the resource Maxwell Wines Format The file format, physical medium, or dimensions of the resource Hyperlink Anglo-Saxon Beowulf beverage honey wine honeymoon king label Maxwell Mead Maxwell Wines McLaren Vale mead poetry SA Scandinavia South Australia stained glass sword Viking. https://ausmed.arts.uwa.edu.au/files/original/d4356edcb51374afbe111abf475a00c7.pdf 8ffe1b3144723449851d18a6255adaea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article; Poem; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viking Song Subject The topic of the resource Viking, vikings, poem, poetry, poet, poems, Adelaide, Freya, Thor, Norsemen, Odin, legend, legends, raid, The Register, SA, saga, ships, skald, South Australia Description An account of the resource A poem included in the â€˜Poems and Rhymesâ€™ section on page 4 of the Adelaide newspaper â€˜The Registerâ€™ on August 31, 1918. The poem evokes the Norse gods Odin and Thor in its imagery of shipbuilding, specifically modern steel ships being built in Australia. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Register Date A point or period of time associated with an event in the lifecycle of the resource 31 August 1918 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Newspaper Article; Poem; PDF Language A language of the resource English Adelaide Freya legend legends Norsemen Odin poem poems poet poetry raid SA saga ships skald South Australia The Register Thor viking vikings https://ausmed.arts.uwa.edu.au/files/original/ed3e43619ac78c915ad38e7fcfe0b947.pdf 30aa5ae8c7cb23b2f52261855c6449ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Poem; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The Vikingâ€™ poem Subject The topic of the resource Viking, vikings, poem, poetry, poet, poems, Adelaide, Freya, J.A. Fort, Norsemen, Odin, legend, legends, raid, The Register, SA, saga, ships, skald, South Australia, The Spectator, Thor, Valhalla Description An account of the resource A poem by J.A. Fort published in the UK magazine The Spectator and reprinted on page 5 of the Adelaide newspaper The Register on September 25, 1926. The poem describes the attraction of going on a Viking raid by ship, including the knowledge that if you are killed you will go to Valhalla and meet Norse gods such as Odin, Thor and Freya, as skalds sing and tell sagas. The poem was presumably reprinted as it was considered of interest to the readers of the newspaper. Creator An entity primarily responsible for making the resource Fort, J.A. Source A related resource from which the described resource is derived National Library of Australia; The Spectator Publisher An entity responsible for making the resource available The Spectator; The Register Date A point or period of time associated with an event in the lifecycle of the resource 25 September, 1926 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Poem; Newspaper Article; PDF Language A language of the resource English Adelaide Freya J.A. Fort legend legends Norsemen Odin poem poems poet poetry raid SA saga ships skald South Australia The Register The Spectator Thor Valhalla viking vikings