1 8 10 https://ausmed.arts.uwa.edu.au/files/original/9de6841e9834d69b1323ed9a291fbbc2.pdf a8fb22781fde49a24e33aa39c4ebc126 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article58381388" target="_self">http://nla.gov.au/nla.news-article58381388</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Allan Wilkie: Henry VIII on Stage’, The Sunday Times, 27 April 1930 Subject The topic of the resource Allan Wilkie, Allan Wilkie Company, Anne Boleyn (c.1501-1536), Cardinal Thomas Wolsey (c.1473-1530), Catherine of Aragon (1484-1536), Duke of Buckingham, Edward Stafford (1478-1521), Henry VIII (1481-1547), His Majesty's Theatre, Miss Hunter-Watts, Miss Mildred Howard, Mr Alexander Marsh, Mr John Cairns, Mr William Lockhart, papal envoy, play, performance, Perth, Old England, stage, Tudor times, WA, Western Australia. Description An account of the resource This article published in The Sunday Times reviews a production of ‘Henry VIII’ staged at the His Majesty's Theatre in Perth by the Allan Wilkie Company in 1930. Assisted by elaborate scenes and plush costumes it succeeded, according to the article, in bringing to life the Tudor period: an age of ‘a powerful diplomatic Cardinal that rose from the lowliness of being a son of a butcher; who rose to share the prominence of his regal master; of the beautiful and ill-fated loves of Henry, Catherine of Aragon and Anne Boleyn and of the unfortunate Duke of Buckingham’. A criticism levelled against the play was that its attempt to include so many different historical events could lead to incoherency, however, the general consensus of the article was that this was countered by its spectacular revival of ‘Old England’. Creator An entity primarily responsible for making the resource Anon Source A related resource from which the described resource is derived TROVE: National Library of Australia, <a href="http://nla.gov.au/nla.news-article58381388" target="_self">http://nla.gov.au/nla.news-article58381388</a> Publisher An entity responsible for making the resource available The Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 27 April 1930, p.8 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article Allan Wilkie Allan Wilkie Company Anne Boleyn (c.1501-1536) Cardinal Thomas Wolsey (c.1473-1530) Catherine of Aragon (1484-1536) Duke of Buckingham Edward Stafford (1478-1521) Henry VIII (1481-1547) His Majesty's Theatre Miss Hunter-Watts Miss Mildred Howard Mr Alexander Marsh Mr John Cairns Mr William Lockhart Old England papal envoy performance Perth play stage Tudor times WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.  go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.   search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feigned Death of Juliet Subject The topic of the resource bedchamber, Capulet, characters, Count Paris, domestic interior, Frederic Leighton (1830-1896), Friar Laurence, Juliet, Lady Capulet, medieval dress, music, musical instruments, musicians, nurse, play, Romeo and Juliet, SA, Shakespearean characters, South Australia, tragedy, William Shakespeare (1564-1616) Description An account of the resource This oil on canvas painting by nineteenth-century artist Frederic Leighton was acquired by the Art Gallery of South Australia with funds from the Elder Bequest in 1899. Titled â€˜The Feigned Death of Julietâ€™ it depicts a scene from William Shakespeareâ€™s tragedy 'Romeo and Juliet'. In Act IV Scene V of the play, Count Paris arrives at the Capulet house with Friar Laurence to claim Juliet as his bride. However, instead of finding her ready to proceed to the church to be wed, he discovers Juliet seemingly lifeless in her chamber. In Leightonâ€™s painting, Juliet is shown lying on a bed surrounded by her mother, her nurse, her father and Count Paris. Friar Laurence hovers in the corner and a band of musicians congregate by the open door with their instruments. Although the play was written in the 1590s, it is set in Verona in an earlier (but unspecified) period. The characters in the painting are all depicted wearing styles of dress typical of the High Middle Ages. Creator An entity primarily responsible for making the resource Leighton, Frederic Source A related resource from which the described resource is derived Art Gallery of South Australia Publisher An entity responsible for making the resource available Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1856 - 1858 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 113.6 x 175.2cm; Hyperlink bedchamber Capulet characters Count Paris domestic interior Frederic Leighton (1830-1896) Friar Laurence Juliet Lady Capulet medieval dress music musical instruments musicians nurse play Romeo and Juliet SA Shakespearean characters South Australia tragedy William Shakespeare (1564-1616) https://ausmed.arts.uwa.edu.au/files/original/307e072381596905e88bc93d123d21a9.pdf b0be7923965af6c8d572b8271f4493b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article; PDF <a href="http://nla.gov.au/nla.news-article58664522" target="_blank">http://nla.gov.au/nla.news-article58664522</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vacuum Entertainment: Enjoyable Evening at the Y.A.L. Subject The topic of the resource alchemy, alchemist, drama, entertainment, function, G. W. Craggs, L. B. McCay, laboratory, Major Norman Brearley, medieval setting, play, stage performance, Vacuum Oil Company, WA, Western Australia Y.A.L. Hall Description An account of the resource This newspaper article from the Sunday Times reports on a function hosted by the Vacuum Oil Company at the Y.A.L. Hall on 1 June 1932. In addition to an address Major Norman Brearley, the managing director of W.A. Airways, the programme for the evening featured a well-received one-act play written by Mr L. B. McCay and produced by one of the Companyâ€™s automotive staff, Mr G. W. Craggs. Although no further details about the play are provided, the setting is described as â€˜the subterranean laboratory of medieval alchemistsâ€™. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived The National Library of Australia Publisher An entity responsible for making the resource available The Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 5 June 1932, p. 4. Rights Information about rights held in and over the resource The Sunday Times Format The file format, physical medium, or dimensions of the resource Digitised newspaper article; PDF Language A language of the resource English alchemist alchemy drama entertainment function G. W. Craggs L. B. McCay laboratory Major Norman Brearley medieval setting play stage performance Vacuum Oil Company WA Western Australia Y.A.L. Hall https://ausmed.arts.uwa.edu.au/files/original/c22a9aa65eed81b67717d5b895e7b7a1.pdf 0191eaf7816a438dff9fc1adf4892a83 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article: National Library of Australia <a href="http://nla.gov.au/nla.news-article58662791" target="_blank">http://nla.gov.au/nla.news-article58662791</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Saint Joan" Subject The topic of the resource Albert Chevalier, Atholl Fleming (1984-1972), Battle, Bishop of Beauvais, Bluebeard, British stage, Bruce Winston, canonisation, Captain La Hire, cast, characters, Charles VII, Charles de Ponthieu (1403-1461), Christopher Casson (1912-1996), Dauphin, Donald Eccles (1908-1986), drama, Dunois, Earl of Warwick, George Bernard Shaw (1856-1950), Hilda Davies, His Majestyâ€™s Theatre, Hundred Yearsâ€™ War (1336-1453), Inquisitor, Jeanne dâ€™Arc, Joan of Arc (1412-1431), Ladvenu, Leonard Bennett, Lewis Casson (1875-1969), maid of OrlÃ©ans, medieval France, Michael Martin-Harvey (1897-1975), New Theatre, Page, Perth, play, Poulengey, Rheims Cathedral, Robert de Baudricourt, Rouen, Saint Joan, â€œSaint Joanâ€, St. Joan, St Joan, saint, saints, stage, Sybil Thorndike (1882-1976), T. Tracy, theatre, theatrical production, trial, warrior, Zillah Carter (1864-1941) Description An account of the resource This article from the Sunday Times provides a positive review of George Bernard Shaw’s “Saint Joan”, which premiered in Australia at His Majesty’s Theatre in 1932. “Saint Joan” is a play based on the life (Scenes 1-5), trial (scene 6) and canonisation (Epilogue) of Joan of Arc. The play’s depiction of medieval France is praised by the reviewer as vivid and realistic. For a copy of Shaw’s “Saint Joan”, see <a href="http://gutenberg.net.au/ebooks02/0200811h.html" target="_blank">http://gutenberg.net.au/ebooks02/0200811h.html</a>.   About Joan of Arc: Joan of Arc was born in 1412 in the French village of Domrémy. From the age of about 12, Joan had visions of saints and heard heavenly voices that increasingly urged her to fight for France during the Hundred Years’ War. She travelled to the court of Charles De Ponthieu, the Orléanist claimant to the throne, where she was provided with a suit of armour and her distinctive banner depicting a golden fleur-de-lys. She secured a decisive military victory to rescue the city of Orléans from the Earl of Salisbury’s English army in 1429, and was present at the coronation of Charles VII. However, in May the following year Joan was captured by Burgundian forces at Compiègne, and was handed over to the English. She was tried at Rouen on charges of witchcraft and heresy, and was condemned to death. On 30 May 1431, she was executed. Two and a half decades later, the case was appealed and her conviction was overturned. She was beatified in 1909 and canonised as a saint in 1920. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article58662791" target="_blank">http://nla.gov.au/nla.news-article58662791</a> Publisher An entity responsible for making the resource available The Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 8 May 1932 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article Language A language of the resource English â€œSaint Joanâ€ Albert Chevalier Atholl Fleming (1984-1972) battle Bishop of Beauvais Bluebeard British stage Bruce Winston canonisation Captain La Hire cast characters Charles de Ponthieu (1403-1461) Charles VII Christopher Casson (1912-1996) Dauphin Donald Eccles (1908-1986) drama Dunois Earl of Warwick George Bernard Shaw (1856-1950) Hilda Davies His Majestyâ€™s Theatre Hundred Yearsâ€™ War (1336-1453) Inquisitor Jeanne dâ€™Arc Joan of Arc (1412-1431) Ladvenu Leonard Bennett Lewis Casson (1875-1969) maid of OrlÃ©ans medieval France Michael Martin-Harvey (1897-1975) New Theatre page Perth play Poulengey Rheims Cathedral Robert de Baudricourt Rouen saint Saint Joan saints St Joan St. Joan stage Sybil Thorndike (1882-1976) T. Tracy theatre theatrical production trial warrior Zillah Carter (1864-1941) https://ausmed.arts.uwa.edu.au/files/original/172793bb9248f0ac6109bc923559dc77.pdf 8fb2e5e778e005561151d74b4b0c369a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article/review; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Theatre review: Emlyn Williams â€˜The Wind of Heavenâ€™ Subject The topic of the resource Theatre, Wind of Heaven, medieval saints, saint, saints, hagiography, saints in drama, drama, children, children as portents of the divine, divine, divinity, Genesian players, Sydney, The Marvellous History of Saint Bernard, Barry Jackson, Henri Gheon, fifteenth century, manuscript, The Green Pastures, play, Marc Connelly, angel, Gabriel, Adam, Eve, Adam and Eve, Bernard Shaw â€˜Saint Joanâ€™, good versus evil, Minerva Theatre, Jerome K. Jerome, â€˜The Passing of the Third Floor Backâ€™ play, jester, pilgrims, pilgrim Description An account of the resource A.T. critiques three plays that have an angel or saint in them. Set in a Welsh village, â€˜The Wind of Heavenâ€™ is about a boy named Gwyn who works a miracle in a village devastated by cholera. He brings back to life a dead soldier and new hope to the soldierâ€™s widow and the whole town. Jerome K. Jeromeâ€™s play about a mysterious Stranger is â€˜the saint over-doneâ€™. The final play, â€˜The Marvellous History of Saint Bernardâ€™, divides its stage into heaven, earth and hell. This picture â€˜was as real to the medieval mind as the Harbour Bridge is to usâ€™. The author notes that it is illegal to depict the Deity on stage in England so Mary was substituted for God in the latter play. A.T. remarks that Bernard Shaw deployed similar techniques in his play â€˜Saint Joanâ€™. Creator An entity primarily responsible for making the resource A.T. Source A related resource from which the described resource is derived Sydney Morning Herald Publisher An entity responsible for making the resource available Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 26 April 1947 Rights Information about rights held in and over the resource Public Domain Trove Format The file format, physical medium, or dimensions of the resource Newspaper Review Language A language of the resource English â€˜The Passing of the Third Floor Backâ€™ play Adam Adam and Eve angel Barry Jackson Bernard Shaw â€˜Saint Joanâ€™ children children as portents of the divine divine divinity drama Eve fifteenth century Gabriel Genesian players good versus evil hagiography Henri Gheon Jerome K. Jerome jester manuscript Marc Connelly medieval saints Minerva Theatre pilgrim pilgrims play saint saints saints in drama Sydney The Green Pastures The Marvellous History of Saint Bernard theatre Wind of Heaven https://ausmed.arts.uwa.edu.au/files/original/3f8bef8d878a0fa1fee7392d239e49c0.pdf 165ed994e4bed972b98f8ed7eb2434e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Bernard Shaw, playwright. Miracle plays of medieval church as influences. Subject The topic of the resource Bernard Shaw, Edith M. Fry, origins of modern theatre, medieval mystery plays, theatre, drama, tragedy and comedy in theatre, medieval church passion play, miracle plays, medieval stage influence on Shawâ€™s drama, Oberammergau Passion play Description An account of the resource Edith M. Fry interviews Bernard Shaw about his dramatic philosophy. Shaw claims that tragedy and comedy are intertwined. He delivers a short history of the theatre from Greek to modern times. He models his lack of scenery changes on stage from the techniques of the miracle plays of the medieval church. The miracle plays have no curtain; all scenery is placed on the stage; actors pass easily from one location to another without a change of scenery. He cites the Oberammergau Passion Play as an example. Shaw concludes that great drama ought not to depend on elaborate or changing scenery. Creator An entity primarily responsible for making the resource Fry, Edith M. Source A related resource from which the described resource is derived Sydney Morning Herald/National Library of Australia Publisher An entity responsible for making the resource available Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 15 May 1920 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Bernard Shaw drama Edith M. Fry medieval church passion play medieval mystery plays medieval stage influence on Shawâ€™s drama Miracle plays Oberammergau Passion play origins of modern theatre play plays theatre tragedy and comedy in theatre Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Black & White Photograph URL <a href="http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&B=11751878&SE=1">http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&B=11751878&SE=1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Murder Scene, 'Murder in the Cathedral', Bonython Hall, Adelaide. Subject The topic of the resource actor, actors, Adelaide, archbishop, Archbishop of Canterbury, Australian Elizabethan Trust, Bonython Hall, Canterbury Cathedral, cathedral, Hugh de Morville, knight, murder, â€˜Murder in the Cathedralâ€™, medieval crime, play, Reginald Fitzurse, Richard le Bret, Robert Speaight, South Australia, T. S. Eliot, Thomas aâ€™Becket, Thomas Becket, verse drama, William de Tracy Description An account of the resource British actor, Robert Speaight (as Thomas a'Becket) in the murder scene from 'Murder in the Cathedral', performed in Bonython Hall, Adelaide, with 4 knights (L to R: Ron Haddrick, Ken Broadbent, Eric Reiman and Ron Graham, members of the Australian Elizabethan Theatre). â€˜Murder in the Cathedralâ€™ is a verse drama written by T. S. Eliot and first performed in 1935. The plot recreates the murder of Archbishop Thomas Becket by four knights at Canterbury Cathedral on 29 December 1170. The knights - Reginald Fitzurse, Hugh de Morville, William de Tracy and Richard le Bret - had overhead Henry II complaining about Becket and interpreted it as an order to kill him. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Archives of Australia, Image number L34653 Publisher An entity responsible for making the resource available Australian News and Information Bureau, Canberra Date A point or period of time associated with an event in the lifecycle of the resource 1960 Rights Information about rights held in and over the resource Australian News and Information Bureau Format The file format, physical medium, or dimensions of the resource Hyperlink â€˜Murder in the Cathedralâ€™ actor actors Adelaide archbishop Archbishop of Canterbury Australian Elizabethan Trust Bonython Hall Canterbury Cathedral Cathedral Hugh de Morville knight medieval crime murder play Reginald Fitzurse Richard le Bret Robert Speaight South Australia T. S. Eliot Thomas aâ€™Becket Thomas Becket verse drama William de Tracy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Black & White Photograph URL <a href="http://www.adm.monash.edu.au/records-archives/archives/cgi-alias/monpix?IMAGE_NUMBER=4398">http://www.adm.monash.edu.au/records-archives/archives/cgi-alias/monpix?IMAGE_NUMBER=4398</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Rumpelstiltskin" Pan Pow Productions stage performance at Monash University, 1974 Subject The topic of the resource Alexander Theatre, child, fairytale, gold, Grimm Brothers, king, knights, medieval costume, medieval dress, Monash University, Monash, university, Pan Pow Productions, performers, play, queen, Rumpelstiltskin, spinning wheel, straw, theatre, theatre group, theatrical production, Victoria Description An account of the resource A Photograph of Act 1, Scene 4 from a 1974 stage performance of "Rumpelstiltskin" at the Alexander Theatre, Monash University, featuring Beverley Gardiner as Gretchen and Penelope Richards and Paul Kennedy as the two knights. â€œRumpelstiltskinâ€ is a childrenâ€™s fairytale by Jacob and Wilhelm Grimm. It was first written in 1812 and expanded in 1857. It tells the story of a Millerâ€™s daughter who is forced to spin straw into gold on threat of her life for three successive nights. A little man appears and offers to spin the straw for reward. On the first night she gives him her necklace, on the second her ring but on the third she has nothing to give and promises him her first born child. Years later, after she has married the king and has her first child, the man appears and gives the queen three days to guess his name or he will take her child. After two days of guessing to no avail, the queenâ€™s messenger (according to the 1857 version) stumbles upon the man dancing and singing in a house in the forest. The song he sings mentions his name, which the queen correctly reveals the following day. Although no date is given in the tale, the characters - involving a king, a queen and royal knights - and the importance of the spinning wheel are often assumed to indicate a medieval setting. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived Monash University Archives Publisher An entity responsible for making the resource available Monash University Date A point or period of time associated with an event in the lifecycle of the resource 1974 Rights Information about rights held in and over the resource Monash University Format The file format, physical medium, or dimensions of the resource Hyperlink Alexander Theatre child fairytale gold Grimm Brothers king knights medieval costume medieval dress Monash Monash University Pan Pow Productions performers play queen Rumpelstiltskin spinning wheel straw theatre theatre group theatrical production university Victoria