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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>plaster cast reinforced with fibre, watercolour wash and pencil grid marks</text>
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              <text>&lt;a href="http://cas.awm.gov.au/item/ART90767?image=2"&gt;http://cas.awm.gov.au/item/ART90767?image=2&lt;/a&gt;</text>
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                <text>Koala Gargoyle</text>
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                <text>animal, Australian animal, Australian War Memorial, cast, Commemorative Courtyard, gargoyle, koala, medieval architecture, Melbourne, model, ornamentation, plaster cast, Raymond Ewers, sandstone, sculpture, William Leslie Bowles, war, war memorial, water.</text>
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                <text>This plaster model for a gargoyle depicts the head of a koala. The plaster model was created in the studio of William Leslie Bowles in Melbourne with the assistance of sculptor, Ray Ewers. In 1940 and 1941 the plaster cast was used as the template for a stonemason to carve an in-situ sandstone gargoyle in the cloisters of the Commemorative Courtyard of the Australian War Memorial. Gargoyles were a common feature in medieval architecture. They were used to divert running water away from buildings before drainpipes became commonplace.&#13;
&#13;
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                <text>Bowles, Leslie (Artist);&#13;
Ewers, Raymond Boultwood (Cast by)</text>
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                <text>1939</text>
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              <text>&lt;a href="http://cas.awm.gov.au/item/ART93418?image=2"&gt;http://cas.awm.gov.au/item/ART93418?image=2&lt;/a&gt;</text>
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                <text>Opossum Gargoyle</text>
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                <text>This plaster model for a gargoyle depicts the face of an opossum. The plaster model was created in the studio of William Leslie Bowles in Melbourne with the assistance of sculptor, Ray Ewers. In 1940 and 1941 the plaster cast was used as the template for a stonemason to carve an in-situ sandstone gargoyle in the cloisters of the Commemorative Courtyard of the Australian War Memorial. This plaster cast has a hole in the mouth of the opossum for a spout. Gargoyles were a common feature in medieval architecture. They were used to divert running water away from buildings before drainpipes became commonplace. &#13;
&#13;
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