1 8 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL Part one: <a href="https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b" target="_blank">https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b</a>/ Part Two: <a href="https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/" target="_blank">https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The Canterbury Tales: Part Oneâ€™ & â€˜The Canterbury Tales: Part Twoâ€™, Perth Fringe Festival 2013 Subject The topic of the resource Canterbury Cathedral, carpenter, comedy, court, death, drama, flood, flour miller, Fringe Festival, Geoffrey Chaucer (c.1343-1400), King Arthur, knight, KNUTS, maiden, medieval literature, medieval poetry, Medieval Romance, modern adaptation, old hag, performance, Perth, pilgrim, pilgrimage, Science Fiction, shrine, space, Stephen Lee, Stephen Quinn, The Canterbury Tales, ‘The Franklin’s Tale’, ‘The Merchant’s Tale’, ‘The Miller’s Tale’, ‘The Pardoner’s Tale’, ‘The Reeve’s Tale’, ‘The Wife of Bath’s Tale’, Thomas Becket, Victorian Melodrama, villain, vulcan, WA, Western, Western Australia. Description An account of the resource This production by theatre company KNUTS is a modern adaptation of Geoffrey Chaucer’s The Canterbury Tales in two parts. Adapted by Stephen Quinn and directed by Stephen Lee, it transposes stories from Chaucer’s original text into a variety of different genres, ranging from Western to silent film, Victorian melodrama and a Shakespearean version of a Medieval Romance. Part One includes renditions of ‘The Pardoner’s Tale’, ‘The Miller’s Tale’ and ‘The Reeve’s Tale’, and Part Two ‘The Franklin’s Tale’, The Wife of Bath’s Tale’ and ‘The Merchant’s Tale’. This production featured as part of the Perth Fringe Festival in 2013, where ‘The Canterbury Tales: Part One’ was performed from 7 February to 13 February and ‘The Canterbury Tales: Part Two’ was performed the following week from 14 February to 19 February 2013. A positive review of ‘The Canterbury Tales: Part Two’ from The West Australian can be read at: <a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/" target="_blank">http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/</a>. In Chaucer’s original The Canterbury Tales, written in the late fourteenth century, the narrator joins a group of 29 pilgrims who are about to set out on a journey from Southwark to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. He proposes that each member of the group tell two stories to entertain them on their journey, and proceeds to record each of these ‘tales’. The teller of the best story was to be rewarded with a free meal at the expense of the rest of the group. Creator An entity primarily responsible for making the resource Written by Geoffrey Chaucer Adapted by Stephen Quinn Directed by Stephen Lee Source A related resource from which the described resource is derived FringeWorld Festival Website (<a href="https://www.fringeworld.com.au/home/" target="_blank">https://www.fringeworld.com.au/home/</a>) Date A point or period of time associated with an event in the lifecycle of the resource Part One: 7 February 2013 - 13 February 2013 Part Two: 14 February 2013 â€“ 19 February 2013 Rights Information about rights held in and over the resource Fringe Festival & KNUTS Theatre Company Format The file format, physical medium, or dimensions of the resource Performance in different genres, including Western, carry on film, silent movie, science fiction, â€˜mock Shakespeareâ€™, Victorian melodrama. â€˜The Franklinâ€™s Taleâ€™ â€˜The Merchantâ€™s Taleâ€™ â€˜The Millerâ€™s Taleâ€™ â€˜The Pardonerâ€™s Taleâ€™ â€˜The Reeveâ€™s Taleâ€™ â€˜The Wife of Bathâ€™s Taleâ€™ Canterbury Cathedral carpenter comedy court death drama flood flour miller Fringe Festival Geoffrey Chaucer (c.1343-1400) King Arthur knight KNUTS maiden medieval literature medieval poetry Medieval Romance modern adaptation old hag performance Perth pilgrim pilgrimage Science Fiction shrine space Stephen Lee Stephen Quinn The Canterbury Tales Thomas Becket Victorian Melodrama villain vulcan WA Western Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.mainlymedieval.com/store/product_info.php?products_id=883">http://www.mainlymedieval.com/store/product_info.php?products_id=883</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pilgrim Badge: St James of Compostella Subject The topic of the resource Badge, Compostella, material culture, â€˜Mainly Medievalâ€™, medieval pilgrimage, NSW, New South Wales, pilgrim, pilgrimage, replica, reproduction, Saint James, scallop shell, shrine, Spain, St James, symbolism, Way of St James Description An account of the resource An advertisement for a scallop shell badge distributed by â€˜Mainly Medievalâ€™, an online re-enactor supplies company based in New South Wales. The scallop shell badge signifies that the wearer has completed the lengthy overland pilgrimage known in English as the Way of St James. This pilgrimage, which now starts at Roncesvalles, gradually winds its way to the Cathedral in Compostela, NW Spain. The ninth-century version, however, was considerably shorter due to the Moorish occupation. This early route started at Oviedo, passed through Lugo, and culminated at Santiago de Compostela, covering a distance of 328 km. The church was built at Compostella as a shrine to James, the son of Salome and Zebedee, who died in Jerusalem AD 44 by order of King Agrippa. His body was reputedly rediscovered in 840 by divine revelation to Bishop Theodomirus (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol.2, p.1372). The Vatican â€˜officiallyâ€™ confirmed the location of St Jamesâ€™s relics and tomb via a Papal Bull in 1884, and consequently the Camino de Santiago de Compostela became one of the worldâ€™s great long-distance â€˜pilgrimages.â€™ Creator An entity primarily responsible for making the resource Mainly Medieval Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource Copyright Â© 2011 Mainly Medieval Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English â€˜Mainly Medievalâ€™ Badge Compostella material culture medieval pilgrimage New South Wales NSW pilgrim pilgrimage replica reproduction Saint James scallop shell shrine Spain St James symbolism Way of St James Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL To view this image: <a href="http://www.redbubble.com/people/wdonaldson/works/7127743-the-peasant?c=62571-medieval%20" target="_blank">http://www.redbubble.com/people/wdonaldson/works/7127743-the-peasant?c=62571-medieval </a>(16/11/2011). To see more images from Gumeracha Fair visit Wendi’s Medieval Gallery: <a href="http://www.redbubble.com/people/wdonaldson/collections/62571-medieval" target="_blank">http://www.redbubble.com/people/wdonaldson/collections/62571-medieval</a> (16/11/2011). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Peasantâ€™; or â€˜Pilgrimâ€™ Subject The topic of the resource Adelaide Hills, Camino de Santiago de Compostela, cockleshell, Gumeracha Medieval Fair, medieval costume, neo-medieval, peasant, pilgrim, pilgrimage, re-enactment, reneactment, SA, South Australia Wendi Donaldson Description An account of the resource This photograph was taken at the Gumeracha Medieval Fair, Adelaide Hills, South Australia by photographer Wendi Donaldson (May 2011). The image is entitled â€˜Peasant,â€™ but seeing as the man is wearing a scallop-shell as a badge in his wide-brimmed hat and is carrying a staff with a bevel-top, he is more likely a â€˜pilgrim.â€™ The scallop-shell was worn by those who journeyed to the shrine of St James (aka Santiago de Compostela), in NW Spain (See Dominic Selwood, Knights of the Cloister Woodbridge: Boydell Press, 1999, p.111). This was one of the three main Pilgrimages undertaken by medieval Christians, and it was also reputedly the easiest and safest. It was undoubtedly less expensive (or dangerous) than journeying to the Holy Land. The other two essential pilgrimage routes were the Church of the Holy Sepulchre, Jerusalem, and the shrine of St Peter, Rome. The Gumeracha Medieval Fair is an annual event sponsored by the Adelaide Hills Council. The Fair features a host of re-enactment groups from around the world, including handcraft stallholders, wandering musicians and entertainers, and a whole lot more. This is just one of several interesting medieval events held throughout the country at different times of the year. There is clearly a popular interest in the past, and especially the Middle Ages, as these fairs and festivals (which generally charge an admission fee) imply, and not just in Australia. There are professional re-enactment personnel and entertainers who traverse the globe in a bid to bring the past to life. Creator An entity primarily responsible for making the resource Donaldson, Wendi Date A point or period of time associated with an event in the lifecycle of the resource Gumeracha, South Australia, May 2011 Rights Information about rights held in and over the resource Â© All images copyright Wendi Donaldson 2011 Format The file format, physical medium, or dimensions of the resource Hyperlink Adelaide Hills Camino de Santiago de Compostela cockleshell Gumeracha Medieval Fair medieval costume neo-medieval peasant pilgrim pilgrimage re-enactment reneactment SA South Australia Wendi Donaldson https://ausmed.arts.uwa.edu.au/files/original/172793bb9248f0ac6109bc923559dc77.pdf 8fb2e5e778e005561151d74b4b0c369a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article/review; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Theatre review: Emlyn Williams â€˜The Wind of Heavenâ€™ Subject The topic of the resource Theatre, Wind of Heaven, medieval saints, saint, saints, hagiography, saints in drama, drama, children, children as portents of the divine, divine, divinity, Genesian players, Sydney, The Marvellous History of Saint Bernard, Barry Jackson, Henri Gheon, fifteenth century, manuscript, The Green Pastures, play, Marc Connelly, angel, Gabriel, Adam, Eve, Adam and Eve, Bernard Shaw â€˜Saint Joanâ€™, good versus evil, Minerva Theatre, Jerome K. Jerome, â€˜The Passing of the Third Floor Backâ€™ play, jester, pilgrims, pilgrim Description An account of the resource A.T. critiques three plays that have an angel or saint in them. Set in a Welsh village, â€˜The Wind of Heavenâ€™ is about a boy named Gwyn who works a miracle in a village devastated by cholera. He brings back to life a dead soldier and new hope to the soldierâ€™s widow and the whole town. Jerome K. Jeromeâ€™s play about a mysterious Stranger is â€˜the saint over-doneâ€™. The final play, â€˜The Marvellous History of Saint Bernardâ€™, divides its stage into heaven, earth and hell. This picture â€˜was as real to the medieval mind as the Harbour Bridge is to usâ€™. The author notes that it is illegal to depict the Deity on stage in England so Mary was substituted for God in the latter play. A.T. remarks that Bernard Shaw deployed similar techniques in his play â€˜Saint Joanâ€™. Creator An entity primarily responsible for making the resource A.T. Source A related resource from which the described resource is derived Sydney Morning Herald Publisher An entity responsible for making the resource available Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 26 April 1947 Rights Information about rights held in and over the resource Public Domain Trove Format The file format, physical medium, or dimensions of the resource Newspaper Review Language A language of the resource English â€˜The Passing of the Third Floor Backâ€™ play Adam Adam and Eve angel Barry Jackson Bernard Shaw â€˜Saint Joanâ€™ children children as portents of the divine divine divinity drama Eve fifteenth century Gabriel Genesian players good versus evil hagiography Henri Gheon Jerome K. Jerome jester manuscript Marc Connelly medieval saints Minerva Theatre pilgrim pilgrims play saint saints saints in drama Sydney The Green Pastures The Marvellous History of Saint Bernard theatre Wind of Heaven