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                <text>The Edward Nicholas (d. 1881) memorial window is in St Michael and All Angels Anglican Church in the Tasmanian town of Bothwell. The window consists of two lancet windows, each of which features Christ. He is framed by a representation of elaborate Gothic building with towers, crenellation, and spires. The window on the right includes two knights below Christ (who carries a pennant, or long narrow flag, of St George) dressed in plate armour and helmets of the late medieval period. One of the knights wears a sword.  </text>
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                <text>&lt;p&gt;An image of the &amp;lsquo;Saint George&amp;rsquo; stained glass window at St Alban&amp;rsquo;s Anglican Church, Highgate. This stained glass is one of three windows (the others depicting St Alban and St Michael) located at the rear of the church. It was originally purchased for St George&amp;rsquo;s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban&amp;rsquo;s. The stained glass depicts George standing astride a vanquished winged-dragon. As is common in artistic renditions, George&amp;rsquo;s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His spear, which pierces the dragon, is also a processional cross and has a pennant with a cross flying from it.&lt;/p&gt;&#13;
&lt;p&gt;About St Alban&amp;rsquo;s:&lt;/p&gt;&#13;
&lt;p&gt;St Alban&amp;rsquo;s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban&amp;rsquo;s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban&amp;rsquo;s, see: &lt;a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank"&gt;http://stalbans.org.au/about-st-albans/historic-st-albans/&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Image of the Jeanne d&amp;rsquo;Arc bronze statue at  the State Library of  Victoria in Melbourne. The statue is the work of  French sculptor  Emmanuel Fr&amp;eacute;miet, and is a cast of the 1899 version of  his Jeanne d&amp;rsquo;Arc  which stands in the Place des Pyramides in Paris.  Purchased in 1906 by  Bernard Hall, the Director of the National Gallery  of Victoria, with  funds from the Felton Bequest, it was installed at  the entrance to the  State Library of Victoria on 4 February 1907. The  sculpture depicts the  young Joan of Arc astride a war-horse, dressed in  her body-armour and  raising an oriflamme banner.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;About Joan of Arc:&lt;/span&gt;&lt;br /&gt; Joan of Arc was born in 1412 in the French village of Domr&amp;eacute;my. From the   age of about 12, Joan had visions of saints and heard heavenly voices   that increasingly urged her to fight for France during the Hundred   Years&amp;rsquo; War. She travelled to the court of Charles De Ponthieu, the   Orl&amp;eacute;anist claimant to the throne, where she was provided with a suit of   armour and her distinctive banner depicting a golden fleur-de-lys. She   secured a decisive military victory to rescue the city of Orl&amp;eacute;ans from   the Earl of Salisbury&amp;rsquo;s English army in 1429, and was present at the   coronation of Charles VII. However, in May the following year Joan was   captured by Burgundian forces at Compi&amp;egrave;gne, and was handed over to the   English. She was tried at Rouen on charges of witchcraft and heresy, and   was condemned to death. On 30 May 1431, she was executed. Two and a   half decades later, the case was appealed and her conviction was   overturned. She was beatified in 1909 and canonised as a saint in 1920.&lt;/p&gt;&#13;
&lt;p&gt;For more information about this statue and its background, see Ted  Gott,  &amp;lsquo;An Iron Maiden for Melbourne &amp;ndash; The History and Context of  Emmanuel  Fr&amp;eacute;miet&amp;rsquo;s 1906 Cast of Jeanne d&amp;rsquo;Arc&amp;rsquo;, The La Trobe Journal,  vol.81,  Autumn 2008, pp.53-68: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;/div&gt;</text>
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            <name>Date</name>
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                <text>27 April 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Jeanne dâ€™Arc</name>
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            <element elementId="50">
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>armour, banner, banners, battles, battle, Bernard Hall, bronze, Charles VII (r., Charles de Ponthieu (1403-1461), DomrÃ©my, Emmanuel FrÃ©miet (1824-1910), equestrian, execution, Felton Bequest, fleur-de-lys, Jeanne dâ€™Arc, Joan of Arc (1412-1431), La Pucelle, legend, maid of OrlÃ©ans, Melbourne, National Gallery of Victoria, oriflamme, OrlÃ©ans, Paris, pennant, Place des Pyramides, sculpture, State Library of Victoria, statue, Victoria, war, war-banner, war-horse, war horse, war banner</text>
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                <text>&lt;p&gt;Image of the Jeanne d&amp;rsquo;Arc bronze statue at the State Library of  Victoria in Melbourne. The statue is the work of French sculptor  Emmanuel Fr&amp;eacute;miet, and is a cast of the 1899 version of his Jeanne d&amp;rsquo;Arc  which stands in the Place des Pyramides in Paris. Purchased in 1906 by  Bernard Hall, the Director of the National Gallery of Victoria, with  funds from the Felton Bequest, it was installed at the entrance to the  State Library of Victoria on 4 February 1907. The sculpture depicts the  young Joan of Arc astride a war-horse, dressed in her body-armour and  raising an oriflamme banner.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;About Joan of Arc:&lt;/span&gt;&lt;br /&gt; Joan of Arc was born in 1412 in the French village of Domr&amp;eacute;my. From the  age of about 12, Joan had visions of saints and heard heavenly voices  that increasingly urged her to fight for France during the Hundred  Years&amp;rsquo; War. She travelled to the court of Charles De Ponthieu, the  Orl&amp;eacute;anist claimant to the throne, where she was provided with a suit of  armour and her distinctive banner depicting a golden fleur-de-lys. She  secured a decisive military victory to rescue the city of Orl&amp;eacute;ans from  the Earl of Salisbury&amp;rsquo;s English army in 1429, and was present at the  coronation of Charles VII. However, in May the following year Joan was  captured by Burgundian forces at Compi&amp;egrave;gne, and was handed over to the  English. She was tried at Rouen on charges of witchcraft and heresy, and  was condemned to death. On 30 May 1431, she was executed. Two and a  half decades later, the case was appealed and her conviction was  overturned. She was beatified in 1909 and canonised as a saint in 1920.&lt;/p&gt;&#13;
&lt;p&gt;For more information about this statue and its background, see Ted Gott,  &amp;lsquo;An Iron Maiden for Melbourne &amp;ndash; The History and Context of Emmanuel  Fr&amp;eacute;miet&amp;rsquo;s 1906 Cast of Jeanne d&amp;rsquo;Arc&amp;rsquo;, The La Trobe Journal, vol.81,  Autumn 2008, pp.53-68: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>McEwan, Joanne</text>
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                <text>27 April 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8026">
                <text>No Copyright</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
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        <name>Charles VII (r.</name>
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        <name>Emmanuel FrÃ©miet (1824-1910)</name>
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      <tag tagId="2468">
        <name>Jeanne dâ€™Arc</name>
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        <name>OrlÃ©ans</name>
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        <name>war</name>
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        <name>war banner</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digitised photograph - 1 film photonegative (copied from original nitrate photonegative)</text>
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              <text>&lt;a href="http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=19711"&gt;http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=19711&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Knight and his Lady, University Commemoration Day ("Commem") through streets</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>armour, chain mail, chainmail, â€œCommem Dayâ€, commemoration, costume, custom, fancy dress, â€œFestival Dayâ€, festivities, helmet, horse, knight, knights, knighthood, chivalry, lady, medieval costume, medieval dress, medieval romance, romance, NSW, New South Wales, parade, pennant, procession, Sam Hood (1872-1953), shield, St George cross, street parade, students, Sydney, The University of Sydney, tradition, university</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Hyperlink to a photograph of two Sydney university students participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The two students in the photograph appear on horseback and in costume; a male student is dressed as a medieval knight complete with chainmail, a helmet and a shield, and a female student dons an imitation medieval style dress and hat.  â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the twentieth century. The last â€œCommem Dayâ€ parade was held in 1975.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Hood, Sam</text>
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                <text>State Library of New South Wales, Digital Order No. hood_14970</text>
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                <text>19 May 1937</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>State Library of New South Wales</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Hyperlinkl; Digitised photograph - 1 film photonegative (copied from original nitrate photonegative)</text>
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            <description>A language of the resource</description>
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        <name>â€œCommem Dayâ€</name>
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        <name>Armour</name>
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        <name>chain mail</name>
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        <name>chainmail</name>
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        <name>lady</name>
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        <name>medieval costume</name>
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        <name>medieval dress</name>
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        <name>street parade</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Digitised photograph - 1 film photonegative (copied from original nitrate photonegative)</text>
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              <text>&lt;a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=19716"&gt;http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=19716&lt;/a&gt;</text>
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            <name>Title</name>
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                <text>A Knight in The University of Sydney Commem Day Parade, 1937</text>
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            <description>The topic of the resource</description>
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                <text>armour, chainmail, chain mail, â€œCommem Dayâ€, commemoration, costume, custom, fancy dress, â€œFestival Dayâ€, festivities, helmet, horse, knight, knights, chivalry, knighthood, medieval romance, romance, medieval costume, medieval dress, New South Wales, parade, pennant, procession, Sam Hood (1872-1953), shield, St George cross, street parade, students, Sydney, The University of Sydney, tradition, university</text>
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                <text>Hyperlink to a photograph of a Sydney university student participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The student in the photograph appears on horseback and dressed as a medieval knight, complete with chainmail and a helmet.  â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the early twentieth century. The last â€œCommem Dayâ€ parade was held in 1975.&#13;
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                <text>Hood, Sam</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="13470">
                <text>State Library of New South Wales, Digital Order No. hood_14975</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="13471">
                <text>State Library of New South Wales, Hood Collection part I: Sydney streets, buildings, people, activities and events, c.1925-1955</text>
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                <text>19 May 1937</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13473">
                <text>State Library of New South Wales</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Hyperlink; Digitised photograph - 1 film photonegative (copied from original nitrate photonegative)</text>
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        <name>Armour</name>
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        <name>chain mail</name>
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        <name>chainmail</name>
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        <name>chivalry</name>
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