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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article41446579" target="_self"&gt;http://nla.gov.au/nla.news-article41446579&lt;/a&gt;</text>
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                <text>&amp;lsquo;Melbourne Investiture: Honours Conferred with Sword&amp;rsquo;, &lt;em&gt;The West Australian&lt;/em&gt;, 6 November 1937</text>
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                <text>Accolade, authority, ceremony, chivalry, dubbing, Governor-General, honours, investiture, Kingâ€™s Coronation Honours, knight, knighthood, letters patent, Lord Gowrie, pageantry, Parliament House, sword.</text>
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                <text>This article from &lt;em&gt;The West Australian&lt;/em&gt; in 1937 reports on a number of new knighthoods awarded as part of the King&amp;rsquo;s Coronation Honours. For the first time, the article informs readers, the recipients were &amp;lsquo;dubbed&amp;rsquo; by the Governor-General, Lord Gowrie, at Parliament House during a &amp;lsquo;ceremony of medieval pageantry&amp;rsquo;. The ceremony was undertaken with the permission of the King, who was traditionally the only figure with the authority to confer honours with a sword. The act of dubbing involves a light blow to the shoulders of a kneeling recipient with the flat side of a sword. Dubbing is an essential part of the public investiture ceremony and dates to the medieval period.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article41446579" target="_self"&gt;http://nla.gov.au/nla.news-article41446579&lt;/a&gt;</text>
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                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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                <text>6 November 1937, p.18</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>Alana Bennett, Andrew Lynch, Aneala Barony, chivalry, costume, Eglinton Tournament, ENGL2238, entertainment, essay, fantasy, fighting, imagined community, J. R. R. Tolkein, Last Tournament, â€˜Living historyâ€™, medieval names, medievalism, medievalist space, pageantry, postmodernism, recreation, re-creation, re-enactment, romanticised medievalism, SCA, Society for Creative Anachronism, student essay, The Medieval in the Modern World, The University of Western Australia, tournament, WA, Western Australia</text>
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                <text>A student essay on the Society for Creative Anachronism submitted by Alana Bennett as part of her assessment for â€˜ENGL2238: The Medieval in the Modern Worldâ€™, a second year English unit delivered by Professor Andrew Lynch at The University of Western Australia.  The author traces the origins and objectives of the SCA as a â€˜Living Historyâ€™ group, and discusses particularly the different levels on which the group operates. She draws a distinction between the recreational aspect of the Societyâ€™s activities on the one hand, in the sense that they provides entertainment and create a â€˜joint fantasyâ€™ amongst individuals with similar interests, and the â€˜re-creational â€™ aspect of its medievalism on the other, in which they â€œreconstruct a semblance of the Middle Ages through material culture and romanticised values systemsâ€.&#13;
&#13;
With thanks to the author for permission to include a copy of this essay.</text>
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                <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This work is &amp;copy; Alana Bennett. Under no circumstance is this work to be republished without the express written permission of the author. To cite this work: Alana Bennett: &amp;lsquo;The Society for Creative Anachronism&amp;rsquo;, 2011, &lt;a href="../../../" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Arcade, architecture, Bernard Evans, bypass, Claude de Bernales, clock, cobblestones, corbels, Elizabethan, gable, gargoyles, Hay Street, heraldic shield, horse, Inter-War Old English style, iron gate, jettying, knight, leadlight windows, London Court, oriel window, pageantry, Perth, portcullis  retail, shops, St George, St George cross, St Georgeâ€™s Terrace, timber panelling, tourney, Tudor, WA, weather vanes, Western Australia</text>
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                <text>Image of London Court in Perth, Western Australia. London Court is an open air retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned in 1936 by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937, when the arcade was opened with a â€˜Ye Olde English Fayreâ€™. London Court is distinctive for its Inter-War Old English style of architecture. At each end of the arcade is a three-storey entrance with a Tudor facade, a large wrought iron gate, heraldic shields â€“ many bearing the St George cross â€“ and an oriel window containing a large, decorative clock. Inside the narrow arcade, the Tudor facade continues with extensive half-timbering and timber-panelling on the walls, gabled roofs, leadlight windows and corbelled window boxes. Hand-carvings, gargoyles and crests also adorn the walls, and a number of weather vanes can be seen on the roof.</text>
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                <text>McEwan, Joanne</text>
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        <name>heraldic shield</name>
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        <name>Inter-War Old English style</name>
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        <name>iron gate</name>
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        <name>jettying</name>
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        <name>leadlight windows</name>
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        <name>oriel window</name>
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        <name>St George</name>
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      <tag tagId="682">
        <name>St George cross</name>
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        <name>St Georgeâ€™s Terrace</name>
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      <tag tagId="2205">
        <name>timber panelling</name>
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        <name>tourney</name>
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        <name>Tudor</name>
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        <name>WA</name>
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        <name>weather vanes</name>
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        <name>Western Australia</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>London Court</text>
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                <text>arcade, arcades, architecture, Bernard Evans, bypass, Claude de Bernales, clock, cobblestones, dragon, Elizabethan, Hay Street, horse, horseback, Inter-War, Old English style, joust, jousting, knight, lance, London Court, â€œmedieval monstrosityâ€, pageantry, Perth, Plaza Arcade, retail, shops, St George, Saint George, St Georgeâ€™s Terrace, tournament, tourney, Tudor, WA, Western Australia</text>
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                <text>This article from the Western Argus provides details of two clocks that were to be installed in London Court. After noting the accuracy of the clocks, which were designed to lose no more than a thousandth of a second per hour, the author provides a description of the mechanised features that would accompany them. One would (and does) show â€œSt George unmounted and brandishing a stainless steel sword chasing a dragon around a circuit each quarter of an hourâ€ and beheading him on the hour, while the other would show four knights jousting. London Court is otherwise described by the author as a â€œmedieval monstrosityâ€, standing in stark contrast to the modern architecture of the surrounding area.&#13;
&#13;
London Court is a retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. Completed in 1937, the building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. London Court is distinctive for its Inter-War Old English style of architecture.</text>
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            <name>Creator</name>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;strong&gt;&lt;/strong&gt;&lt;span style="font-size: 10pt; color: black;"&gt;National Library of Australia, &lt;/span&gt;&lt;span style="font-size: 10pt; color: black;"&gt;&lt;a href="http://nla.gov.au/nla.news-article34959101" target="_blank"&gt;http://nla.gov.au/nla.news-article34959101&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Western Argus</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>19 October 1937, p. 18</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Western Argus</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper Article;&#13;
PDF</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>â€œmedieval monstrosityâ€</name>
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        <name>Bernard Evans</name>
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        <name>cobblestones</name>
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        <name>Plaza Arcade</name>
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        <name>retail</name>
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        <name>Saint George</name>
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        <name>St George</name>
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        <name>St Georgeâ€™s Terrace</name>
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        <name>Tudor</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Procession</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14355">
                <text>Amalgamated Society of Carpenters and Joiners, armor, armour, bands, banner, Bricklayers, eight hour, guild, knight, Labour Day, labour pageant, pageantry, parade, procession, labourer, Masons, medieval guild, Melbourne, Tinsmiths, trade union, United Society of Painters, Paperhangers and Decorators, trade unionism, union, unionism, VIC, Victoria, worker, working class </text>
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            <description>An account of the resource</description>
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                <text>This article from The Argus newspaper provides a report of an Eight Hours procession through the streets of Melbourne in 1887, during which at least 50 different trades were represented. It makes note of the increasing size and elaborateness of the trade society banners being displayed, and describes in detail four banners that were featured in the parade for the first time. These were the banners of the Masons, the Amalgamated Society of Carpenters and Joiners, the Bricklayersâ€™ Society and the United Society of Painters, Paperhangers, and Decorators. Union banners have a medieval predecessor in the banners displayed by guilds (an association of craftsmen in the same trade), whereby each guild had a banner to identify their trade. Some historians consider trade unions to be the successors of medieval guilds. The author of this article also points out that several of the trades made efforts to demonstrate their handicrafts during the procession, with the Tinsmiths in particular parading two knights outfitted in suits of armour.  </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Unkown</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="14358">
                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article7943706" target="_blank"&gt;http://nla.gov.au/nla.news-article7943706&lt;br /&gt;&lt;/a&gt;</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>The Argus</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>22 April 1887</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14361">
                <text>Out of Copyright</text>
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            </elementTextContainer>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Newspaper Article</text>
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        <name>Amalgamated Society of Carpenters and Joiners</name>
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        <name>Armour</name>
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        <name>banner</name>
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        <name>Bricklayers</name>
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        <name>knight</name>
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        <name>Labour Day</name>
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        <name>labour parade</name>
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        <name>labourer</name>
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        <name>Masons</name>
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        <name>medieval guilds</name>
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        <name>Melbourne</name>
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        <name>pageantry</name>
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        <name>procession</name>
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