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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;Newspaper Article&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://nla.gov.au/nla.news-article50059249" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;http://nla.gov.au/nla.news-article50059249&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Rothenburg</text>
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                <text>Adolf Hitler, Hitler, Adolf Hitler (1889-1945), architecture, art, Bavaria, Bayreuth, burgher, Burgomaster Nusch, cathedral, church, commander-in-chief Tilly, â€œDer Meistertrunkâ€, Dinkelsbuhl, education, engraving, festival, Friedrich Schiller (1759-1805), Germany, German folklore, gothic architecture, â€˜heroic pastâ€™, historical plays, Johann Wolfgang von Goethe (1749-1832), journeyman, Master, medieval city, medieval craft, medieval housing, medieval town, merchant, Nazi parades, Nuremburg, pageant, Peasantsâ€™ Revolt (1525), Rathaus (Town Hall), religion, Roder gate, Rothenburg, school pilgrimages, St James, St Marcus Tower, Thirty Yearsâ€™ War (1618-1648), Tillman Riemenschneider (1460-1531), tradition, Wagner festival, walled town, Whitsuntide</text>
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                <text>In this article, John T. McMahon discusses a visit to Rothenburg in 1936, which he describes as â€œthe finest surviving example of a medieval city with its walls, gates and towersâ€. After giving a brief history of Rothenburgâ€™s medieval past, its conversion to Protestantism after the Peasantsâ€™ Revolt in 1525 and its involvement in the Thirty Yearsâ€™ War, he recounts a folkloric tale about Burgomaster Nusch saving the town from being plundered in 1621, by plying the Catholic Commander-in-Chief Tilly and his Imperial soldiers with large quantities of wine and himself accepting a challenge to drink the contents of a very large goblet. This tale, McMahon suggests, began the tradition of performing the historical festival play, â€œDer Meistertrunkâ€, in the Rathaus (Town Hall) every Whitsuntide. He then moves on to discuss what he coins as â€œHitlerâ€™s Historical Programmeâ€. In Nazi Germany, he suggests, there is a renewed interest in German folklore, a â€œrenaissance of interest in the heroic stories of the German peopleâ€. As well as the festival play in Rothenburg, he cites school pilgrimages to the homes of Goethe and Schiller, the founding of museums, and parades in historically significant locations such as Nuremburg as examples of this trend. He commends the â€œfar-reaching educative influence of such a treatment of historyâ€, suggesting that â€œwe could, with profit, do much more of that form of pageantry in school entertainments and occasional celebrationsâ€. He concludes, however, by taking issue with Hitlerâ€™s stance on religion. Not only were the church steeples and shrines he saw in Bavaria evidence of the continued importance of religious faith in the â€œsimple God-fearing lives of peasant farmersâ€, he argues, the continuing legacy of gothic churches such as St James (built in 1373) and ecclesiastical artwork such as Riemenschneiderâ€™s 1478 â€œLast Supperâ€ could simply not be overlooked. </text>
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                <text>McMahon, John T.</text>
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                <text>National Library of Australia</text>
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                <text>5 November 1936, p. 36.</text>
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                <text>The Western Mail</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Corpus Christi Procession North Sydney, 1934</text>
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                <text>Sydney, North Sydney, NSW, New South Wales, Corpus Christi Procession Sydney, medieval saintsâ€™ pageants, saints, saint, pageant, procession, parade, parades, processions, banner,&#13;
banners, eucharistic procession, eucharist, parade, medieval liturgy, canopy, host, Body of Christ, priests, clerics, papal delegate, monstrance, Monte Santâ€™ Angelo Convent North Sydney, Archbishop Cattaneo, Blessed sacrament feast of Corpus Christi, baldacchino, ombrello, thurifers, crucifer, medieval liturgy, incense, candles</text>
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                <text>The feast of Corpus Christi (Body of Christ) has been held since the 13c. The host, Blessed sacrament, the consecrated body of Christ, is brought outside of its usual place in the sanctuary of the altar and paraded amongst devoted followers and the world at large. the procession is accompanied by prayer and adoration and usually concludes with Solemn Benediction. The feast occurs the first Thursday after Trinity Sunday.</text>
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                <text>Friday 1 June 1934, Procession Thursday 31 May (Thursday after Trinity Sunday)</text>
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                <text>Corpus Christi Procession Sydney, medieval saintsâ€™ pageants, processions, procession, parade, pageant, parades, pageants, banner, banners, eucharist, eucharistic, eucharistic procession, eucharist, parade, medieval liturgy, canopy, host, Body of Christ, priests, clerics, papal delegate, monstrance, Monte Santâ€™ Angelo Convent North Sydney, North Sydney, Sydney, NSW, New South Wales, Archbishop Cattaneo, Blessed sacrament feast of Corpus Christi, baldacchino, ombrello, thurifers, crucifer, medieval liturgy, incense, candles</text>
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                <text>The feast of Corpus Christi (Body of Christ) has been held since the 13c. The host, Blessed sacrament, the consecrated body of Christ, is brought outside of its usual place in the sanctuary of the altar and paraded amongst devoted followers and the world at large. the procession is accompanied by prayer and adoration and usually concludes with Solemn Benediction. The feast occurs the first Thursday after Trinity Sunday.&#13;
&#13;
â€œAfter the Mass on Corpus Christi, all kneel and sing O Salutaris Hostia. The Host is incensed, and carried under an ombrellino (an umbrella-like canopy) to the baldacchino, a rectangular tent-like canopy...&#13;
&#13;
Then the procession forms, led by the Crucifer (the acolyte who carries the processional Cross), who is flanked by acolytes carrying candles. Then follow members of religious associations and orders, children strewing rose petals in the path of the Blessed Sacrament (they are customarily dressed in their First&#13;
Communion clothes), clergy, and then two thurifers who incense the path. Then comes the Blessed Sacrament, carried at eye-level by a priest (with his hands veiled) in a monstrance, under the baldacchino, all flanked by torch bearers. The people walk behind.â€&#13;
&#13;
http://www.communityofhopeinc.org/Catholic%20Rites/&#13;
East%20&amp;%20West.html</text>
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        <name>Corpus Christi Procession Sydney</name>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Medieval Knight leading National Savings Week</text>
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            <description>The topic of the resource</description>
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                <text>National Savings Week Willesden Borough, medieval chain mail, banner, banners, street processions, pageant, Australian reportage of medieval pageant, post World War II, World War II, World War, war, War Savings week</text>
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            <description>An account of the resource</description>
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                <text>National Savings Week was a movement instituted in Great Britain in 1916 to raise funds to counteract government deficits. The emblem of the Movement was, at first, the Swastika but that was replaced with a figure that appears to be St. George slaying the dragon. This occurred before the start of World War II because the Swastika was adopted by the Nazis. The Movement consisted of local groups and was especially helpful during World War II. Australia had a War Savings Week from 1940 under the Menzies Government so the Australian reportage of the English movement in 1949 suggested the idea retained its currency.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Date</name>
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                <text>30 October, 1949</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="7870">
                <text>National Library of Australia</text>
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              <elementText elementTextId="7871">
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>banners</name>
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        <name>medieval chain mail</name>
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        <name>National Savings Week Willesden Borough</name>
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        <name>post World War II</name>
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        <name>street processions</name>
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        <name>war</name>
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        <name>War Savings week</name>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>The Procession</text>
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                <text>Amalgamated Society of Carpenters and Joiners, armor, armour, bands, banner, Bricklayers, eight hour, guild, knight, Labour Day, labour pageant, pageantry, parade, procession, labourer, Masons, medieval guild, Melbourne, Tinsmiths, trade union, United Society of Painters, Paperhangers and Decorators, trade unionism, union, unionism, VIC, Victoria, worker, working class </text>
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                <text>This article from The Argus newspaper provides a report of an Eight Hours procession through the streets of Melbourne in 1887, during which at least 50 different trades were represented. It makes note of the increasing size and elaborateness of the trade society banners being displayed, and describes in detail four banners that were featured in the parade for the first time. These were the banners of the Masons, the Amalgamated Society of Carpenters and Joiners, the Bricklayersâ€™ Society and the United Society of Painters, Paperhangers, and Decorators. Union banners have a medieval predecessor in the banners displayed by guilds (an association of craftsmen in the same trade), whereby each guild had a banner to identify their trade. Some historians consider trade unions to be the successors of medieval guilds. The author of this article also points out that several of the trades made efforts to demonstrate their handicrafts during the procession, with the Tinsmiths in particular parading two knights outfitted in suits of armour.  </text>
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                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article7943706" target="_blank"&gt;http://nla.gov.au/nla.news-article7943706&lt;br /&gt;&lt;/a&gt;</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>The Argus</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>22 April 1887</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14361">
                <text>Out of Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Newspaper Article</text>
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        <name>guild</name>
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        <name>knight</name>
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        <name>Labour Day</name>
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        <name>labour parade</name>
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        <name>procession</name>
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        <name>United Society of Painters Paperhangers and Decorators</name>
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