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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper Article&lt;br /&gt;&lt;br /&gt; &lt;a href="http://nla.gov.au/nla.news-article33213695" target="_blank"&gt;http://nla.gov.au/nla.news-article33213695&lt;/a&gt;</text>
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                <text>The King of Spain</text>
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                <text>Ceremony, coronation, Duke of Connaught, hymn, King Alfonso XIII of Spain, King Edward VII, medieval procession, oath, Order of the Garter, Te Deum</text>
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                <text>This article from the Western Mail relates news from London regarding the end of the Spanish regency in 1902 when Alfonso XIII assumed his full powers as Spainâ€™s king at age 16. The article begins by informing readers that on 18 May 1902, the day before the regency ceased, the Duke of Connaught invested Alfonso XIII with the Order of the Garter on behalf of the British king, Edward VII. It then provides details about some of the traditional rituals and ceremonies that had followed in connection with the new kingâ€™s coronation, including his taking of oaths and the singing of a Te Deum hymn followed by â€˜a magnificent medieval processionâ€™.</text>
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                <text>24 May 1902, p. 24</text>
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                <text>The Western Mail</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>"New Bishop Consecrated at Brilliant Ceremony," in The Argus.</text>
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                <text>Anglican, Anglicanism, Ballarat, Ballarat diocese, Bishop of Ballarat, Bishop William Herbert Johnson, cassocks, cathedral, ceremony, choir, Christ Church Cathedral, Church of England, clergy, consecration, cross, crozier, Litany, medieval scenes, oath, procession, St Paulâ€™s Cathedral, surplices, Vestments, Victoria, VIC.</text>
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                <text>This illustrated article from The Argus provides an account of a ceremony in St Paulâ€™s Cathedral (Melbourne) to mark the consecration of William Herbert Johnson as the Bishop of Ballarat in 1936. It describes the procession - consisting of the cross-bearer, the cathedral choir, priests from the Diocese of Ballarat, 100 clergy from the Diocese of Melbourne and a number of other Bishops and their attendants - from the Chapter House into the Cathedral, followed by details of the sermon, preached by Bishop Stephen, the oath, the Litany, the donning of Episcopal vestments and the consecration. The â€˜stained glass, light gleaming on cross and crozier, the scarlet, black and white of episcopal vestments, and the sombre purples, whites and blacks of cassocks and surplicesâ€™, the author claims, â€˜gave a richly medieval air to St Paulâ€™s Cathedralâ€™. </text>
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                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article11930833" target="_blank"&gt;http://nla.gov.au/nla.news-article11930833&lt;/a&gt;</text>
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                <text>The Argus</text>
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                <text>29 October 1936</text>
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                <text>National Library of Australia</text>
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        <name>"medieval ceremony</name>
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        <name>Bishop William Herbert Johnson</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Medieval "Justice" Had Strange Ways</text>
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                <text>accused, barbarity,  criminal, criminality, crime, divine intervention, fire, guilt, innocence, justice, law, legal, medieval law, oath, ordeal, Ordeal by Fire, Ordeal by Water, punishment, water</text>
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                <text>This article from the Junior Argus section of Melbourne newspaper The Argus describes what the author regards as 'strange' methods for ascertaining guilt or innocence in the medieval past. Short of finding reputable people to swear to a personâ€™s innocence upon oath, the article outlines the three different methods used in trials by ordeal. In the Ordeal of Fire, it explains, an accused person was forced to hold a red hot brazier and guilt was determined by whether the hands healed or blistered within a matter of days. Sometimes boiling water was used instead of fire. Alternatively the accused was restrained and thrown into a pool of water, and guilt was determined by whether they sank or swam. The premise of these ordeals was that God would intervene to protect the innocent. The author of the article concludes by drawing modern parallels between these â€˜terribleâ€™ and â€˜unjustâ€™ medieval practices and the â€˜barbaricâ€™ methods of punishment that were still being used in some countries.</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article11264482" target="_blank"&gt;http://nla.gov.au/nla.news-article11264482&lt;/a&gt;</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>The Argus</text>
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                <text>5 October 1939</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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