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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Australian Mutual Provident Society building, Launceston, Tasmania </text>
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                <text>Australian Mutual Provident Society, column, Lesley Gordon Corrie, Florence, Florentine Romanesque, frieze, J. and T. Gunn, Launceston, Launceston Examiner, lead lighting, newspaper, Alexander North, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania. </text>
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                <text>&lt;p&gt;This Australian Mutual Provident Society building is in the centre of the Tasmanian city of Launceston. It was designed by local architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) and built by J. and T. Gunn. It opened in 1892. An anonymous&amp;nbsp;report in the Launceston Examiner newspaper (November 19, 1892) gives the particulars of the building, which is described as being in the Florentine Romanesque style. Romanesque features of the stone building include the semi-circular window arches with molding and decorated columns on the upper floor, the semi-circular arch above the company monogram, the use of foliage motifs, and the frieze above the entrance.&lt;/p&gt;&#13;
&lt;p&gt;Florence has a number of extant Romanesque buildings built between the eleventh and thirteenth centuries. The buildings provided inspiration for some of the Florentine architects of the Renaissance.&lt;/p&gt;&#13;
&lt;p&gt;For the newspaper report see &lt;a href="http://nla.gov.au/nla.news-article39478203"&gt;http://nla.gov.au/nla.news-article39478203&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>November 28, 2012</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: Calibri; mso-ansi-language: EN; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article51296463"&gt;&lt;span style="color: blue;"&gt;http://nla.gov.au/nla.news-article51296463&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>â€˜The Talismanâ€™, Examiner, Tasmania </text>
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                <text>Armour, King Arthur, Charlemagne, charms, Examiner, Excalibur, Hereward the Wake, horn, knights, Launceston, newspaper, Normans, Robert Power, Roland, Song of Roland, supernatural, sword, The Talisman, Tas, Tasmania. </text>
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                <text>&lt;p&gt;&amp;lsquo;The Talisman&amp;rsquo; is an article by Robert Power published in 1924 in the &amp;lsquo;Two Minute Talks&amp;rsquo; section of the Launceston newspaper the Examiner. The article is about the importance of putting ones faith in God rather than superstitious charms. The article opens by mentioning the talisman of &amp;lsquo;great heroes&amp;rsquo;, all of whom are medieval.&lt;br /&gt;Hereward the Wake (who fought against the Normans in England in 1070-1) had magic armour, Charlemagne&amp;rsquo;s knight Roland (whose feats are told in the eleventh-century poem The Song of Roland) had an important horn, and King Arthur and his knights have the supernatural sword Excalibur.&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://nla.gov.au/nla.news-article51296463"&gt;http://nla.gov.au/nla.news-article51296463&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Power, Robert</text>
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                <text>March 8, 1924</text>
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                <text>Public Domain: Trove</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;&lt;a href="http://nla.gov.au/nla.news-article26636364"&gt;http://nla.gov.au/nla.news-article26636364&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>â€˜Tasmaniaâ€™s Historic Towersâ€™.</text>
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                <text>Article, Evandale Water Tower, folly, Hobart, The Mercury, newspaper, Panshanger Pigeon Tower, M.S.R. Sharland, Tas, Tasmania, â€˜Tasmaniaâ€™s Historic Towersâ€™, tower.</text>
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                <text>&lt;p&gt;The 1949 article &amp;lsquo;Tasmania&amp;rsquo;s Historic Towers&amp;rsquo; by M.S.R. Sharland appeared in the Hobart, Tasmania, based newspaper The Mercury. The article discusses a number of stand-alone towers in Tasmania, including two medieval-styled examples, the pigeon tower on Panshanger Estate and the water tower at Evandale. The author bemoans the functionalism of modern architecture and is glad that earlier builders created structures of beauty, even if they may seem to be a &amp;lsquo;folly&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;The article is available at &lt;a href="http://nla.gov.au/nla.news-article26636364"&gt;http://nla.gov.au/nla.news-article26636364&lt;/a&gt; &lt;/p&gt;&#13;
&lt;p&gt;For the Evandale Water Tower see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/924"&gt;http://ausmed.arts.uwa.edu.au/items/show/924&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Pigeon Tower see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1039" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1039&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Sharland, M.S.R.</text>
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                <text>The Mercury</text>
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                <text>July 16, 1949</text>
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                <text>The Mercury</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/924" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/924&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1039" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1039&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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              <text>&lt;a href="http://blacktown-advocate.whereilive.com.au/news/story/blacktown-festival-medieval-fayre-takes-nurragingy-reserve-back-to-the-middle-ages-at-doonside/"&gt;http://blacktown-advocate.whereilive.com.au/news/story/blacktown-festival-medieval-fayre-takes-nurragingy-reserve-back-to-the-middle-ages-at-doonside/&lt;/a&gt;</text>
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                <text>This online newspaper article by Ben McClellan appeared in the Blacktown Advocate on May 21, 2012. It reports on the recent Blacktown (western Sydney) Medieval Fayre. According to the article, the Fayre featured medieval-themed stalls, demonstrations of medieval blacksmithing and cooking, people in costumes including Lords and Ladies, jousting demonstrations, and ended with a battle of people dressed as medieval knights in full armour. The article includes links to photographs taken at the Fayre.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>16 December 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The West Australian; Angela Pownall</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Online Newspaper Article</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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      <tag tagId="82">
        <name>article</name>
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      <tag tagId="846">
        <name>government</name>
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      <tag tagId="1333">
        <name>health</name>
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      <tag tagId="3920">
        <name>internet</name>
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      <tag tagId="830">
        <name>legislation</name>
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      <tag tagId="3921">
        <name>mental health</name>
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      <tag tagId="109">
        <name>newspaper</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/d1e6a4d5c5a4b3ad7c48b017e54c0cd7.JPG</src>
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                <name>Channels</name>
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                <description/>
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                    <text>3</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>2 x Digital Photographs; JPEGs</text>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Rouen clock: Medieval inspiration for London Court, Perth.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>clock, France, the Great Clock, Le Gros Horloge, H. Hope-Jones, London Court, newspaper, Normandy, Perth, replica, Rouen, WA, The West Australian, Western Australia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;These photographs compare the clock face at the Hay Street end of London Court in Perth with Le Gros Horloge, or the Great Clock, at Rouen in Normandy, France, on which it is based. An article in The West Australian newspaper in 1937, and repeated on the official London Court website, claims that the London Court clock face designed by H. Hope-Jones is a &amp;lsquo;replica&amp;rsquo; of the one at Rouen. Yet a comparison of the photographs shows that this is not the case. Although the layout is the same the materials are different and the central sun on the Rouen clock is much larger. Le Gros Horloge also only has a single hand, to indicate the hour, whereas the London Court clock has the conventional modern two hands.&lt;/p&gt;&#13;
&lt;p&gt;The Rouen clock mechanism was installed in the early fifteenth century, whilst the clock face was added a century later. The clock includes figures associated with the day of the week appearing at noon on the appropriate day and, above the clock, a globe depicting the phase of the moon.&lt;/p&gt;&#13;
For London Court see &lt;a href="http://www.londoncourt.com.au/" target="_blank"&gt;&lt;span style="color: #800080;"&gt;www.londoncourt.com.au&lt;/span&gt;&lt;/a&gt;. For the newspaper article &amp;lsquo;Two New Clocks&amp;rsquo; see &lt;a href="http://nla.gov.au/nla.news-article41438038" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article41438038&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;.&lt;/span&gt;&lt;/span&gt;</text>
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            </elementTextContainer>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16965">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16966">
                <text>29 November 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16967">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16968">
                <text>2 x Digital Photographs; JPEGs</text>
              </elementText>
            </elementTextContainer>
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        <name>clock</name>
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        <name>France</name>
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        <name>H. Hope-Jones</name>
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        <name>Le Gros Horloge</name>
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        <name>London Court</name>
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        <name>newspaper</name>
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        <name>Normandy</name>
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        <name>Perth</name>
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        <name>replica</name>
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      <tag tagId="2600">
        <name>Rouen</name>
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      <tag tagId="3816">
        <name>the Great Clock</name>
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      <tag tagId="3820">
        <name>The West Australian</name>
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      <tag tagId="838">
        <name>WA</name>
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        <name>Western Australia</name>
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