1 8 118 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://news.domain.com.au/domain/architects/golden-era-of-neogothic-20101112-17qbi.html">http://news.domain.com.au/domain/architects/golden-era-of-neogothic-20101112-17qbi.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Golden era of neo-Gothic', Domain Website Subject The topic of the resource ANZ, ANZ Gothic Bank, bank, Jenny Brown, Domain, English, Scottish and Australian Chartered Bank, Gothic, Gothic Revival, Melbourne, neo-Gothic, Old Stock Exchange, William Pitt, pointed arch, Safe Deposit, Vic, Victoria, William Wardell, website Description An account of the resource This 2010 article by Jenny Brown for the Domain website is about the late nineteenth century Gothic Revival architecture in Melbourne, Victoria. The article focusses on what is now known as the ANZ Gothic Bank on the corner of Collins and Queen Street, comprising the former English, Scottish and Australian Chartered Bank, Old Stock Exchange, and Safe Deposit buildings. The buildings were designed by William Wardell and William Pitt. Creator An entity primarily responsible for making the resource Brown, Jenny Date A point or period of time associated with an event in the lifecycle of the resource November 13, 2010 Rights Information about rights held in and over the resource Domain, Jenny Brown Format The file format, physical medium, or dimensions of the resource Online article Language A language of the resource English ANZ ANZ Gothic Bank bank Domain English Gothic Gothic Revival Jenny Brown Melbourne neo-Gothic Old Stock Exchange pointed arch Safe Deposit Scottish and Australian Chartered Bank Vic Victoria website William Pitt William Wardell Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.abbotsfordconvent.com.au/history-heritage/buildings/convent" target="_self">http://www.abbotsfordconvent.com.au/history-heritage/buildings/convent</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Abbotsford Convent, Abbotsford, Victoria Subject The topic of the resource Abbotsford, Abbotsford Convent, architecture, Caen, convent, Convent of The Good Shepherd, Federation Gothic, French medieval architecture, gable, Gothic architecture, industrial school, lancet arch, Magdalen Asylum, Melbourne, neo-Gothic, pebble-dash, reformatory, Sisters of the Good Shepherd, spire, VIC, Victoria. Description An account of the resource <p>The Abbotsford Convent, located in the inner city Melbourne suburb of Abbotsford, operated as a convent, reformatory and Magdalen Asylum from 1863 until the mid-1970s. The convent was run by the Sisters of the Good Shepherd, a Catholic religious order who, in addition to taking standard vows of poverty, chastity and obedience, also sought to save souls. Eleven buildings of varying design stand on the 6.8 hectare site, of which the Convent building is particularly notable for the medieval French influence of its architecture. Constructed in 1900 to the design of Reed Smart and Tappin, the building is based on the gothic design of the Order&rsquo;s mother house in Caen, and features steep gables, a western spire and a pebble-dash finish with contrasting red brickwork. The Convent now functions as an arts and cultural precinct.</p> <p>For more information, see The Abbotsford Convent website: <a href="http://www.abbotsfordconvent.com.au/" target="_self">http://www.abbotsfordconvent.com.au/</a></p> Source A related resource from which the described resource is derived The Abbotsford Convent Website: <a href="http://www.abbotsfordconvent.com.au/" target="_self">http://www.abbotsfordconvent.com.au/</a><br /> Date A point or period of time associated with an event in the lifecycle of the resource 2010 Rights Information about rights held in and over the resource The Abbotsford Convent Format The file format, physical medium, or dimensions of the resource Hyperlink Abbotsford Abbotsford Convent architecture Caen convent Convent of The Good Shepherd Federation Gothic French medieval architecture gable gothic architecture industrial school lancet arch Magdalen Asylum Melbourne neo-Gothic pebble-dash reformatory Sisters of the Good Shepherd spire Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/28e435a19e0f24c9d8985042d5a1fb6a.jpg 432cda006ec873512bdeb1546b90d201 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church Neo-Gothic Window, Melbourne, Victoria Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible. Scot’s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scot’s Church include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/225b7766e4eb3a59859763c75386e79a.jpg 471dc34a32eeeb0cc92e1765bdfdf384 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 931 Width 698 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church Neo-Gothic Window, Melbourne, Victoria Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible. Scot’s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scot’s Church include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/6f0295134990f89ea0ae5ac4cceb3071.jpg 9458fa0a71dee81e8c1d7bb093ecd432 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church, Melbourne Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, stained glass, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of Scot’s Church located on Collins Street in central Melbourne. The church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Characteristic neo-gothic features of Scot’s Church’s exterior include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its stone tracery, decorative quoins, buttresses, pinnacles and lancet windows. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire stained glass tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/dac5857b98ffa03130eb812780278c46.jpg 5f1a6a518bbd06bb84e279a437b1772d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1022 Width 766 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church, Melbourne Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, stained glass, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of Scot’s Church located on Collins Street in central Melbourne. The church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Characteristic neo-gothic features of Scot’s Church’s exterior include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its stone tracery, decorative quoins, buttresses, pinnacles and lancet windows. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire stained glass tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/6262aca1d90c54313319daa02e62a021.jpg aac23b0a45348171e6f0445312822d16 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/43342411cf7fff3fa5167dabe0e9816b.jpg b05e45b722a32f3817f56655b2bda694 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/475cd17aef6ba717465f8d230972c2d1.jpg 119f38fd31e77b28deec75bd78daa8f6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 2304 https://ausmed.arts.uwa.edu.au/files/original/417ebded0112868c4a23d9d60a0f4f36.jpg b270e2ff93419df2ccbf77ff06618605 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/7f327a0f092c245a20323c6e25220544.jpg c772f1a9e6fd2a307b06ca9bed68ed5e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 2304 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource National Mutual Life Building, Hobart, Tasmania Subject The topic of the resource Arched windows, blind arcading, commercial architecture, heraldry, Gothic, Hobart, lion, neo-Gothic, parapet, relief sculpture, Romanesque, sculpture, shield, statue, Tas, Tasmania, tower, unicorn, Alan Cameron Walker. Description An account of the resource Completed in 1906, the elaborate National Mutual Life Building in Hobart, Tasmania, was designed by Hobart-born architect Alan Cameron Walker (1864-1931). It is a mixture of Romanesque and Gothic architecture and features semi-circular windows with pointed arches above the windows, blind arcading, a parapet, and lions and dogs climbing up and down the wall between the windows of the second and third storeys. The entrance includes lion statues holding shields, and the logo of the company featuring a heraldic shield between a unicorn and lion. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource June 29, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 5xDigital photograph Alan Cameron Walker. arched windows blind arcading commercial architecture Gothic heraldry Hobart lion neo-Gothic parapet relief sculpture Romanesque sculpture shield statue Tas Tasmania tower unicorn https://ausmed.arts.uwa.edu.au/files/original/5b48663f13a3a7bb0f7aba83df70ca4d.jpg 0d5c765276a5b0cb181328c0a1c311b6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/6b157d7e1419f4e32e488a85490afdce.jpg ce59adbf961391755048d6227e937832 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 2304 https://ausmed.arts.uwa.edu.au/files/original/e0a32399a6afc668391dcf8d4098a314.jpg e693c91cefa2f4db393d22eecd976c3d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/ed5d6f9ddb3000ca9e897e001e8da593.jpg 8578f2a9e33502dc8bd9a1359b430199 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Colonial Mutual Life Building, Hobart, Tasmania Subject The topic of the resource Art Deco, beasts, Colonial Mutual, Colonial Mutual Life Building, commercial architecture, eagles, gargoyle, Gothic, Hennesy & Hennesy, Hobart, lions, neo-Gothic, sculpture, Stripped Classical, Sydney, Tas, Tasmania. Description An account of the resource The Colonial Mutual Life Building in Hobart, Tasmania, was designed by Sydney architects Hennesy & Hennesy and completed in 1936. It is in the Stripped Classical style with Art Deco elements, whilst the sculptural embellishments are reminiscent of Gothic architecture. The sculptures are similar to the gargoyles found on Gothic cathedrals, although in this case they appear to be purely decorative. They include eagles, lions and the faces of beasts with their tongues out. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource January 29, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 4xDigital photograph Art Deco beasts Colonial Mutual Colonial Mutual Life Building commercial architecture eagles gargoyle Gothic Hennesy & Hennesy Hobart lions neo-Gothic sculpture Stripped Classical Sydney Tas Tasmania.