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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Microfilm</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&amp;lsquo;Bards of the Backblocks: Knights of Chance&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 26 May 1900.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Adventuring, Australian national character, backblocks, bard, city, E. J. Brady (1869-1952), Federation, freedom, knight, lance, nationalism, romanticisation, rural economy, New South Wales, NSW.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>To describe everyday life in colonial Australia as entirely rural-based in 1900 would be misleading, for the country&amp;rsquo;s major urban centres, particularly Sydney and Melbourne, housed much of the population and fuelled its commercial vitality (see F. K. Crowley (ed.), &lt;em&gt;A New History of Australia,&lt;/em&gt; Richmond, William Heinemann, 1984, p. 261). Yet, the author of these verses, E. J. Brady, romanticises the ordinary Australian&amp;rsquo;s willingness to &amp;lsquo;chance their luck&amp;rsquo; on bold ventures: E.g., prospecting for gold, running sheep and cattle in the water-scarce &amp;lsquo;backblocks,&amp;rsquo; harvesting pearls in the N.W., and shipping commodities all over the world. Brady clearly favoured the &amp;ldquo;adventuring life,&amp;rdquo; valuing rural freedom over machine-shop slavery in the noxious urban sprawl (Louise D&amp;rsquo;Arcens,&lt;em&gt; Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.141). The propensity for romanticising the Australian present by conflating it with a medieval past was not unusual at the time. The Bulletin published (and made room for) quite a lot of this type of &amp;lsquo;backblocks&amp;rsquo; versification, which &amp;ldquo;was not only determinedly populist and disposable but also extremely cursory in its medievalism, ransacking the popular imaginary indiscriminately for tropes and terms that signified instantaneously and superficially as &amp;lsquo;medieval&amp;rsquo;&amp;rdquo; (D&amp;rsquo;Arcens, 19). That much is apparent from the poem, with its comparatively stock imagery and reliance on &amp;lsquo;the bygone days of yore&amp;rsquo; for inspiration: the &amp;ldquo;Barons of Bold Adventure, Kings of the stout free lance&amp;rdquo;. Yet Brady, who was a long-standing member of the Australian Socialist League (See John B. Webb, A Critical Biography of Edwin James Brady 1869-1952, University of Sydney PhD Thesis, 1972 p.9), evidently envisaged entire communities of unburdened &amp;lsquo;emancipated&amp;rsquo; workers &amp;ldquo;roaming the countryside and working at will,&amp;rdquo; like so many questing medieval knights (D&amp;rsquo;Arcens, p.140). It is likely that Brady was appealing to the resolve that was forming and cohering as a result of the recent Federation debates (c. 1897-98) which, having filtered down into everyday exchange sought to persuade and unite the colonies under the one flag and banner.</text>
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                <text>E. J. Brady</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="23644">
                <text>The Bulletin</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="23645">
                <text>The Bulletin</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="23646">
                <text>26 May 1900 (p. 3)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Public Domain</text>
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        <name>Adventuring</name>
      </tag>
      <tag tagId="5090">
        <name>Australian national character</name>
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      <tag tagId="5091">
        <name>backblocks</name>
      </tag>
      <tag tagId="2337">
        <name>bard</name>
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      <tag tagId="5092">
        <name>city</name>
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      <tag tagId="5093">
        <name>E. J. Brady (1869-1952)</name>
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      <tag tagId="455">
        <name>federation</name>
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        <name>freedom</name>
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      <tag tagId="96">
        <name>knight</name>
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      <tag tagId="2092">
        <name>lance</name>
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      <tag tagId="477">
        <name>nationalism</name>
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      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="2699">
        <name>romanticisation</name>
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      <tag tagId="5094">
        <name>rural economy</name>
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  <item itemId="748" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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        <element elementId="28">
          <name>URL</name>
          <description/>
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            <elementText elementTextId="18722">
              <text>&lt;p&gt;&lt;em&gt;The City of Sydney Archives digital photograph bank: &lt;/em&gt;&lt;a href="http://photosau.com.au/Cos/scripts/home.asp" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Times New Roman;"&gt;http://photosau.com.au/Cos/scripts/home.asp&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Type: &amp;lsquo;stained glass&amp;rsquo; into the Search box, then &amp;lsquo;click&amp;rsquo; Search&lt;/p&gt;&#13;
View: Image 5 &amp;ndash; 006121 (click to enlarge).</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18715">
                <text>The â€˜Australiaâ€™ window; or â€˜Oceaniaâ€™ in the Sydney Town Hall</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18716">
                <text>Allegory, centenary, colony, Goodlet &amp; Smith, lantern, Lucien Henry, nationalism, neo-romanesque, New South Wales, Norman Revival, NSW, patriotism, Romanesque, Southern Cross, stained glass, Sydney, Sydney Town Hall, symbolism, trident, Union Jack, window</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>One of two neo-romanesque with rounded heads and stylised borders designed by Frenchman Lucian Henry and manufactured by Goodlet &amp; Smith for the Sydney Town Hall auditorium, at a time when national fervour was running high in the late nineteenth century. These windows are reminiscent of Romanesque or Norman figural windows dating from the eleventh century. A tall allegorical figure, which doubtless personifies the colony of NSW, wears a helmet of ramâ€™s horns encircled by the sunâ€™s rays. She carries a minerâ€™s lantern and a trident. The figure is draped in the Union Jack, and framed by four white stars on blue grounds in the shape of the Southern Cross. The fifth star is placed upon the womanâ€™s forehead. Symbolism of this type has decidedly classical and also medieval precedents (See James Hall, Dictionary of Subjects and Symbols in Art, 2nd Edition, Boulder, Westview Press, 2008, p.316). The woman stands astride the globe, which is inscribed with her name. The central window is flanked by decorative (and recognisably) Australian floral sidelights adorned with the words â€˜Advance Australiaâ€™ and the dates of the centenary (1788-1888). This â€˜Australiaâ€™ window is one of two inspirational Lucien Henry stair windows installed to celebrate Sydneyâ€™s centenary and to promote the developing national identity narrative.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Lucien Henry (designer)&#13;
Goodlet &amp; Smith (manufacturers)</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18719">
                <text>Sydney, 1887-88 (windows)&#13;
Sydney, c. 1989 (photograph)</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18720">
                <text>Â© City of Sydney Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18721">
                <text>Hyperlink</text>
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        <name>allegory</name>
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      <tag tagId="1446">
        <name>centenary</name>
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        <name>colony</name>
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      <tag tagId="4312">
        <name>Goodlet &amp; Smith</name>
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      <tag tagId="4313">
        <name>lantern</name>
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      <tag tagId="4314">
        <name>Lucien Henry</name>
      </tag>
      <tag tagId="477">
        <name>nationalism</name>
      </tag>
      <tag tagId="1428">
        <name>neo-Romanesque</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="4121">
        <name>Norman Revival</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="4315">
        <name>patriotism</name>
      </tag>
      <tag tagId="2066">
        <name>Romanesque</name>
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      <tag tagId="4316">
        <name>Southern Cross</name>
      </tag>
      <tag tagId="693">
        <name>stained glass</name>
      </tag>
      <tag tagId="122">
        <name>Sydney</name>
      </tag>
      <tag tagId="2398">
        <name>Sydney Town Hall</name>
      </tag>
      <tag tagId="4013">
        <name>symbolism</name>
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      <tag tagId="4317">
        <name>trident</name>
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      <tag tagId="4318">
        <name>Union Jack</name>
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      <tag tagId="128">
        <name>window</name>
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  <item itemId="352" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="7658">
              <text>B&amp;W Photograph</text>
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          <name>URL</name>
          <description/>
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              <text>&lt;a href="http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=129181"&gt;&lt;strong&gt;http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=129181&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt; &lt;/strong&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="13499">
                <text>Irish National Foresters Float at the Saint Patrick's Day Parade, Sydney, ca. 1930</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="13500">
                <text>Irish, Ireland, Foresters, Irish National Foresters, Irish National Foresters Friendly Society, friendly society, friendly societies, society, societies, float, floats, banner, procession, processions, parade, parades, fraternity, fraternities, Saint Patrick, St. Patrick, St Patrick, nationalism, nationalist, non-political, non-sectarian, Saint Patrick's Day, St. Patrick's Day, St Patrick's Day, Patrick's Day, Sydney, NSW, New South Wales, street</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13501">
                <text>&lt;p&gt;An image depicting members of the Irish National Foresters Friendly Society on board a float in a Saint Patrick's Day procession in Sydney, ca 1930.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;About the Society:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Irish National Foresters Organisation/Friendly Society is a mutual aid society, which was established to help members in distress and the relatives of members who are deceased. It began in 1877 as a breakaway from the Order of Foresters, which was originally set up in England by medieval serfs. As they were not permitted to meet openly, their meetings were gathered in dense forest and they took names associated with forestry and applied them to their leaders (e.g. Chief Ranger, Assistant Chief Ranger, Woodward and Beadle).&lt;/p&gt;&#13;
&lt;p&gt;The I.N.F grew rapidly and soon became the largest friendly society in Ireland. It is non-sectarian, non-political and is not divided by class. It supported Irish nationalism and its constitution called for 'government for Ireland by the Irish people in accordance with Irish ideas and Irish aspirations'. The INF group are non-political and non-sectarian. The Society is also not based on class distinctions.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://museumvictoria.com.au/collections/items/250056/sash-irish-national-foresters-after-1877"&gt;http://museumvictoria.com.au/collections/items/250056/sash-irish-national-foresters-after-1877&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="13502">
                <text>Unknown</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="13503">
                <text>State Library of New South Wales</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="13504">
                <text>State Library of New South Wales</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13505">
                <text>ca 1930</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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