1 8 15 https://ausmed.arts.uwa.edu.au/files/original/84a240de39745bd69b4140d086ee9838.JPG 58c8da3528c86051b8804d77969d9a2a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Local URL The URL of the local directory containing all assets of the website. <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"><a href="http://valhallaicecream.com.au">http://valhallaicecream.com.au</a> Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph;JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valhalla Icecream Subject The topic of the resource Advertisement, helmet, Hobart, horned helmet, icecream, logo, mythology, Norse, Odin, Old Norse mythology, shield, sign, Tas, Tasmania, Valhalla, Valhalla Icecream, Valkyrie, Viking, warrior, winged helmet. Description An account of the resource Valhalla Icecream is made in the Hobart suburb of Moonah. As seen on this advertising sign, the company’s logo features the side profile of the head of a Viking warrior on a red shield. The warrior wears a helmet with wings, a notion popular in the late 19th century before Vikings with horned helmets became more popular. In Old Norse (Viking) mythology Valhalla was a giant hall where chosen warriors who had died in battle went to join the Norse god Odin. The warriors were led to Valhalla by Valkyries. For their website see <a href="http://valhallaicecream.com.au">http://valhallaicecream.com.au</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource August 26, 2012 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph advertisement helmet Hobart horned helmet icecream logo mythology Norse Odin Old Norse mythology shield sign Tas Tasmania Valhalla Valhalla Icecream Valkyrie viking warrior winged helmet. https://ausmed.arts.uwa.edu.au/files/original/4128f79a291e98487790bf6ba85dd40b.jpg 33437f27ca51076e94d01ac6ef6ede88 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 691 Width 922 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statue of St. George, Kryal Castle, Ballarat Subject The topic of the resource Kryal Castle, castle, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria, St George, St. George, Saint George, saint, saints, figures, figure, statue, statues, Christian, Christianity, religion, religious, chivalry, chivalric tradition, chivalric, knight, knights, legend, myth, mythology, dragon, dragons, armour, horse Description An account of the resource An image of the large statue of St. George located inside Kryal Castle, a tourist attraction near Ballarat in Victoria. The figure is atop a horse in full metal armour. At the foot of the statue are plaques describing the legend of 'St. George and the Dragon.' For more on the St George legend in Australia, see Andrew Lynch, “‘Thingless names’? The St George Legend in Australia”, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: <a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank">http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html</a>). About Kryal Castle: Built in 1972 by Keith Ryall, Kryal Castle is described as ‘Australia’s unique medieval castle.’ As well as functioning as a tourist attraction, the castle can be hired for weddings, conferences, functions, and special events. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. Creator An entity primarily responsible for making the resource Jeffrey, N. Date A point or period of time associated with an event in the lifecycle of the resource 2007 Rights Information about rights held in and over the resource N. Jeffrey Format The file format, physical medium, or dimensions of the resource Digital photograph; JPEG Armour Ballarat battlements castle chivalric chivalric tradition chivalry Christian Christianity crenelation dragon dragons drawbridge entertainment figure figures functions gate horse Keith Ryall knight knights Kryal Castle legend leisure Melbourne moat myth mythology porticullis re-creation recreation religion religious saint Saint George saints St George St. George statue statues tourism tower Vic Victoria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Sir Bedivere cast the Sword Excalibur into the Water Subject The topic of the resource art, Arthur, Arthurian, Arthuriana, legend, legends, myth, mythology, Aubrey Beardsley (1872-1898), Avalon, death, Excalibur, illustration, J.M. Dent & Sons, king, knight, lake, Le Morte dâ€™Arthur, SA, Sir Bedivere, South Australia, sword, Thomas Malory, wounded king Description An account of the resource This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Following the battle at Barnham Down where Arthur is mortally wounded, he commands Sir Bedivere (at this point the only knight left standing) to take his sword Excalibur to the water and cast it in, and then to return and tell him what he has seen. Sir Bedivere twice takes the sword to the waterside but hides it rather than throw it to waste. Upon his return he tells Arthur that nothing unusual transpired when he threw the sword in and Arthur knows he is lying. On his third visit he casts the sword into the water, and a hand appears from the water to grab hold of it. Sir Bedivere afterwards takes Arthur to the lake, where a barge appears to take him to Avalon. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons. Creator An entity primarily responsible for making the resource Beardsley, Aubrey Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1873 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Hyperlink art Arthur Arthurian Arthuriana Aubrey Beardsley (1872-1898) Avalon death Excalibur illustration J.M. Dent & Sons king knight lake Le Morte dâ€™Arthur legend legends myth mythology SA Sir Bedivere South Australia sword Thomas Malory wounded king https://ausmed.arts.uwa.edu.au/files/original/2dc210654329591c43576abcf042057c.jpg b829fab2c70a29b4ab4a21849ef3b55a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 426 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St George and the Dragon Altar, St Georgeâ€™s Cathedral, Perth, WA Subject The topic of the resource altar, Anglican, Anglicanism, Anglican Cathedral, carving, Cathedral, chivalric tradition, chivalry, combat, battle, crusades, dragon, Eucharist service, Golden Legend, hagiography, Jacobus de Voragine, jarrah, knight, legend, myth, mythology, nave, nave altar, Perth, saint, saints, Speculum Historiale, St George, St George and the Dragon, Saint George, St Georgeâ€™s Cathedral, sword, Vincent of Beauvais (c.1190-1264), WA, Western Australia Description An account of the resource Close-up image of the jarrah nave altar at St George’s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais’ Speculum Historiale and Jacobus de Voragine’s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, “‘Thingless names’? The St George Legend in Australia”, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: <a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank">http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html</a>). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 21 May 2004 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Altar Anglican Anglican Cathedral Anglicanism battle carving Cathedral chivalric tradition chivalry combat Crusades dragon Eucharist service Golden Legend hagiography Jacobus de Voragine jarrah knight legend myth mythology nave nave altar Perth saint Saint George saints Speculum Historiale St George St George and the Dragon St Georgeâ€™s Cathedral sword Vincent of Beauvais (c.1190-1264) WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/5376704bc3382c8498cb965a54b1a1c6.JPG 1bf23bd18983fd5d963b9003e1979e73 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 436 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statue of St. George and the Dragon, State Library of Victoria Subject The topic of the resource bronze, Centennial International Exhibition, chivalric tradition, crusades, dragon, exhibition, Golden Legend, hagiography, international exhibition, Jacobus de Voragine, knight, legend, Melbourne, mythology, sculpture, Sir Joseph Edgar Boehm (1834-1890), spear, Speculum Historiale, St George, Saint George, St George and the Dragon sculpture, State Library of Victoria, statue, sword, Victoria, Vincent of Beauvais (c.1190-1264) Description An account of the resource Image of the St George and the Dragon bronze statue at the entrance to the State Library of Victoria in Melbourne. The statue is the work of Viennese-born sculptor Joseph Edgar Boehm. It was purchased by the State Library of Victoria for the sum of Â£1000 following the Centennial International Exhibition in 1888, and was installed at the entrance to the library in 1889. With the exception of some repositioning to accommodate FrÃ©mietâ€™s Jeanne dâ€™Arc statue in 1907, this is where it still stands. The Boehm statue depicts St George, sitting astride his horse wearing a cape and a helmet bearing the distinctive St George cross, in the action of inflicting the dragonâ€™s deathblow by means of a large spear. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvaisâ€™ Speculum Historiale and Jacobus de Voragineâ€™s Golden Legend (c.1260). As with most early Australian images of St George and the Dragon, the statue features the knight and dragon fused in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, â€œâ€˜Thingless namesâ€™? The St George Legend in Australiaâ€, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html. Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 9 September 2004 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG bronze Centennial International Exhibition chivalric tradition Crusades dragon exhibition Golden Legend hagiography international exhibition Jacobus de Voragine knight legend Melbourne mythology Saint George sculpture Sir Joseph Edgar Boehm (1834-1890) spear Speculum Historiale St George St George and the Dragon sculpture State Library of Victoria statue sword Victoria Vincent of Beauvais (c.1190-1264) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/7370157/under-merlins-spell/" target="_blank">http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/7370157/under-merlins-spell/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Under Merlinâ€™s Spellâ€™ Subject The topic of the resource Arthur, Australian television, BBC series, broadcasting, Camelot, Channel 10, dragon, entertainment, film, folklore, Gaius, Guinevere, Johnny Capps, magic, medieval legend, Merlin, Morgana, mythology, re-interpretation, romance, Shine Drama, television series, wizard Description An account of the resource This entertainment piece from The West Australianâ€™s online edition reviews the BBC series Merlin (2008). At the time the article was written in 2010, the second season of the series was being aired on Australian television by Channel 10. The characters and setting of the show are based on figures and places from Arthurian legend, however, the plot focuses on the lives of the characters prior to the mythologised events of the medieval legend. The characters include Merlin, Arthur, Guinevere, Gaius and Morgana, and the story is set in Camelot. Merlinâ€™s Producer, Johnny Capps, is quoted as saying that they needed a mythological tale and he thought that Merlin â€œjust seemed to be right for re-interpretation for a 21st- century audienceâ€. On the motivation for the plot, he continued: â€œWe decided to start before they were famous because what appealed to us was a story of empowerment. What if we had a young Arthur who was not yet King and Merlin as a young wizard, coping with trying to be a teenager and at the same time his destiny and extraordinary power? And we subverted the expectation around Guinevere by making her a lowly servant girl." Creator An entity primarily responsible for making the resource Saunders, Amanda Source A related resource from which the described resource is derived <a href="http://thewest.com.au/" target="_blank">Thewest.com.au</a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 9 June 2010 Rights Information about rights held in and over the resource The West Australian Format The file format, physical medium, or dimensions of the resource Online newspaper article; URL Language A language of the resource English Arthur Australian television BBC series broadcasting Camelot Channel 10 dragon entertainment film folklore Gaius Guinevere Johnny Capps magic medieval legend Merlin Morgana mythology re-interpretation romance Shine Drama television series wizard Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Hyperlink Title, URL, Description or annotation. URL <a href="http://units.handbooks.uwa.edu.au/units/engl/engl2238" target="_blank">http://units.handbooks.uwa.edu.au/units/engl/engl2238</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medieval in the Modern World Subject The topic of the resource Arthur, Arthurian, Beowulf, Jorge-Luis Borges, Robert Bresson, cinema, fantasy, mythology, myth, legend, legends, myths, films, film, Neil Gaiman, John Gardner, Guy Gavriel Kay, Seamus Heaney, Geoffrey Hill, literature, Andrew Lynch, Monty Python, Perth, poetry, Randolph Stow, Alfred Tennyson, Mark Twain, UWA, university, universities, University of Western Australia, WA, Western Australia, Robert Zemeckis Description An account of the resource A second and third year undergraduate unit taught at The University of Western Australia. The unit was created by Andrew Lynch and features novels, poetry and film from the nineteenth, twentieth and twenty-first centuries that reinterpreted medieval literature and themes. Texts include Tennysonâ€™s â€˜The Passing of Arthurâ€™, the film â€˜Monty Python and the Holy Grailâ€™, Twainâ€™s â€˜A Connecticut Yankee in King Arthurâ€™s Courtâ€™, Gardnerâ€™s â€˜Grendelâ€™, the Zemeckis/Gaiman film â€˜Beowulfâ€™, poetry by Borges, Hill, and Heaney, Bressonâ€™s â€˜Lancelot du Lacâ€™, and Gavriel Kayâ€™s â€˜A Song for Arbonneâ€™. Of particular note is the inclusion of works by Australian authors: Kate Forsythâ€™s â€˜Morgan of the Fayâ€™, Maggie Hamiltonâ€™s â€˜Merlinâ€™, Juliet Marillerâ€™s â€˜Son of the Shadowsâ€™, â€˜The Girl Green as Elderflowerâ€™ by Randolph Stow, and Jules Watsonâ€™s â€˜The White Mareâ€™. Creator An entity primarily responsible for making the resource Lynch, Andrew Source A related resource from which the described resource is derived The University of Western Australia Publisher An entity responsible for making the resource available The University of Western Australia Date A point or period of time associated with an event in the lifecycle of the resource February 2009 Rights Information about rights held in and over the resource Andrew Lynch, the University of Western Australia Format The file format, physical medium, or dimensions of the resource Link to UWA Undergraduate Handbook Language A language of the resource English Alfred Tennyson Andrew Lynch Arthur Arthurian Beowulf cinema fantasy film films Geoffrey Hill Guy Gavriel Kay John Gardner Jorge-Luis Borges legend legends literature Mark Twain Monty Python myth mythology myths Neil Gaiman Perth poetry Randolph Stow Robert Bresson Robert Zemeckis Seamus Heaney universities university University of Western Australia UWA WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/673ec6a47fbeb84cac550c72a7bbfb8b.jpg f4d32a80d1fbab1e3c2899c876f4263b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 691 IPTC Array a:1:{s:7:"caption";s:31:" ";} IPTC String caption: Width 922 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St George Statue, St Georgeâ€™s Cathedral, Perth, Western Australia. Subject The topic of the resource Anglican, Anglicanism, Anglican Cathedral, cathedral, religion, religious, carving, Cathedral, chivalric tradition, dragon, hagiography, knight, knights, knighthood, legend, myth, mythology, Oberammergau, Perth, saint, saints, Saint George, St. George, dragon, St George, St George and the Dragon, St Georgeâ€™s Cathedral, statute, WA, Western Australia, Christian, Christianity Description An account of the resource Images of the St George woodcarved statue in St George’s Cathedral, Western Australia. The statue was purchased from Oberammergau in 1970. Oberammergau is a town in Bavaria known for its woodcarvers and, perhaps more famously, it’s production of a passion play. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders, where it was incorporated into the chivalric tradition. For more on the St George legend in Australia, see Andrew Lynch, “‘Thingless names’? The St George Legend in Australia”, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: <a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank">http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html</a>). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2008 Rights Information about rights held in and over the resource Photographed with permission of the Dean, St George's Cathedral Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglican Cathedral Anglicanism carving Cathedral chivalric tradition Christian Christianity dragon hagiography knight knighthood knights legend myth mythology Oberammergau Perth religion religious saint Saint George saints St George St George and the Dragon St Georgeâ€™s Cathedral St. George statute WA Western Australia