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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.eslitedcorps.com/index.html"&gt;http://www.eslitedcorps.com/index.html&lt;/a&gt;</text>
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                <text>Eslite dâ€™ Corps: Premier 14th C Reenactment</text>
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                <text>Archery, armour, art, axe, Brisbane, combat, costume, craft, dance, Edward III, Eslite dâ€™ Corps, feast, food, gunnery, halberd, helmet, jousting, living history, Guillaume de Machaut, music, performance, Philip VI, Qld, Queensland, Redcliffe North, re-creation, re-enactment, shield, spear, sword, tournament, Sir Justyn Webb, website.</text>
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                <text>&lt;p&gt;Eslite d&amp;rsquo; Corps: Premier 14th C Reenactment are a living history group based in the outer Brisbane suburb of Redcliffe North. The group were founded in 2006 and are headed by &amp;lsquo;Sir Justyn Webb&amp;rsquo;. Eslite d&amp;rsquo; Corp is based on a quote attributed to the courtier composer Guillaume de Machaut to King Philip VI of France, advising him to only accept the best men into his army for the war against Edward III of England. The group concentrate on the period 1340-1380 and re-create the art, combat, music, costume, craft, dance, food, and tournaments of that era. Eslite d&amp;rsquo; Corps perform at various Queensland events.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.eslitedcorps.com/index.html"&gt;http://www.eslitedcorps.com/index.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For more information on their founder see &lt;a href="http://www.sirjustyn.com/home.htm"&gt;http://www.sirjustyn.com/home.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Eslite d' Corps</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Â© Eslite d' Corps 2011</text>
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              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
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                <text>Launceston Church Grammar School, Mowbray Campus, Tasmania</text>
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                <text>Bay window, Stanley Melbourne Bruce, buttress, Henrietta Cooper, Henrietta Cooper Music School, crenellation, education, four-centred arch, Gothic Revival, Launceston, Launceston Church Grammar School, music, Mowbray, parapet, pointed arch, school, Tas, Tasmania, tower, Tudor arch.</text>
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                <text>&lt;p&gt;The Mowbray campus of the Launceston Church Grammar School in Launceston, Tasmanian, has a number of buildings of different eras with medieval features. These include the administration building whose foundation stone was laid by Prime Minister Stanley Melbourne Bruce (1883-1967) in 1923, and the more recent Henrietta Cooper Music School and the small corner tower. All of these buildings feature buttresses and rounded Tudor, or four-centred, arch doorways, and the buttresses of the corner tower continue to form crenellation, whilst the corner buttress at the entrance to the administration building ends in a pointed arch. The music school also has a bay window, a common feature of Gothic Revival architecture.&lt;/p&gt;&#13;
&lt;p&gt;For&amp;nbsp;more of the campus&amp;nbsp;see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1234"&gt;http://ausmed.arts.uwa.edu.au/items/show/1234&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1250"&gt;http://ausmed.arts.uwa.edu.au/items/show/1250&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>November 17, 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1234"&gt;http://ausmed.arts.uwa.edu.au/items/show/1234&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1250"&gt;http://ausmed.arts.uwa.edu.au/items/show/1250&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu"&gt;http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu&lt;/a&gt;</text>
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                <text>'Performance of excerpt from Aucassin et Nicolette' </text>
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                <text>Aucassin and Nicolette, Aucassin et Nicolette, Alana Bennett, Belinda Bennett, Centre for Medieval and Early Modern Studies, chantefable, costume, education, film, hurdy gurdy, Eugene Mason, MEMS, Minervaâ€™s Tower, music, performance, Perth, University of Western Australia, UWA, WA, website, Western Australia, YouTube.</text>
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                <text>&lt;p&gt;This performance of an excerpt from Aucassin et Nicolette was performed by Alana Bennett on November 1, 2012 as part of her MEMS (Medieval and Early Modern Studies) Honours dissertation at the University of Western Australia. The four minute film made by Belinda Bennett was uploaded to YouTube on November 1, 2012. Alana (a member of the medieval band Minerva&amp;rsquo;s Tower) plays a hurdy gurdy and wears medieval clothing. Aucassin et Nicolette is an anonymous twelfth or thirteenth century French chantefable (sung story) which combines prose and verse.&lt;/p&gt;&#13;
&lt;p&gt;For the performance see &lt;a href="http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu"&gt;http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;An English translation of Aucassin et Nicolette by Eugene Mason is available at &lt;a href="http://www.yorku.ca/inpar/aucassin_mason.pdf"&gt;http://www.yorku.ca/inpar/aucassin_mason.pdf&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;This poster advertises two performances of Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; by the Evandale Village Singers in late October 2012 at St Andrew&amp;rsquo;s Anglican Church in Evandale. Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; is a Restoration-period opera set in the early medieval period with a libretto by John Dryden. It was first performed in 1691. The plot deals with Arthur, king of the Briton&amp;rsquo;s, and his battles against the incoming Saxons, which historically would have taken place in the fifth or sixth centuries. The text mentions the Anglo-Saxon deities Woden and&lt;br /&gt;Thor (Old English Thunor), as well as the Norse goddess Freya. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;The Evandale Village Singers are choir based in the northern Tasmanian town of Evandale who formed in 1999. For more see &lt;a href="http://www.anca.org.au/choir-view/1302"&gt;http://www.anca.org.au/choir-view/1302&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Balingup, Balingup Medieval Carnivale, Alana Bennett, Belinda Bennett, folk music, Dylan Kerr, Minervaâ€™s Tower, music, performance, Renaissance, WA, website, Western Australia. </text>
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                <text>&lt;p&gt;Minerva&amp;rsquo;s Tower is a Perth-based band who performs medieval and neo-medieval folk music, including some original compositions. The band consists of two multi-instrumentalists, Alana Bennett and Dylan Kerr. The photograph shows the band performing at the 2012 Balingup Medieval Carnivale in the small Western Australian town of Balingup.&lt;/p&gt;&#13;
&lt;p&gt;For&amp;nbsp;the performance, including music from the thirteenth century, the Renaissance, and early modern folk music, see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1200"&gt;http://ausmed.arts.uwa.edu.au/items/show/1200&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the website see &lt;a href="http://www.minervastower.com/" target="_self"&gt;http://www.minervastower.com/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1200"&gt;http://ausmed.arts.uwa.edu.au/items/show/1200&lt;/a&gt;</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>&lt;p&gt;This photograph shows Alana Bennett playing a six stringed Phoenix Standard hurdy gurdy made by Helmut Gotschy in Germany (&lt;a href="http://www.gotschy.com"&gt;www.gotschy.com&lt;/a&gt;). The hurdy gurdy is a stringed instrument played by using a crank-turned wheel. It developed from fiddles and was first used during the medieval period. The predecessor of the hurdy gurdy, the organistrum, is first mentioned in a treatise found in a manuscript written at Augsburg (Germany) in c. 1100. Alana presented a paper at the &amp;lsquo;Receptions: Medieval and Early Modern Cultural Appropriations&amp;rsquo; conference held at The University of Western Australia in August 2012 and gave an impromptu demonstration of the hurdy gurdy during a break.&lt;/p&gt;</text>
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