1 8 10 https://ausmed.arts.uwa.edu.au/files/original/ddd2cff8c30d26b6fc80ac545f3fe118.pdf 39b8b093ec1a1f4163d427bfdfd9a31d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article4073779" target="_self">http://nla.gov.au/nla.news-article4073779</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Mr Waller Napier Returns’, The Argus, 10 March 1930. Subject The topic of the resource art, electric furnace, medieval craft, Melbourne, Melbourne Town Hall, Mervyn Napier Waller (1893-1972), mosaic, mural paintings, National Gallery, stained glass, VIC, Victoria. Description An account of the resource This article from The Argus in 1930 reports on the return to Melbourne of famed Australian mosaic and stained glass artist Mervyn Napier Wallace and his wife. Napier, whose mosaics in the Melbourne Town Hall and the National Gallery were already well known, returned from visiting Europe with the most recent kind of electric furnace for firing and annealing stained glass and an intention to set up a studio in Melbourne. During his tour of Europe the works that attracted him most, the article reports, were those hailing from the medieval period when stained glass was regarded as a craft rather than an art form, namely 4th-13th century France and 12th-13th century Italy. Creator An entity primarily responsible for making the resource Anon Source A related resource from which the described resource is derived TROVE: National Library of Australia: <a href="http://nla.gov.au/nla.news-article4073779" target="_self">http://nla.gov.au/nla.news-article4073779</a> Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 10 March 1930, p.6 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article art electric furnace medieval craft Melbourne Melbourne Town Hall Mervyn Napier Waller (1893-1972) mosaic mural paintings National Gallery stained glass Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/7479f388f54903bd881b8f0316a9e91c.jpg 407fb2258b6c7fd7ec81b5202b004abe Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 546 Width 894 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum entrance and Jubilee Building, Perth Subject The topic of the resource Arched window, Byzantine, cloister veranda, mosaic, piazza, Perth, Perth Cultural Centre, Perth Museum, Romanesque, George Temple-Poole, Victorian Byzantine, WA, Western Australia, Western Australian Museum Description An account of the resource A photograph of the new entrance to the Western Australian Museum – Perth, juxtaposed with the Jubilee Building that acts as one of the museum’s wings. The Jubilee Building was designed by Government architect George Temple-Poole and opened in 1897. It originally housed the Museum and Library. It was built in the Victorian Byzantine/Romanesque style with an arched entrance and windows. What is now the outer wall of the lower level was originally a piazza, or cloister veranda, paved in mosaic tiles. An early photograph of the building can be viewed at <code><a href="http://hdl.handle.net/1885/111" target="_blank">http://hdl.handle.net/1885/111</a></code> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 20 January 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched window Byzantine cloister veranda George Temple-Poole mosaic Perth Perth Cultural Centre Perth Museum piazza Romanesque Victorian Byzantine WA Western Australia Western Australian Museum https://ausmed.arts.uwa.edu.au/files/original/5e8ca3bd28f2ab558c648798a0ea9fec.jpg 90e4d65d250048099fd299f22b467838 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 778 Width 822 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sts. Peter and Paul Church, Bayswater Subject The topic of the resource Bayswater, Byzantium, Byzantine, dome, Eastern Orthodox, Eastern Orthodox cross, Orthodox, Eastern Orthodox, mosaic, mosaics, onion dome, Perth, Russian Orthodox, St. Peter, St. Paul, Saint Peter, Saint Paul, saints, Sts. Peter and Paul Church, church, WA, Western Australia Description An account of the resource This photograph shows the Russian Orthodox Sts. Peter and Paul Church in the Perth suburb of Bayswater. The church has the typical orthodox/Byzantine architectural features of a dome (symbolising the heavens) on top of a square church building (symbolising the earth). The domes are often known as onion domes, and are usually gold. The Bayswater church also features external Eastern Orthodox crosses, on top of the dome and affixed to the walls of the building. Mosaics of St Peter and St Paul are featured above the arched entrance. The Sts. Peter and Paul Church is part of the diocese of Australia and New Zealand, as was founded in 1950. For more on the church see <a href="http://directory.stinnocentpress.com/viewparish.cgi?Uid=107&lang=en" target="_blank">http://directory.stinnocentpress.com/viewparish.cgi?Uid=107&lang=en</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 12 January 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Bayswater Byzantine Byzantium Church dome Eastern Orthodox Eastern Orthodox cross mosaic mosaics onion dome Orthodox Perth Russian Orthodox Saint Paul Saint Peter saints St. Paul St. Peter Sts. Peter and Paul Church WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/38ea5ba2f14022ceb44b4c8b819eecfd.jpg 4058102a6cf08d3b7dead464051fe630 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 583 Width 778 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jubilee Building, Perth, Western Australia Subject The topic of the resource arched window, Byzantine, cloister veranda, mosaic, piazza, Perth, Perth Cultural Centre, museum, Perth Museum, Romanesque, semi-circular arch, George Temple-Poole, Victorian Byzantine, WA, Western Australia, Western Australian Museum Description An account of the resource <div class="element-text"> One of two photographs of the Jubilee Building that now acts as a wing of the Western Australian Museum – Perth. The brick and stone building was designed by Government architect George Temple-Poole and opened in 1897, originally housing the WA Museum and Library. It was built in the Victorian Byzantine/Romanesque style with a semi-circular arched entrance and windows. What is now the outer wall of the lower level was originally a piazza, or cloister veranda, paved in mosaic tiles. An early photograph of the building can be viewed at <code><a href="http://hdl.handle.net/1885/111" target="_blank">http://hdl.handle.net/1885/111</a></code></div> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 20 January 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched window Byzantine cloister veranda George Temple-Poole mosaic museum Perth Perth Cultural Centre Perth Museum piazza Romanesque semi-circular arch Victorian Byzantine WA Western Australia Western Australian Museum https://ausmed.arts.uwa.edu.au/files/original/24c9612581e7baa0ad47f251d75159d3.jpg f93d379d26f6482a4193c384785a4637 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 830 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jubilee Building, Perth Subject The topic of the resource arched window, Byzantine, capital, cloister veranda, column, finial, mosaic, piazza, Perth, Perth Cultural Centre, museum, Perth Museum, Romanesque, semi-circular arch, George Temple-Poole, tower, turret, Victorian Byzantine, WA, Western Australia, Western Australian Museum Description An account of the resource One of two photographs of the Jubilee Building that now acts as a wing of the Western Australian Museum – Perth. The brick and stone building was designed by Government architect George Temple-Poole and opened in 1897, originally housing the WA Museum and Library. It was built in the Victorian Byzantine/Romanesque style with semi-circular arched entrances and windows. This photograph shows a former entrance to the building, with a moulded doorway supported by columns with decorated capitals. The entrance is part of a tower with four turrets ending in pointed finials. An early photograph of the building can be viewed at <code><a href="http://hdl.handle.net/1885/111" target="_blank">http://hdl.handle.net/1885/111</a></code> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 20 January 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched window Byzantine capital cloister veranda column finial George Temple-Poole mosaic museum Perth Perth Cultural Centre Perth Museum piazza Romanesque semi-circular arch tower turret Victorian Byzantine WA Western Australia Western Australian Museum https://ausmed.arts.uwa.edu.au/files/original/833763a2959a3942c9821917f99bb40a.jpg 5168d44a4817495a4a0e91f34afe5c7a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 998 Width 968 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Great War Memorial Cross, St. Peter's Cathedral, Adelaide, South Australia Subject The topic of the resource Adelaide, armor, armour, bravery, cathedral, chivalric, chivalry, commemoration, courage, cross, Crusades, gallantry, Great War, halo, honour, knight, lance, medieval iconography, memorial, mosaic, noble cause, saints, SA, shield, soldier, South Australia, St George cross, St Peterâ€™s Cathedral, sword, virtue, warrior, World War I, WWI, St. Peter, Saint Peter, St Peter Description An account of the resource Image of the colourful mosaic in the centre of a Great War Memorial Cross situated in the grounds of St Peterâ€™s Cathedral in Adelaide, South Australia. The mosaic depicts a warrior armed with a shield and a lance, and draws on a number of different symbolic references to represent WWI soldiers as courageous, brave and righteous fighters. The tunic and the armour look classical, but the lance, the shield and the halo are distinctively medieval. The shield bearing the St George cross is reminiscent of those carried by knights during the Crusades, while the lance, an instrument used by jousting knights in the High Middle Ages, suggests gallantry, chivalry and honour. The halo encircling the figureâ€™s head is a common iconographic motif in medieval depictions of saints, and the white cloak has likely also been added to symbolise virtue and righteousness. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Armor Armour bravery Cathedral chivalric chivalry commemoration courage cross Crusades gallantry Great War halo honour knight lance medieval iconography memorial mosaic noble cause SA Saint Peter saints shield soldier South Australia St George cross St Peter St Peterâ€™s Cathedral St. Peter sword virtue warrior World War I WWI https://ausmed.arts.uwa.edu.au/files/original/9cc44d50f9fda5ee3bc54664a544f827.jpg dc2a1fdefbd396d480202b85055fcf8a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 968 Width 725 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Great War Memorial Cross at St Peterâ€™s Cathedral, Adelaide. Subject The topic of the resource Adelaide, armor, armour, bravery, cathedral, chivalric, chivalry, commemoration, courage, cross, Crusades, gallantry, Great War, halo, honour, knight, lance, medieval iconography, memorial, mosaic, noble cause, saints, SA, shield, soldier, South Australia, St George cross, St Peterâ€™s Cathedral, sword, virtue, warrior, World War I, WWI, St. Peter, Saint Peter, St Peter Description An account of the resource An image of a Great War Memorial Cross situated in the grounds of St Peterâ€™s Cathedral in Adelaide, South Australia. The colourful mosaic in the centre of the cross depicts a warrior armed with a shield and a lance, and draws on a number of different symbolic references to represent WWI soldiers as courageous, brave and righteous fighters. The tunic and the armour look classical, but the lance, the shield and the halo are distinctively medieval. The shield bearing the St George cross is reminiscent of those carried by knights during the Crusades, while the lance, an instrument used by jousting knights in the High Middle Ages, suggests gallantry, chivalry and honour. The halo encircling the figureâ€™s head is a common iconographic motif in medieval depictions of saints, and the white cloak has likely also been added to symbolise virtue and righteousness. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Armor Armour bravery Cathedral chivalric chivalry commemoration courage cross Crusades gallantry Great War halo honour knight lance medieval iconography memorial mosaic noble cause SA Saint Peter saints shield soldier South Australia St George cross St Peter St Peterâ€™s Cathedral St. Peter sword virtue warrior World War I WWI https://ausmed.arts.uwa.edu.au/files/original/6dacd3e60d3acbda0ece9bf324f8a446.jpg a5a94ce5e48933d041e2cb3a050ae240 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 629 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'The Five Lamps of Learning' Featured on the Great Gate at the University of Western Australia Subject The topic of the resource Administration Building, architecture, arch, archway, Crawley, â€œGreat Gateâ€, Italian influence, limestone, Mervyn Napier Waller, mosaic, Rodney Alsop, Senate Chamber, Sir John Winthrop Hackett, stone, The University of Western Australia, virtues, Western Australia, Winthrop Hall, Oxford University, Cambridge University, gateway, Tudor, Tudor architecture, university building, university buildings, university college, university colleges, college Description An account of the resource An image of the window and mosaic featured on the northern side of the Great Gate at the University of Western Australia, Crawley. The University commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber in 1931. The mosaic, known as the ‘Five Lamps of Learning’, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the ‘Five Lamps of Learning’ mosaic, see the UWA Archives website: <a href="http://archives.uwa.edu.au/page/84543" target="_blank">http://archives.uwa.edu.au/page/84543</a>, accessed 1/2/2011). Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 28 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG â€œGreat Gateâ€ Administration Building arch architecture archway Cambridge University college Crawley gateway Italian influence limestone Mervyn Napier Waller mosaic Oxford University Rodney Alsop Senate Chamber Sir John Winthrop Hackett stone The University of Western Australia Tudor Tudor architecture university building university buildings university college university colleges virtues Western Australia Winthrop Hall