1 8 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.abc.net.au/compass/s3510122.htm">http://www.abc.net.au/compass/s3510122.htm</a>   Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Tasmanian Gothicâ€™, Compass, ABC TV Subject The topic of the resource ABC, alter cloths, Australian Broadcasting Corporation, baptismal font, Wendy Boynton, Catholic, chalice linen, church, Colebrook, Compass, cross, Geraldine Doogue, Gothic, Gothic Revival, headstone, monstrance, Oatlands, Augustus Welby Northmore Pugin, Pugin, Richmond, rood screen, Tas, Tasmania, Tasmanian Gothic, television, transcript, vestment, website, Bishop Willson, Robert William Willson. Description An account of the resource ‘Tasmanian Gothic’ was an episode of the Australian Broadcasting Corporation’s Compass television programme presented by Geraldine Doogue. The story was researched by Wendy Boynton and aired on June 24, 2012 to celebrate the 200th anniversary of the birth of English architect and designer Augustus Welby Northmore Pugin (1812-1852), one of the main instigators of the Gothic Revival. Although he never visited Australia some consider the best examples of Pugin’s work to be in Tasmania, in part due to their preservation. When his friend Robert William Willson (1794-1866) was chosen as Tasmania’s first Catholic Bishop, Pugin provided him with the materials necessary to establish his diocese. These items, including scale models for three churches, were taken by Willson by ship from England to Hobart in 1844. Pugin artefacts in Tasmania include alter cloths, baptismal fonts, chalice linens, crosses, rood screens, headstones, vestments, and a monstrance (a vessel to hold the communion host, first used in the medieval period), the churches at Oatlands and Colebrook, and elements of the church at Richmond. The programme also deals with Pugin’s lasting legacy, including the enduring notion that Gothic style architecture is the most appropriate for ecclesiastical architecture.   For the episode transcript see <a href="http://www.abc.net.au/compass/s3510122.htm">http://www.abc.net.au/compass/s3510122.htm</a> For the Pugin churches see <a href="http://ausmed.arts.uwa.edu.au/items/show/1104">http://ausmed.arts.uwa.edu.au/items/show/1104</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/951">http://ausmed.arts.uwa.edu.au/items/show/951</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1117">http://ausmed.arts.uwa.edu.au/items/show/1117</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1119">http://ausmed.arts.uwa.edu.au/items/show/1119</a>     Creator An entity primarily responsible for making the resource Australian Broadcasting Corporation Date A point or period of time associated with an event in the lifecycle of the resource June 24, 2012 Contributor An entity responsible for making contributions to the resource Boynton, Wendy (researcher) Rights Information about rights held in and over the resource Australian Broadcasting Corporation Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1104">http://ausmed.arts.uwa.edu.au/items/show/1104</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/951">http://ausmed.arts.uwa.edu.au/items/show/951</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1117">http://ausmed.arts.uwa.edu.au/items/show/1117</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1119">http://ausmed.arts.uwa.edu.au/items/show/1119</a> Format The file format, physical medium, or dimensions of the resource Hyperlink ABC alter cloths Augustus Welby Northmore Pugin Australian Broadcasting Corporation baptismal font Bishop Willson Catholic chalice linen Church Colebrook Compass cross Geraldine Doogue Gothic Gothic Revival headstone monstrance Oatlands Pugin Richmond Robert William Willson. rood screen Tas Tasmania Tasmanian Gothic television transcript vestment website Wendy Boynton https://ausmed.arts.uwa.edu.au/files/original/2d125e26b23dd7849d4c05a1623ec3e4.pdf 2a1ea69f1fd0b7057367e1eb95f209c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data <a href="http://nla.gov.au/nla.news-article50060567" target="_blank">http://nla.gov.au/nla.news-article50060567</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Walled City of Nuremburg â€“ The Cradle of Nazism. Subject The topic of the resource Adam Krafft, Adam Kraft, Adam Kraft (c.1460-1509), Adolf Hitler (1889-1945), Albrecht DÃ¼rer (1471-1528), apprentice, architecture, art, artisan, artists, burgher, carving, cathedral, church, craftsmen, crozier, engraving, filigree stonework, gable, Germany, gothic architecture, guild, Hans Sachs (1494-1576), journeyman, masonry, Master, medieval city, medieval craft, medieval guild, medieval housing, merchant, monstrance, Nuremburg, painting, Percy Bysshe Shelley (1792-1822), Peter Vischer (1455-1529), religion, Rothenburg, seven virtues, St Laurence, stone, stone carving, swastika, â€œTo a Skylarkâ€ (1820), undergarments, vaulting, Veit Stoss (1450-1533), walled city, wood carving Description An account of the resource In this article, John T. McMahon describes a visit to the city of Nuremburg in 1936. Arriving only days after one of the Naziâ€™s infamous Nuremburg rallies, he notes the swastikaâ€™s still lining the streets and parade ground. For most of the article, however, McMahon concentrates on explaining Nuremburgâ€™s â€œsplendidâ€ medieval history, and the lasting traces of its past in the physical landscape. He describes tracing the line of the medieval walls, looking in awe at the large merchant houses with their elaborate adornments and recognising, as he looked over the city from the castle, why itâ€™s winding streets and narrow alleys had always held such a fascination for artists and etchers. He identifies Nuremburg as a town famous for its medieval craft guilds, and describes the artistic training and accomplishments of its most famous son, Albrecht DÃ¼rer. He concludes by describing the mastery of the carving work by Adam Kraft in St Laurenceâ€™s Church, which carried the gaze up to the vaulted ceiling â€œlike Shelleyâ€™s skylarkâ€. Creator An entity primarily responsible for making the resource McMahon, John T. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available Western Mail Date A point or period of time associated with an event in the lifecycle of the resource 24 December 1936, p. 40. Rights Information about rights held in and over the resource Western Mail Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English â€œTo a Skylarkâ€ (1820) Adam Krafft Adam Kraft Adam Kraft (c.1460-1509) Adolf Hitler (1889-1945) Albrecht DÃ¼rer (1471-1528) apprentice architecture art artisan artists burgher carving Cathedral Church craftsmen crozier engraving filigree stonework gable Germany gothic architecture guild Hans Sachs (1494-1576) journeyman masonry Master medieval city medieval craft medieval guild medieval housing merchant monstrance Nuremburg painting Percy Bysshe Shelley (1792-1822) Peter Vischer (1455-1529) religion Rothenburg seven virtues St Laurence stone stone carving swastika undergarments vaulting Veit Stoss (1450-1533) walled city wood carving https://ausmed.arts.uwa.edu.au/files/original/be943e690e7eabe461dfbfd58220277e.pdf 1c1a9b0b453e532fe413f79e101d8fa2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Photograph; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Corpus Christi Procession North Sydney, 1934 Subject The topic of the resource Sydney, North Sydney, NSW, New South Wales, Corpus Christi Procession Sydney, medieval saintsâ€™ pageants, saints, saint, pageant, procession, parade, parades, processions, banner, banners, eucharistic procession, eucharist, parade, medieval liturgy, canopy, host, Body of Christ, priests, clerics, papal delegate, monstrance, Monte Santâ€™ Angelo Convent North Sydney, Archbishop Cattaneo, Blessed sacrament feast of Corpus Christi, baldacchino, ombrello, thurifers, crucifer, medieval liturgy, incense, candles Description An account of the resource The feast of Corpus Christi (Body of Christ) has been held since the 13c. The host, Blessed sacrament, the consecrated body of Christ, is brought outside of its usual place in the sanctuary of the altar and paraded amongst devoted followers and the world at large. the procession is accompanied by prayer and adoration and usually concludes with Solemn Benediction. The feast occurs the first Thursday after Trinity Sunday. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available National Library of Australia Date A point or period of time associated with an event in the lifecycle of the resource Friday 1 June 1934, Procession Thursday 31 May (Thursday after Trinity Sunday) Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Photograph; PDF Archbishop Cattaneo baldacchino banner banners Blessed sacrament feast of Corpus Christi Body of Christ candles canopy clerics Corpus Christi Procession Sydney crucifer Eucharist eucharistic procession host incense medieval liturgy medieval saintsâ€™ pageants monstrance Monte Santâ€™ Angelo Convent North Sydney New South Wales North Sydney NSW ombrello pageant papal delegate parade parades priests procession processions saint saints Sydney thurifers https://ausmed.arts.uwa.edu.au/files/original/5b915b7f7cb5c9ef3ca71c8486eef956.pdf 1d42bd1a48e211e053ba05533cfcdb21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Photograph; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Corpus Christi Procession in Sydney, 1930 Subject The topic of the resource Corpus Christi Procession Sydney, medieval saintsâ€™ pageants, processions, procession, parade, pageant, parades, pageants, banner, banners, eucharist, eucharistic, eucharistic procession, eucharist, parade, medieval liturgy, canopy, host, Body of Christ, priests, clerics, papal delegate, monstrance, Monte Santâ€™ Angelo Convent North Sydney, North Sydney, Sydney, NSW, New South Wales, Archbishop Cattaneo, Blessed sacrament feast of Corpus Christi, baldacchino, ombrello, thurifers, crucifer, medieval liturgy, incense, candles Description An account of the resource The feast of Corpus Christi (Body of Christ) has been held since the 13c. The host, Blessed sacrament, the consecrated body of Christ, is brought outside of its usual place in the sanctuary of the altar and paraded amongst devoted followers and the world at large. the procession is accompanied by prayer and adoration and usually concludes with Solemn Benediction. The feast occurs the first Thursday after Trinity Sunday. â€œAfter the Mass on Corpus Christi, all kneel and sing O Salutaris Hostia. The Host is incensed, and carried under an ombrellino (an umbrella-like canopy) to the baldacchino, a rectangular tent-like canopy... Then the procession forms, led by the Crucifer (the acolyte who carries the processional Cross), who is flanked by acolytes carrying candles. Then follow members of religious associations and orders, children strewing rose petals in the path of the Blessed Sacrament (they are customarily dressed in their First Communion clothes), clergy, and then two thurifers who incense the path. Then comes the Blessed Sacrament, carried at eye-level by a priest (with his hands veiled) in a monstrance, under the baldacchino, all flanked by torch bearers. The people walk behind.â€ http://www.communityofhopeinc.org/Catholic%20Rites/ East%20&%20West.html Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available National Library of Australia Date A point or period of time associated with an event in the lifecycle of the resource 20 June 1930 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Photograph; PDF Archbishop Cattaneo baldacchino banner banners Blessed sacrament feast of Corpus Christi Body of Christ candles canopy clerics Corpus Christi Procession Sydney crucifer Eucharist eucharistic eucharistic procession host incense medieval liturgy medieval saintsâ€™ pageants monstrance Monte Santâ€™ Angelo Convent North Sydney New South Wales North Sydney NSW ombrello pageant pageants papal delegate parade parades priests procession processions Sydney thurifers