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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;Part one: &lt;a href="https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b" target="_blank"&gt;https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b&lt;/a&gt;/&lt;/p&gt;&#13;
&lt;p&gt;Part Two: &lt;a href="https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/" target="_blank"&gt;https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>â€˜The Canterbury Tales: Part Oneâ€™ &amp; â€˜The Canterbury Tales: Part Twoâ€™, Perth Fringe Festival 2013</text>
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                <text>Canterbury Cathedral, carpenter, comedy, court, death, drama, flood, flour miller, Fringe Festival, Geoffrey Chaucer (c.1343-1400), King Arthur, knight, KNUTS, maiden, medieval literature, medieval poetry, Medieval Romance, modern adaptation, old hag, performance, Perth, pilgrim, pilgrimage, Science Fiction, shrine, space, Stephen Lee, Stephen Quinn, &lt;em&gt;The Canterbury Tales&lt;/em&gt;, &amp;lsquo;The Franklin&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Merchant&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Miller&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Pardoner&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Reeve&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Wife of Bath&amp;rsquo;s Tale&amp;rsquo;, Thomas Becket, Victorian Melodrama, villain, vulcan, WA, Western, Western Australia.</text>
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                <text>&lt;p&gt;This production by theatre company KNUTS is a modern adaptation of Geoffrey Chaucer&amp;rsquo;s &lt;em&gt;The Canterbury Tales&lt;/em&gt; in two parts. Adapted by Stephen Quinn and directed by Stephen Lee, it transposes stories from Chaucer&amp;rsquo;s original text into a variety of different genres, ranging from Western to silent film, Victorian melodrama and a Shakespearean version of a Medieval Romance. Part One includes renditions of &amp;lsquo;The Pardoner&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Miller&amp;rsquo;s Tale&amp;rsquo; and &amp;lsquo;The Reeve&amp;rsquo;s Tale&amp;rsquo;, and Part Two &amp;lsquo;The Franklin&amp;rsquo;s Tale&amp;rsquo;, The Wife of Bath&amp;rsquo;s Tale&amp;rsquo; and &amp;lsquo;The Merchant&amp;rsquo;s Tale&amp;rsquo;. This production featured as part of the Perth Fringe Festival in 2013, where &amp;lsquo;The Canterbury Tales: Part One&amp;rsquo; was performed from 7 February to 13 February and &amp;lsquo;The Canterbury Tales: Part Two&amp;rsquo; was performed the following week from 14 February to 19 February 2013. A positive review of &amp;lsquo;The Canterbury Tales: Part Two&amp;rsquo; from &lt;em&gt;The West Australian&lt;/em&gt; can be read at: &lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/" target="_blank"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p&gt;In Chaucer&amp;rsquo;s original &lt;em&gt;The Canterbury Tales&lt;/em&gt;, written in the late fourteenth century, the narrator joins a group of 29 pilgrims who are about to set out on a journey from Southwark to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. He proposes that each member of the group tell two stories to entertain them on their journey, and proceeds to record each of these &amp;lsquo;tales&amp;rsquo;. The teller of the best story was to be rewarded with a free meal at the expense of the rest of the group.&lt;/p&gt;</text>
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                <text>Written by Geoffrey Chaucer&#13;
Adapted by Stephen Quinn&#13;
Directed by Stephen Lee&#13;
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                <text>FringeWorld Festival Website (&lt;a href="https://www.fringeworld.com.au/home/" target="_blank"&gt;https://www.fringeworld.com.au/home/&lt;/a&gt;)</text>
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                <text>Part One: 7 February 2013 - 13 February 2013&#13;
Part Two: 14 February 2013 â€“ 19 February 2013&#13;
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                <text>Fringe Festival &amp; KNUTS Theatre Company</text>
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                <text>Performance in different genres, including Western, carry on film, silent movie, science fiction, â€˜mock Shakespeareâ€™, Victorian melodrama.</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/a83945794d7c12f1affc3a5c401be031.pdf</src>
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              <name>Title</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Tristram and Iseult. A Long Narrative Poem.</text>
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                <text>Arthur, Arthurian, Arthurian legend, Arthurian romance, legend, romance, Celtic legend, Cornwall, Edwin Arlington Robinson (1869-1935), Iseult, Isolde, Isolt, knight, â€˜Lancelotâ€™, Mark, medieval poetry, â€˜Merlinâ€™, narrative poem, Norman poem, Pictish king, poem, poetry, review, trilogy, Tristan, Tristram, â€˜Tristram and Iseultâ€™, Tristran, Tristrem, Yseult</text>
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                <text>This article from the Western Mail offers a positive review of Edwin Arlington Robinsonâ€™s long narrative poem â€˜Tristramâ€™, published in 1927. Following poems titled â€˜Merlinâ€™ in 1917 and â€˜Lancelotâ€™ in 1920, this poem is the third instalment in a trilogy by Robinson based on Arthurian legends. â€˜Tristramâ€™ is a retelling, in blank verse, of BÃ©roulâ€™s late twelfth-century medieval romance â€˜Tristram and Iseultâ€™. The story of Tristram and Iseult is a tale of adulterous love between a Cornish Knight and the Irish bride of his uncle, King Mark. Robinson was awarded a Pulitzer prize for his â€˜Tristramâ€™ in 1928.</text>
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                <text>National Library of Australia</text>
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                <text>The Western Mail</text>
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                <text>4 August 1927, p. 8</text>
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                <text>The Western Mail</text>
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              <text>&lt;p&gt;See Page 98&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf"&gt;http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Chaucer. [From various sources].</text>
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                <text>biography, Dante Alghieri (c.1265-1321), Early Australian Literary Tastes, Edmund Spenser (c.1552-1599), English language, Geoffrey Chaucer  (c.1340-1400), Hainault, heresy,  John of Gaunt (1340â€“1399), John Milton (1608â€“1674), John Wycliffe (d.1384), medieval poet, medieval poetry, poet, poetry, William Shakespeare (1564â€“1616).</text>
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                <text>&lt;p class="MsoNormal"&gt;This column from the &lt;em&gt;Colonial Literary Journal&lt;/em&gt; in 1844 provides a biography of medieval poet Geoffrey Chaucer. Quoting from an unnamed source, the article names Chaucer alongside Spenser, Shakespeare and Milton as one of the &amp;lsquo;Four Great English Poets&amp;rsquo;, and credits him with helping to form the English language. In its praise of Chaucer&amp;rsquo;s poetry, the article likens him to a range of Renaissance painters: &amp;ldquo;Chaucer excels in pathos, in humour, in satire, character, and description. &amp;ndash;His graphic faculty, and healthy sense of the material, strongly ally him to the painter; and perhaps a better idea could not be given of his universality than by saying, that he was at once the Italian and the Flemish painter of his time, and exhibited the pure expression of Raphael, the devotional intensity of Domenechino. The colour and corporeal fire of Titian, the manners of Hogarth, and the homely domesticities of Ostade and Teniers!&amp;rdquo;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Although the article lists 1328 as the year of Chaucer&amp;rsquo;s birth, most scholars date it almost two decades later, c.1340. See for example, Douglas Gray, &amp;lsquo;Chaucer, Geoffrey (c.1340&amp;ndash;1400)&amp;rsquo;, &lt;em&gt;Oxford Dictionary of National Biography&lt;/em&gt;, Oxford University Press, 2004 [&lt;a href="http://www.oxforddnb.com/view/article/5191" target="_blank"&gt;http://www.oxforddnb.com/view/article/5191&lt;/a&gt;, accessed 24 Feb 2011.&lt;/p&gt;</text>
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                <text>Colonial Literary Journal and Weekly Miscellany of Useful Information, Volume 1, Number 7, p.98.</text>
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                <text>Colonial Literary Journal and Weekly Miscellany of Useful Information</text>
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                <text>Thursday 8 August 1844</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Colonial Literary Journal</text>
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        <name>Geoffrey Chaucer  (c.1340-1400)</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/c1605bc82f66ba45707f12489a0d3129.pdf</src>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Newspaper Article: &lt;a href="http://nla.gov.au/nla.news-article37689201" target="_blank"&gt;http://nla.gov.au/nla.news-article37689201&lt;/a&gt;</text>
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                <text>Early English Portraiture</text>
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              <elementText elementTextId="14874">
                <text>Beggar, De Regimine Principum, dialogue, Geoffrey Chaucer (c.1340-1400), heresy, John Gower (c.1330-1408), John Lydgate (c.1370-1450), knight, manuscript, marginalia, medieval dress, medieval poetry, Occleve, poet, poetry, portrait, Sir John Oldcastle (d.1417), The Regiment of Princes, Thomas Hoccleve (c.1367-1426), tribute, review</text>
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            <description>An account of the resource</description>
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                <text>&lt;p class="MsoNormal"&gt;In this &lt;em&gt;Western Mail &lt;/em&gt;article from 1930, the author begins by providing a somewhat negative review of Thomas Hoccleve&amp;rsquo;s poem, &amp;ldquo;The Regiment of Princes&amp;rdquo;. Asserting that the poem &amp;ldquo;looks better than it reads&amp;rdquo;, the author describes it as a &amp;ldquo;long and tedious poem on virtues and vices in imitation of an older writing&amp;rdquo;. The author goes on to suggest that Hoccleve has &amp;ldquo;an historical, rather than a literary value&amp;rdquo;, because he drew in the margin of the book what was thought to be the most accurate portrait of his near contemporary, Geoffrey Chaucer (c.1340-1400), and revered him in the text. The author concludes that although not a great poet, Hoccleve was probably an &amp;ldquo;earnest, forthright man&amp;rdquo;, because he knew his limitations.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Thomas Hoccleve (c.1367-1426) was an English poet and clerk of the Privy Seal. &amp;ldquo;The Regiment of Princes&amp;rdquo; was written in 1410-11 and was addressed to Prince Henry, the future King Henry V. It describes the virtues of a good ruler, and survives in 43 manuscript copies. For the text of Hoccleve&amp;rsquo;s &amp;ldquo;The Regiment of Princes&amp;rdquo;, see &lt;a href="http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm" target="_blank"&gt;http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Anon.</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="14877">
                <text>National Library of Australia</text>
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                <text>11 December 1930, p. 12.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14879">
                <text>Western Mail</text>
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        <name>Geoffrey Chaucer (c.1340-1400)</name>
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        <name>John Gower (c.1330-1408)</name>
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        <name>John Lydgate (c.1370-1450)</name>
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        <name>medieval dress</name>
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        <name>medieval poetry</name>
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        <name>Occleve</name>
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        <name>poet</name>
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        <name>Sir John Oldcastle (d.1417)</name>
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        <name>The Regiment of Princes</name>
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        <name>Thomas Hoccleve (c.1367-1426)</name>
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