1 8 18 https://ausmed.arts.uwa.edu.au/files/original/76b30f33ffb6765f43ebca3baa2c6787.jpg 2b78d555c33863c3f2c3364cbb6122ed Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 691 Width 518 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Gloria Rose Armstrong, Kryal Castle Subject The topic of the resource Kryal Castle, tapestry, tapestries, weaving, medieval craft, medieval, craft, castle, castles, jousting, knights, knight, medieval scene, Gloria Rose Armstrong, Australia, Ballarat, Melbourne, VIC, Victoria, Keith Ryall, tourism, tourist, attraction, leisure, recreation, re-creation, entertainment, functions, medieval style, medieval dress, fashion Description An account of the resource An image of a portrait of Gloria Rose Armstrong who designed and executed the hand embroidered 'Kyral Tapestry', which is displayed at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. The tapestry depicts Kryal Castle and various aspects of medieval life. Reportedly the largest of its type in the Southern hemisphere, the Kryal tapestry took 3600 hours to complete and is thought to contain 19 million stitches. Creator An entity primarily responsible for making the resource Jeffrey, N. Date A point or period of time associated with an event in the lifecycle of the resource 2010 Rights Information about rights held in and over the resource Image used with the permission of N. Jeffrey Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG attraction Australia Ballarat castle castles craft entertainment fashion functions Gloria Rose Armstrong jousting Keith Ryall knight knights Kryal Castle leisure medieval medieval craft medieval dress medieval scene medieval style Melbourne re-creation recreation tapestries tapestry tourism tourist Vic Victoria weaving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/3796" target="_blank">http://www.ngv.vic.gov.au/col/work/3796</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Springtime (Im Fruhling) Subject The topic of the resource Arnold BÃ¶cklin (1827-1901), art, beauty, Felton Bequest, feminine ideal, landscape, medieval dress, medieval theme, music, musical instrument, naturalism, nature, nostalgia, Renaissance art, Renaissance beauty, seasons, spring, springtime, VIC, Victoria Description An account of the resource This work by Swiss-born artist Arnold BÃ¶cklin was acquired by the National Gallery of Victoria with funds from the Felton Bequest in 1977. The painting depicts two beautiful â€˜otherworldlyâ€™ female figures in flowing, colourful dresses walking in an idyllic green landscape. Although the dresses are of a romanticised medieval style, the naturalism with which the landscape is rendered is a typically nineteenth-century artistic style. â€œBy bringing a modern sensibility to a late medieval sceneâ€, Ted Gott et al have suggested, â€œthe artist has brilliantly linked to his contemporary world the fifteenth-century ideal of beautyâ€ (19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.63). Creator An entity primarily responsible for making the resource BÃ¶cklin, Arnold Source A related resource from which the described resource is derived National Gallery of Victoria Publisher An entity responsible for making the resource available National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1873 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 104.5 x 78cm; Hyperlink Arnold BÃ¶cklin (1827-1901) art beauty Felton Bequest feminine ideal landscape medieval dress medieval theme music musical instrument naturalism nature nostalgia Renaissance art Renaissance beauty seasons spring springtime Vic Victoria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.  go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.   search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feigned Death of Juliet Subject The topic of the resource bedchamber, Capulet, characters, Count Paris, domestic interior, Frederic Leighton (1830-1896), Friar Laurence, Juliet, Lady Capulet, medieval dress, music, musical instruments, musicians, nurse, play, Romeo and Juliet, SA, Shakespearean characters, South Australia, tragedy, William Shakespeare (1564-1616) Description An account of the resource This oil on canvas painting by nineteenth-century artist Frederic Leighton was acquired by the Art Gallery of South Australia with funds from the Elder Bequest in 1899. Titled â€˜The Feigned Death of Julietâ€™ it depicts a scene from William Shakespeareâ€™s tragedy 'Romeo and Juliet'. In Act IV Scene V of the play, Count Paris arrives at the Capulet house with Friar Laurence to claim Juliet as his bride. However, instead of finding her ready to proceed to the church to be wed, he discovers Juliet seemingly lifeless in her chamber. In Leightonâ€™s painting, Juliet is shown lying on a bed surrounded by her mother, her nurse, her father and Count Paris. Friar Laurence hovers in the corner and a band of musicians congregate by the open door with their instruments. Although the play was written in the 1590s, it is set in Verona in an earlier (but unspecified) period. The characters in the painting are all depicted wearing styles of dress typical of the High Middle Ages. Creator An entity primarily responsible for making the resource Leighton, Frederic Source A related resource from which the described resource is derived Art Gallery of South Australia Publisher An entity responsible for making the resource available Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1856 - 1858 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 113.6 x 175.2cm; Hyperlink bedchamber Capulet characters Count Paris domestic interior Frederic Leighton (1830-1896) Friar Laurence Juliet Lady Capulet medieval dress music musical instruments musicians nurse play Romeo and Juliet SA Shakespearean characters South Australia tragedy William Shakespeare (1564-1616) https://ausmed.arts.uwa.edu.au/files/original/17b73f2789ec13c7005407d4c6cf3315.pdf 7947c1b8a3b98d9fc2bb52bb4d99715b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€œThe Winterâ€™s Taleâ€ for Perth Stage Subject The topic of the resource Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Emilia, Florizel, head dress, head-dress, headdress, Hermione, jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Mamillius, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, shoes, Sicilia, sleeves, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616) Description An account of the resource In this article from The West Australian in 1952, notice of the upcoming stage production of Shakespeare’s “The Winter’s Tale” by the John Alden Shakespearean Company is given. The medieval costumes - including elaborate head-dresses, pointed shoes and draped sleeves - would be particularly appealing to Perth audiences, the article suggests, because they were such a marked change from the plays usually performed on the Perth stage. About The Winter’s Tale: In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter. For a copy of the text, see: <a href="http://www.gutenberg.org/ebooks/2248" target="_blank">http://www.gutenberg.org/ebooks/2248</a>. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article49052507" target="_blank">http://nla.gov.au/nla.news-article49052507</a> <a href="../../items/show/402"></a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 13 September 1952, p. 5. Rights Information about rights held in and over the resource The West Australian Relation A related resource “This is What Women Wore in Bygone Times”, The West Australian, 18 September 1952, p. 7, <a href="../../items/show/402">http://ausmed.arts.uwa.edu.au/items/show/402</a> Format The file format, physical medium, or dimensions of the resource Digital Newspaper Article Language A language of the resource English Antigonus Apolloâ€™s Temple Bohemia Camillo costume drama Emilia Florizel head dress head-dress headdress Hermione jealousy John Alden (1908-1962) John Alden Shakespearean Company Leontes Mamillius medieval costume medieval dress oracle Pauline Perdita performance Perth Polixenes Shakespeare shepherd shepherdess shoes Sicilia sleeves stage The Winterâ€™s Tale theatre WA Western Australia William Shakespeare (1564-1616) https://ausmed.arts.uwa.edu.au/files/original/f131ebe28fbea929e58a082d25ec547d.pdf 8e8a856f2ecf780296118e665de8efea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article <a href="http://nla.gov.au/nla.news-article49053308" target="_blank">http://nla.gov.au/nla.news-article49053308</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource This is What Women Wore in Bygone Times Subject The topic of the resource Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Elsie Dayne, Emilia, Florizel, head dress, head-dress, headdress, Hermione, Iris Hart (1910-1983), jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Lucille Robinson, Mamillius, Mavis Turner, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, Sicilia, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616) Description An account of the resource     This article features a photograph of costume head-dresses from the stage production of Shakespeare’s “The Winter’s Tale” performed in Perth in 1952 as part of a national tour by the John Alden Shakespearean Company. The four actresses in the photograph are Lucille Robinson and Elsie Dayne (ladies of the court), Mavis Turner (Perdita) and Iris Hart (Emilia). The head-dresses are described by the author as “millinery of medieval times”. About The Winter’s Tale: In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter. For a copy of the text, see: <a href="http://www.gutenberg.org/ebooks/2248" target="_blank">http://www.gutenberg.org/ebooks/2248</a>. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article49053308" target="_blank">http://nla.gov.au/nla.news-article49053308</a> Publisher An entity responsible for making the resource available The West Australia Date A point or period of time associated with an event in the lifecycle of the resource 18 September 1952, p. 7. Rights Information about rights held in and over the resource The West Australian Relation A related resource “’The Winter’s Tale’ for Perth Stage” The West Australian, 13 September 1952, p.5 <a href="../../../items/show/403">http://ausmed.arts.uwa.edu.au/items/show/403</a> Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Antigonus Apolloâ€™s Temple Bohemia Camillo costume drama Elsie Dayne Emilia Florizel head dress head-dress headdress Hermione Iris Hart (1910-1983) jealousy John Alden (1908-1962) John Alden Shakespearean Company Leontes Lucille Robinson Mamillius Mavis Turner medieval costume medieval dress oracle Pauline Perdita performance Perth Polixenes Shakespeare shepherd shepherdess Sicilia stage The Winterâ€™s Tale theatre WA Western Australia William Shakespeare (1564-1616) https://ausmed.arts.uwa.edu.au/files/original/7c662407af516274c435392a64b43ec2.JPG b617f7304b433fef098facc8e67b7de2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Preparatory Skirmish at 2010 SCA College Challenge Subject The topic of the resource Society for Creative Anachronism, anachronism, SCA, St. Basil, Saint Basil, Saint Lazarus, St. Lazarus, kettle hat, armour, armoury, knight, knights, knighthood, chivalry, Kingdom of Lochac, armour making, costume, costumes, medieval dress, UWA, University for Western Australia, Murdoch University, Western Australia, WA, medieval armour, tournament, tourney, battle, medieval craft, craft, metalwork Description An account of the resource Members of the Society for Creative Anachronism preparing to fight in a battle for the 2010 College Challenge between the factions of St Lazarus and St Basil. The tournament was held at the University of Western Australia. About the Society for Creative Anachronism and the Kingdom of Lochac (the Australian and New Zealand regional branch of the SCA): The Society for Creative Anachronism is an international organisation which focuses on the study and 're-creation' of Medieval and Early Modern cultures and their histories before the seventeenth century. As the prime example of a 'living history' group, members of the SCA aim to re-create the past through applying elements of historical knowledge to a practical engagement with Medieval and Early Modern crafts, martial arts, science, metalwork and cooking (for example). The Society was created by graduates of the University of Berkley in California in the 1960s and has since branched out to include 19 kingdoms, with over 30,000 members in locations across the globe. The Kingdom of Lochac is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. Information regarding the College of St. Basil the Great can be found at <a href="http://lochac.sca.org/basil/index.php?page=home">http://lochac.sca.org/basil/index.php?page=home</a> Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 19 December 2010 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG anachronism Armour armour making armoury battle chivalry costume costumes craft kettle hat Kingdom of Lochac knight knighthood knights medieval armour medieval craft medieval dress metalwork Murdoch University Saint Basil Saint Lazarus SCA Society for Creative Anachronism St. Basil St. Lazarus tournament tourney University for Western Australia UWA WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digitised photograph - 1 film photonegative (copied from original nitrate photonegative) URL <a href="http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=19711">http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=19711</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Knight and his Lady, University Commemoration Day ("Commem") through streets Subject The topic of the resource armour, chain mail, chainmail, â€œCommem Dayâ€, commemoration, costume, custom, fancy dress, â€œFestival Dayâ€, festivities, helmet, horse, knight, knights, knighthood, chivalry, lady, medieval costume, medieval dress, medieval romance, romance, NSW, New South Wales, parade, pennant, procession, Sam Hood (1872-1953), shield, St George cross, street parade, students, Sydney, The University of Sydney, tradition, university Description An account of the resource Hyperlink to a photograph of two Sydney university students participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The two students in the photograph appear on horseback and in costume; a male student is dressed as a medieval knight complete with chainmail, a helmet and a shield, and a female student dons an imitation medieval style dress and hat. â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the twentieth century. The last â€œCommem Dayâ€ parade was held in 1975. Creator An entity primarily responsible for making the resource Hood, Sam Source A related resource from which the described resource is derived State Library of New South Wales, Digital Order No. hood_14970 Publisher An entity responsible for making the resource available State Library of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 19 May 1937 Rights Information about rights held in and over the resource State Library of New South Wales Format The file format, physical medium, or dimensions of the resource Hyperlinkl; Digitised photograph - 1 film photonegative (copied from original nitrate photonegative) Language A language of the resource English â€œCommem Dayâ€ â€œFestival Dayâ€ Armour chain mail chainmail chivalry commemoration costume custom fancy dress festivities helmet horse knight knighthood knights lady medieval costume medieval dress Medieval Romance New South Wales NSW parade pennant procession romance Sam Hood (1872-1953) shield St George cross street parade students Sydney The University of Sydney tradition university Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digitised photograph - 1 film photonegative (copied from original nitrate photonegative) URL <a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=19716">http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=19716</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Knight in The University of Sydney Commem Day Parade, 1937 Subject The topic of the resource armour, chainmail, chain mail, â€œCommem Dayâ€, commemoration, costume, custom, fancy dress, â€œFestival Dayâ€, festivities, helmet, horse, knight, knights, chivalry, knighthood, medieval romance, romance, medieval costume, medieval dress, New South Wales, parade, pennant, procession, Sam Hood (1872-1953), shield, St George cross, street parade, students, Sydney, The University of Sydney, tradition, university Description An account of the resource Hyperlink to a photograph of a Sydney university student participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The student in the photograph appears on horseback and dressed as a medieval knight, complete with chainmail and a helmet. â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the early twentieth century. The last â€œCommem Dayâ€ parade was held in 1975. Creator An entity primarily responsible for making the resource Hood, Sam Source A related resource from which the described resource is derived State Library of New South Wales, Digital Order No. hood_14975 Publisher An entity responsible for making the resource available State Library of New South Wales, Hood Collection part I: Sydney streets, buildings, people, activities and events, c.1925-1955 Date A point or period of time associated with an event in the lifecycle of the resource 19 May 1937 Rights Information about rights held in and over the resource State Library of New South Wales Format The file format, physical medium, or dimensions of the resource Hyperlink; Digitised photograph - 1 film photonegative (copied from original nitrate photonegative) Language A language of the resource English â€œCommem Dayâ€ â€œFestival Dayâ€ Armour chain mail chainmail chivalry commemoration costume custom fancy dress festivities helmet horse knight knighthood knights medieval costume medieval dress Medieval Romance New South Wales parade pennant procession romance Sam Hood (1872-1953) shield St George cross street parade students Sydney The University of Sydney tradition university