1 8 13 https://ausmed.arts.uwa.edu.au/files/original/6d0307e3b65c30ba92a7e6c757643759.jpg ce499652bbc407d305d44b904dad98fa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3489 Width 2147 https://ausmed.arts.uwa.edu.au/files/original/f6692e9af65f7ca8a661d2d42836a354.jpg 31004a541a7ce5fcc09272d02f4b3cbf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3065 Width 2457 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Microfilm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Eating the Leek’ (Henry V, Act V, Scene I), The Bulletin, 4 March 1893. Subject The topic of the resource Cartoon, Fluellen, Henry V, John Bull, medieval costume, Pistol, political cartoon, politics, Shakespeare, Sir George Richard Dibbs (1834-1904), Sir Robert William Duff (1835-1895), theatre, New South Wales, NSW politics, William Ewart Gladstone (1809-1898), William Shakespeare (c.1564-1616). Description An account of the resource This political cartoon by ‘Hop’ enacts a scene from William Shakespeare’s historical play, Henry V. In the scene, Fluellen the Welshman angrily berates the unfortunate Pistol, a crony of Sir John Falstaff, and forces him to eat a raw leek. The cartoon, Louise D’Arcens suggests, uses this rather cryptic information “to depict the recent appointment of the New South Wales governor Sir Robert Duff by the British Prime Minister Gladstone,” (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.182). The ‘leeks’ both seem equally unpalatable to the protesting recipient(s): Pistol and the Premier Sir George Dibbs respectively. The fact that Mr Gladstone and Her Majesty’s Government would appoint the next Governor without approval from the NSW Government indicates the lesson in humility that was forced upon the colony by Whitehall. Ironically, the John Bull figure holds a switch with the words ‘Silken Bond’ written upon it. This sounds suspiciously like “an iron fist in a velvet glove” rationale to contemporary ears. Creator An entity primarily responsible for making the resource Livingston York Hopkins (â€˜Hopâ€™) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 4 March 1893 (Cover) Rights Information about rights held in and over the resource Public Domain cartoon Fluellen Henry V John Bull medieval costume New South Wales NSW politics Pistol political cartoon politics Shakespeare Sir George Richard Dibbs (1834-1904) Sir Robert William Duff (1835-1895) theatre William Ewart Gladstone (1809-1898) William Shakespeare (c.1564-1616) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/4068" target="_blank">http://www.ngv.vic.gov.au/col/work/4068</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Belle Dame sans merci, by Arthur Hughes Subject The topic of the resource Alain Chartier, apparition, armor, armour, Arthur Hughes (1832-1915), Arthurian, ballad, chivalric, chivalry, courtly love, damsel, dream, faery child, fair lady, false promise, infatuation, John Keats, knight, La Belle Dame sans merci, maiden, medieval costume, poem, supernatural, unrequited love, VIC, Victoria Description An account of the resource This painting by English artist Arthur Hughes was acquired by the National Gallery of Victoria in 1919 with funds from the Felton Bequest. It portrays a scene from the well-known ballad of the same name penned in 1819 by Romantic poet John Keats. The poem is a tale of unrequited love featuring an Arthurian knight and a beautiful woman he meets in the woods. Described by Keats as a ‘faery’s child’, the woman woos the knight with songs, food and promises of love, before taking him back to her elfin grot and lulling him to sleep. While asleep, however, he dreams of death-pale kings, princes and warriors crying “La Belle Dame sans merci/Thee hath in thrall!” before waking up alone on a cold hillside. In the painting, the infatuated knight is pictured in the woods shortly after he has met the beautiful woman and lifted her onto his horse. In the background, the apparitions of the pale figures he will later dream of are visible, trying to convey their warning in vain. Keats borrowed the title for his Arthurian ballad from a fifteenth-century courtly love poem by Alain Chartier. For a copy of Keats’ La Belle Dame sans merci, see <a href="http://www.poetryfoundation.org/poem/173740" target="_blank"> http://www.poetryfoundation.org/poem/173740</a>. Creator An entity primarily responsible for making the resource Hughes, Arthur Source A related resource from which the described resource is derived National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1863 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 153.7 x 123cm; Hyperlink Alain Chartier apparition Armor Armour Arthur Hughes (1832-1915) Arthurian Ballad chivalric chivalry Courtly Love damsel dream faery child fair lady false promise infatuation John Keats knight La Belle Dame sans merci maiden medieval costume poem supernatural unrequited love Vic Victoria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.flickr.com/photos/34094515@N00/5854993304/in/set-72157626676456279">http://www.flickr.com/photos/34094515@N00/5854993304/in/set-72157626676456279</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Soldier at a Medieval Faireâ€™ Subject The topic of the resource Arms, armor, armour, aventail, Blacktown, Blacktown Medieval Fayre, camail, chain mail, chainmail, combat, entertainment, helmet, honour, medieval costume, medieval fair, New South Wales, Norman style helmet, NSW, Nurragingy Reserve, re-enactment, reenactment, Richard Taylor, Sydney, war, warfare, Western Sydney Description An account of the resource This is a â€˜frozenâ€™ combat image taken at the Blacktown Medieval Fayre by photographer Richard Taylor in 2011. It depicts a participant dressed in a Norman style helmet complete with a chainmail collar known as an avential or camal, and engaged in combat. The participants and combatants in medieval re-enactment groups generally pay considerable attention to detail. Their clothing and war gear is researched and often handcrafted, and when it comes to re-enacting â€˜combatâ€™ all bouts are marshalled. However, the combat is also based on an honour system, in which â€œevery fighter must decide which blows hit hard enough for him to yield or fall deadâ€ (For more on this, see Patrick Oâ€™Donnell, The Knights Next Door: Everyday People Living Middle Ages Dreams, Lincoln, iUniverse Inc., 2004). Re-enacted combat combines medieval fighting techniques and entertainment. In Medieval Fantasy as Performance: The Society for Creative Anachronism and the Current Middle Ages (Lanham, The Scarecrow Press, 2010), Michael Cramer observes that participation in creative anachronistic events is largely performance-driven (p.xii). That is to say, historical re-enactment is essentially theatre, and this is a significant part of the appeal. The Blacktown Medieval Fayre is billed as â€œa world of medieval magic,â€ and is part of the annual Blacktown Fiesta, an eight day extravaganza hosted by Blacktown City Council. It is just one of several interesting medieval events held throughout the country at different times of the year. Creator An entity primarily responsible for making the resource Taylor, Richard Date A point or period of time associated with an event in the lifecycle of the resource 21 May 2011 Rights Information about rights held in and over the resource Â© Richard Taylor. Some rights reserved dicktay2000 Format The file format, physical medium, or dimensions of the resource Hyperlink Armor Armour Arms aventail Blacktown Blacktown Medieval Fayre camail chain mail chainmail combat entertainment helmet honour medieval costume medieval fair New South Wales Norman style helmet NSW Nurragingy Reserve re-enactment reenactment Richard Taylor Sydney war warfare Western Sydney Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.flickr.com/photos/34094515@N00/5753543105/in/set-72157626676456279">http://www.flickr.com/photos/34094515@N00/5753543105/in/set-72157626676456279</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The old soldierâ€™ at the Blacktown Medieval Fayre Subject The topic of the resource Arms, armor, armour, Blacktown Medieval Fayre, byrnie, chain mail, chainmail, coif, combat, fair, haubergeon, hauberk, helmet, medieval costume, New South Wales, Norman style helmet, NSW, Nurragingy Reserve, re-enactment, re-enactment, soldier, Sydney, war, warfare Description An account of the resource This is one of a series of pre-action photographs taken by photographer Richard Taylor at Nurragingy Reserve in 2011. It shows an â€˜old warriorâ€™ displaying steely determination to survive a potentially dangerous encounter. The subject of the photograph is a participant at the Blacktown Medieval Fayre. He wears a chainmail hood (a coif) and shirt (hauberk or haubergeon), and a Norman style helmet. Chain mail was used extensively in the middle ages to fashion protective garments by interlocking thousands of metal rings to form a meshed material. Chainmail garments were worn by medieval knights and soldiers as body armour until chainmail was gradually superseded by plate armour in the fourteenth century. The Blacktown Medieval Fayre is billed as â€œa world of medieval magic,â€ and is part of the annual Blacktown Fiesta, an eight day extravaganza hosted by Blacktown City Council. It is just one of several interesting medieval events held throughout the country at different times of the year. Creator An entity primarily responsible for making the resource Taylor, Richard Date A point or period of time associated with an event in the lifecycle of the resource 21 May 2011 Rights Information about rights held in and over the resource Â© Richard Taylor. Some rights reserved dicktay2000 Format The file format, physical medium, or dimensions of the resource Hyperlink Armor Armour Arms Blacktown Medieval Fayre byrnie chain mail chainmail coif combat fair haubergeon hauberk helmet medieval costume New South Wales Norman style helmet NSW Nurragingy Reserve re-enactment soldier Sydney war warfare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL To view this image: <a href="http://www.redbubble.com/people/wdonaldson/works/7127743-the-peasant?c=62571-medieval%20" target="_blank">http://www.redbubble.com/people/wdonaldson/works/7127743-the-peasant?c=62571-medieval </a>(16/11/2011). To see more images from Gumeracha Fair visit Wendi’s Medieval Gallery: <a href="http://www.redbubble.com/people/wdonaldson/collections/62571-medieval" target="_blank">http://www.redbubble.com/people/wdonaldson/collections/62571-medieval</a> (16/11/2011). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Peasantâ€™; or â€˜Pilgrimâ€™ Subject The topic of the resource Adelaide Hills, Camino de Santiago de Compostela, cockleshell, Gumeracha Medieval Fair, medieval costume, neo-medieval, peasant, pilgrim, pilgrimage, re-enactment, reneactment, SA, South Australia Wendi Donaldson Description An account of the resource This photograph was taken at the Gumeracha Medieval Fair, Adelaide Hills, South Australia by photographer Wendi Donaldson (May 2011). The image is entitled â€˜Peasant,â€™ but seeing as the man is wearing a scallop-shell as a badge in his wide-brimmed hat and is carrying a staff with a bevel-top, he is more likely a â€˜pilgrim.â€™ The scallop-shell was worn by those who journeyed to the shrine of St James (aka Santiago de Compostela), in NW Spain (See Dominic Selwood, Knights of the Cloister Woodbridge: Boydell Press, 1999, p.111). This was one of the three main Pilgrimages undertaken by medieval Christians, and it was also reputedly the easiest and safest. It was undoubtedly less expensive (or dangerous) than journeying to the Holy Land. The other two essential pilgrimage routes were the Church of the Holy Sepulchre, Jerusalem, and the shrine of St Peter, Rome. The Gumeracha Medieval Fair is an annual event sponsored by the Adelaide Hills Council. The Fair features a host of re-enactment groups from around the world, including handcraft stallholders, wandering musicians and entertainers, and a whole lot more. This is just one of several interesting medieval events held throughout the country at different times of the year. There is clearly a popular interest in the past, and especially the Middle Ages, as these fairs and festivals (which generally charge an admission fee) imply, and not just in Australia. There are professional re-enactment personnel and entertainers who traverse the globe in a bid to bring the past to life. Creator An entity primarily responsible for making the resource Donaldson, Wendi Date A point or period of time associated with an event in the lifecycle of the resource Gumeracha, South Australia, May 2011 Rights Information about rights held in and over the resource Â© All images copyright Wendi Donaldson 2011 Format The file format, physical medium, or dimensions of the resource Hyperlink Adelaide Hills Camino de Santiago de Compostela cockleshell Gumeracha Medieval Fair medieval costume neo-medieval peasant pilgrim pilgrimage re-enactment reneactment SA South Australia Wendi Donaldson https://ausmed.arts.uwa.edu.au/files/original/17b73f2789ec13c7005407d4c6cf3315.pdf 7947c1b8a3b98d9fc2bb52bb4d99715b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€œThe Winterâ€™s Taleâ€ for Perth Stage Subject The topic of the resource Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Emilia, Florizel, head dress, head-dress, headdress, Hermione, jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Mamillius, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, shoes, Sicilia, sleeves, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616) Description An account of the resource In this article from The West Australian in 1952, notice of the upcoming stage production of Shakespeare’s “The Winter’s Tale” by the John Alden Shakespearean Company is given. The medieval costumes - including elaborate head-dresses, pointed shoes and draped sleeves - would be particularly appealing to Perth audiences, the article suggests, because they were such a marked change from the plays usually performed on the Perth stage. About The Winter’s Tale: In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter. For a copy of the text, see: <a href="http://www.gutenberg.org/ebooks/2248" target="_blank">http://www.gutenberg.org/ebooks/2248</a>. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article49052507" target="_blank">http://nla.gov.au/nla.news-article49052507</a> <a href="../../items/show/402"></a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 13 September 1952, p. 5. Rights Information about rights held in and over the resource The West Australian Relation A related resource “This is What Women Wore in Bygone Times”, The West Australian, 18 September 1952, p. 7, <a href="../../items/show/402">http://ausmed.arts.uwa.edu.au/items/show/402</a> Format The file format, physical medium, or dimensions of the resource Digital Newspaper Article Language A language of the resource English Antigonus Apolloâ€™s Temple Bohemia Camillo costume drama Emilia Florizel head dress head-dress headdress Hermione jealousy John Alden (1908-1962) John Alden Shakespearean Company Leontes Mamillius medieval costume medieval dress oracle Pauline Perdita performance Perth Polixenes Shakespeare shepherd shepherdess shoes Sicilia sleeves stage The Winterâ€™s Tale theatre WA Western Australia William Shakespeare (1564-1616) https://ausmed.arts.uwa.edu.au/files/original/f131ebe28fbea929e58a082d25ec547d.pdf 8e8a856f2ecf780296118e665de8efea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article <a href="http://nla.gov.au/nla.news-article49053308" target="_blank">http://nla.gov.au/nla.news-article49053308</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource This is What Women Wore in Bygone Times Subject The topic of the resource Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Elsie Dayne, Emilia, Florizel, head dress, head-dress, headdress, Hermione, Iris Hart (1910-1983), jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Lucille Robinson, Mamillius, Mavis Turner, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, Sicilia, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616) Description An account of the resource     This article features a photograph of costume head-dresses from the stage production of Shakespeare’s “The Winter’s Tale” performed in Perth in 1952 as part of a national tour by the John Alden Shakespearean Company. The four actresses in the photograph are Lucille Robinson and Elsie Dayne (ladies of the court), Mavis Turner (Perdita) and Iris Hart (Emilia). The head-dresses are described by the author as “millinery of medieval times”. About The Winter’s Tale: In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter. For a copy of the text, see: <a href="http://www.gutenberg.org/ebooks/2248" target="_blank">http://www.gutenberg.org/ebooks/2248</a>. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article49053308" target="_blank">http://nla.gov.au/nla.news-article49053308</a> Publisher An entity responsible for making the resource available The West Australia Date A point or period of time associated with an event in the lifecycle of the resource 18 September 1952, p. 7. Rights Information about rights held in and over the resource The West Australian Relation A related resource “’The Winter’s Tale’ for Perth Stage” The West Australian, 13 September 1952, p.5 <a href="../../../items/show/403">http://ausmed.arts.uwa.edu.au/items/show/403</a> Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Antigonus Apolloâ€™s Temple Bohemia Camillo costume drama Elsie Dayne Emilia Florizel head dress head-dress headdress Hermione Iris Hart (1910-1983) jealousy John Alden (1908-1962) John Alden Shakespearean Company Leontes Lucille Robinson Mamillius Mavis Turner medieval costume medieval dress oracle Pauline Perdita performance Perth Polixenes Shakespeare shepherd shepherdess Sicilia stage The Winterâ€™s Tale theatre WA Western Australia William Shakespeare (1564-1616) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digitised photograph - 1 film photonegative (copied from original nitrate photonegative) URL <a href="http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=19711">http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=19711</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Knight and his Lady, University Commemoration Day ("Commem") through streets Subject The topic of the resource armour, chain mail, chainmail, â€œCommem Dayâ€, commemoration, costume, custom, fancy dress, â€œFestival Dayâ€, festivities, helmet, horse, knight, knights, knighthood, chivalry, lady, medieval costume, medieval dress, medieval romance, romance, NSW, New South Wales, parade, pennant, procession, Sam Hood (1872-1953), shield, St George cross, street parade, students, Sydney, The University of Sydney, tradition, university Description An account of the resource Hyperlink to a photograph of two Sydney university students participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The two students in the photograph appear on horseback and in costume; a male student is dressed as a medieval knight complete with chainmail, a helmet and a shield, and a female student dons an imitation medieval style dress and hat. â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the twentieth century. The last â€œCommem Dayâ€ parade was held in 1975. Creator An entity primarily responsible for making the resource Hood, Sam Source A related resource from which the described resource is derived State Library of New South Wales, Digital Order No. hood_14970 Publisher An entity responsible for making the resource available State Library of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 19 May 1937 Rights Information about rights held in and over the resource State Library of New South Wales Format The file format, physical medium, or dimensions of the resource Hyperlinkl; Digitised photograph - 1 film photonegative (copied from original nitrate photonegative) Language A language of the resource English â€œCommem Dayâ€ â€œFestival Dayâ€ Armour chain mail chainmail chivalry commemoration costume custom fancy dress festivities helmet horse knight knighthood knights lady medieval costume medieval dress Medieval Romance New South Wales NSW parade pennant procession romance Sam Hood (1872-1953) shield St George cross street parade students Sydney The University of Sydney tradition university