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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.awlleather.com.au/al_med_shoes.html"&gt;http://www.awlleather.com.au/al_med_shoes.html&lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Medieval â€˜Coppergateâ€™ Shoes</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Awl Leather, bags, belts, coppergate shoes, medieval clothing, medieval footwear, leather, leather goods, saddlers, Saxon shoes, shoes, Viking shoes, York</text>
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                <text>Awl Leather, established in 1991, is a manufacturer of footwear, bags, belts and other leather accessories. They are also saddlers. This online catalogue features a selection of medieval style shoes, including several â€˜Coppergateâ€™, Viking, and Saxon shoes. The Coppergate-style shoes are based on an original medieval pattern found in York (UK), and have been dated to sometime between the tenth and thirteenth century. </text>
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                <text>Awl Leather, Bellingen NSW</text>
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            <name>Date</name>
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                <text>c. 2011</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="18634">
                <text>Â© Awl Leather 2011</text>
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            <name>Format</name>
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        <name>Awl Leather</name>
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        <name>bags</name>
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        <name>belts</name>
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        <name>coppergate shoes</name>
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        <name>leather</name>
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        <name>leather goods</name>
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        <name>medieval clothing</name>
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        <name>medieval footwear</name>
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      <tag tagId="4291">
        <name>saddlers</name>
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        <name>Saxon shoes</name>
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        <name>shoes</name>
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        <name>Viking shoes</name>
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        <name>York</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.esford.com/armourytemplar.htm"&gt;http://www.esford.com/armourytemplar.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Esford Armoury â€˜Knights Templarâ€™ Range</text>
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                <text>arms, armoury, Brisbane, chain mail, chainmail, cloak, Crusades, dagger, Esford Armoury, Holy Land, hood, knights, Knights Templar, mail coat, medieval clothing, military order, Order of the Temple, Queensland, QLD, re-enactment society, red cross, shield, soldiers of Christ, surcoat, sword, war, warfare, weapons</text>
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                <text>This website advertises a range of Knights Templar garb and weaponry that has been designed with the guidance of â€˜The Knights Templarâ€™, a Brisbane-based re-enactment society. The Knights Templar formed what was arguably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades. The clothing adopted by the Templar Knights was distinctive, consisting of a white surcoat with a red cross. Most of this â€˜war gearâ€™ is visually self-explanatory, thanks to films such as The Kingdom of Heaven (2003), which depicts crusading knights playing politics and fighting Saladin in the Holy Land. The Esford online catalogue promotes their version of the Templar sword, dagger, helmet, gambeson, surcoat, and hooded cloak. The purpose of the surcoat was initially to protect the wearer from the sun, although the practice was quickly adopted elsewhere, even in the northern lands where the climate did not warrant such precautions (See Mark Cruse, â€˜Material Cultureâ€™ in Albrecht Classen, ed. Handbook of Medieval Studies: Terms, Methods, Trends, Vol. 1., Berlin, De Gruyter, 2010, p.841). Curiously, there are two essential items missing from the Templarâ€™s equipment: a mail coat and a red cross emblazoned triangular shield. </text>
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                <text>Esford Swords and Armoury, Brisbane</text>
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              <elementText elementTextId="18097">
                <text>November, 2011</text>
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                <text>Esford Swords and Armoury, 2011</text>
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                <text>English </text>
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        <name>cloak</name>
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        <name>knights</name>
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        <name>Knights Templar</name>
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        <name>mail coat</name>
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        <name>medieval clothing</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;2.&amp;nbsp;&amp;nbsp; search by artist or title. &lt;/span&gt;&lt;br /&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="20533">
                <text>The Loving Cup</text>
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                <text>Art, Arthurian, Arthurian romance, chivalry, cup, Dante Gabriel Rossetti (1828-1882), Gouache, ivy, knight, legend, medieval clothing, nostalgia, Pre-Raphaelite, replica, romance, SA, South Australia, Victorian, watercolour</text>
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                <text>&lt;p&gt;This work by Dante Gabriel Rossetti, a&amp;nbsp;renowned nineteenth-century painter and member of the Pre-Raphaelite Brotherhood, depicts a young woman in a voluminous medieval-looking gown raising a golden cup decorated with a heart shaped design to her lips. In her other hand she clasps the lid of the cup to her breast. A lace cloth, ivy (the symbol of fidelity) and 4 brass plates (2 depicting deer, 1 depicting Adam and Eve eating the forbidden fruit and the other showing Hosea and Joshua with a bunch of grapes) are visible in the background. This painting is one of three watercolour replicas that Rossetti produced in 1867 of an oil painting that is currently held by the National Gallery of Western Art, Tokyo. The frame of the original painting is inscribed "Douce nuit et joyeux jour/ A chevalier de bel amour (Sweet night and pleasant day/to the beautifully loved knight)," which suggests that the woman is toasting her recently departed knight. The source of these words is uncertain, but it is thought that Rossetti, well-known for his poetry as well as his artwork, probably wrote it himself. (For more on the Tokyo painting, see &lt;a href="http://collection.nmwa.go.jp/en/P.1984-0005.html" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://collection.nmwa.go.jp/en/P.1984-0005.html&lt;/span&gt;&lt;/a&gt;).&lt;/p&gt;&#13;
The Arthurian theme and subject matter of the painting are typical of Rossetti&amp;rsquo;s work from the mid-1850s, and the work of the second phase of the Pre-Raphaelite Brotherhood more generally. As Elizabeth Prettejohn suggests, these paintings convey a sense in which the &amp;ldquo;the world presented in the pictures is somehow distant or remote from the everyday&amp;rdquo;. They depict scenes of leave-taking, but the circumstances are left untold, and we do not learn the fortunes of the figures involved. This, she suggests, &amp;ldquo;contrasts abruptly with the narrative specificity of most Victorian painting, and of earlier Pre-Raphaelite pictures. The precise detail in the drawings gives us a medieval world that is apparently complete in itself, but to which we as spectators only have partial access&amp;rdquo; (Elizabeth Prettejohn, &lt;em&gt;The Art of the Pre-Raphaelites&lt;/em&gt;, Tate Publishing, London, 2000, pp.106-7).</text>
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                <text>Rossetti, Dante Gabriel</text>
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            <name>Source</name>
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                <text>Art Gallery of South Australia</text>
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            <name>Date</name>
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                <text>c 1867</text>
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                <text>Art Gallery of South Australia</text>
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                <text>Gouache on paper, 52.6 x 35.9 cm</text>
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        <name>Dante Gabriel Rossetti (1828-1882)</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Newspaper Article</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>He Still Wears the Ruff and Doublet</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Adam Lindsay Gordon, Alfred Hill (1869-1960), Australian poet, Camden, doublet, Elizabeth II, Hugh Raymond McCrae (1876-1958), international appeal, Kenneth Slessor (1901-1971), line-drawings, medieval clothing, medieval lyricism, New South Wales, Norman Lindsay (1879-1969), O.B.E., pastoral poetry, poetry, royal investiture, ruff, sketches, Sydney</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="4786">
                <text>This article about Australian lyric poet Hugh Raymond McCrae (1876-1958) is titled â€˜He still wears the Ruff and Doubletâ€™ in response to a claim supposedly made by Kenneth Slessor (quoted in the article) that McCrae was â€˜perpetually haunted by the loss of his ruff and doubletâ€™. Hugh McCrae was highly regarded both throughout his lifetime and after his death in 1958 for his poetry, prose and line drawings. He often drew on the medieval past and old poetic forms in his work, and in the 1920s started work on a verse-drama called â€˜Joan of Arcâ€™. This article opens with a photograph of him being appointed O.B.E alongside Alfred Hill in 1953, and goes on to provide a complimentary sketch of his life, career and work. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>O.R.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="4789">
                <text>Sydney Morning Herald</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4790">
                <text>Saturday 27 March 1954, p. 11.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4791">
                <text>Sydney Morning Herald</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper Article</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>Adam Lindsay Gordon</name>
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        <name>Alfred Hill (1869-1960)</name>
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        <name>Australian poet</name>
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      <tag tagId="1283">
        <name>Camden</name>
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      <tag tagId="1284">
        <name>doublet</name>
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      <tag tagId="1285">
        <name>Elizabeth II</name>
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      <tag tagId="1286">
        <name>Hugh Raymond McCrae (1876-1958)</name>
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        <name>international appeal</name>
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        <name>Kenneth Slessor (1901-1971)</name>
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        <name>line-drawings</name>
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        <name>medieval clothing</name>
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        <name>medieval lyricism</name>
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        <name>New South Wales</name>
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        <name>Norman Lindsay (1879-1969)</name>
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        <name>O.B.E.</name>
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        <name>pastoral poetry</name>
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        <name>poetry</name>
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        <name>royal investiture</name>
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        <name>ruff</name>
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        <name>sketches</name>
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        <name>Sydney</name>
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