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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of The University of Western Australiaâ€™s Claremont Campus. The Claremont Campus building was constructed in 1901 and originally housed the Claremont Teacherâ€™s College. It was then home to the Western Australian College of Advanced Education from 1981 and was a campus of Edith Cowan University before being purchased by The University of Western Australia in 2004.&#13;
&#13;
At the roof of the faÃ§ade and along the top of the oriel window, crenellation has been used for decorative effect. Crenellation was an architectural feature commonly employed in medieval castles and military structures. Cut into parapets, it provided both openings through which weapons could be fired (the embrasures) and raised sections of stone to protect from oncoming fire and obscure visibility (the merlons). The depressed arch around the main door and rectangular hood moulding is also characteristic of late gothic architecture of the fifteenth century.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Image of Barracks Arch, Perth. What remains was the entrance to a much larger three storey building built in 1866 to house the retired Enrolled Pensioner Force and their families. Architect Richard Roach Jewell created an entrance reminiscent of a medieval castle with towers and crenellation, but in brick. Before emigrating, Jewell had been involved in work at Southsea Castle in England. All of the Barracks except the arch and towers was demolished in 1966 so that the Mitchell Freeway could be built. </text>
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                <text>Costumes at SCA College Challenge - St. Basil vs. St. Lazarus</text>
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                <text>&lt;p&gt;Costumes displayed at the Society for Creative Anachronism's College Challenge, December 2010 between St. Basil (UWA) and St. Lazarus (Murdoch).&lt;/p&gt;&#13;
&lt;p&gt;About the Society for Creative Anachronism and the Kingdom of Lochac   (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and   're-creation' of Medieval and Early Modern cultures and their histories   before the seventeenth century. As the prime example of a 'living   history' group, members of the SCA aim to re-create the past through   applying elements of historical knowledge to a practical engagement with   Medieval and Early Modern crafts, martial arts, science, metalwork and   cooking (for example). The Society was created by graduates of the   University of Berkley in California in the 1960s and has since branched   out to include 19 kingdoms, with over 30,000 members in locations  across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Carter, Bree</text>
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                <text>&lt;p class="MsoNormal"&gt;A view of the Fremantle Prison Gatehouse in  Fremantle, Western Australia. The Gatehouse was constructed by convict  labour between 1854 and 1855. It was built according to the design of  Royal Engineer Edmund Henderson from limestone quarried on site.  Gatehouses consisting of two close towers with a gate positioned between  them were a common feature of medieval castles and walled cities,  especially during the reign of Edward I in England (1272-1307).  Gatehouses were deliberately designed to be large and imposing  structures, because their purpose was to protect the weakest point of a  fortified space - the entrance. A major restoration of the Fremantle  Prison Gatehouse took place in 2005 under the management of Considine  and Griffiths Architects. The stonework was conserved and all  non-original rendering was removed.&lt;/p&gt;&#13;
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&lt;p class="MsoNormal"&gt;Fremantle  Prison was originally named The Convict Establishment, then The  Colonial Convict Establishment. It was renamed Fremantle Prison in 1867.  The building of the prison commenced in 1852, following a British  government directive that the Swan River Colony was to be used as a  penal establishment and the arrival of the first ship of convicts in  June 1850. The prison was first occupied in May 1855. Control of the  prison was handed over to the colonial authorities in 1886, and the  gallows were added in 1888 (following the closure of the Perth Gaol in  1887). From then until capital punishment was abolished by an act of  State Parliament in 1984, Fremantle Prison was the only legal place of  execution in the colony and later the state. The prison was  decommissioned in 1991, when the remaining male inmates and staff were  transferred to the new maximum security prison at Casuarina. The Women&amp;rsquo;s  Division, added to the prison in 1889, had been disbanded in 1970 when  female prisoners were transferred to Bandyup Women&amp;rsquo;s Training Centre.  Since its closure, Fremantle Prison has been added to the State,  National and World Heritage Lists. For more information and a list of  recommended readings, see Fremantle Prison&amp;rsquo;s official website: &lt;a href="http://www.fremantleprison.com.au/" target="_blank"&gt;http://www.fremantleprison.com.au&lt;/a&gt;.&lt;/p&gt;&#13;
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&#13;
At the roof of the faÃ§ade and along the top of the oriel window, crenellation has been used for decorative effect. Crenellation was an architectural feature commonly employed in medieval castles and military structures. Cut into parapets, it provided both openings through which weapons could be fired (the embrasures) and raised sections of stone to protect from oncoming fire and obscure visibility (the merlons). The depressed arch around the main door and rectangular hood moulding is also characteristic of late gothic architecture of the fifteenth century.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2595">
                <text>Hand-made Banners at the SCA College Challenge - St. Basil vs. St. Lazarus</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2596">
                <text>banner, banners, flag, flags, Saint Basil, St. Basil, Saint Lazarus, St. Lazarus, castle, medieval castle, black swan, SCA, Society for Creative Anacrhonism, re-creation, recreation, tourney, tournament, medieval art, medieval craft, art, craft, banner making, UWA, University of Western Australia, Murdoch University, Kingdom of Lochac</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2597">
                <text>Banners flying at the Society for Creative Anachronism's College Challenge between St. Basil (UWA) and St. Lazarus (Murdoch University). The banners bear the crests/emblems of the competing colleges. In Perth, Western Australia, St. Basil and St. Lazarus are the only two chapters of the SCA which are based at colleges. The event was held at the UWA Campus on the 19th December 2010.&lt;br /&gt;&lt;br /&gt; About the Society for Creative Anachronism and the Kingdom of Lochac  (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and  're-creation' of Medieval and Early Modern cultures and their histories  before the seventeenth century. As the prime example of a 'living  history' group, members of the SCA aim to re-create the past through  applying elements of historical knowledge to a practical engagement with  Medieval and Early Modern crafts, martial arts, science, metalwork and  cooking (for example). The Society was created by graduates of the  University of Berkley in California in the 1960s and has since branched  out to include 19 kingdoms, with over 30,000 members in locations across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2598">
                <text>Carter, Bree</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2599">
                <text>The Society for Creative Anachronism</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2600">
                <text>Bree Carter</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2601">
                <text>19/12/2010</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2602">
                <text>Image made available with the permission of the participants.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2603">
                <text>Digital Photograph.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="575">
        <name>art</name>
      </tag>
      <tag tagId="158">
        <name>banner</name>
      </tag>
      <tag tagId="665">
        <name>banner making</name>
      </tag>
      <tag tagId="420">
        <name>banners</name>
      </tag>
      <tag tagId="658">
        <name>black swan</name>
      </tag>
      <tag tagId="662">
        <name>castle</name>
      </tag>
      <tag tagId="576">
        <name>craft</name>
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      <tag tagId="660">
        <name>flag</name>
      </tag>
      <tag tagId="661">
        <name>flags</name>
      </tag>
      <tag tagId="718">
        <name>Kingdom of Lochac</name>
      </tag>
      <tag tagId="657">
        <name>medieval art</name>
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      <tag tagId="663">
        <name>medieval castle</name>
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      <tag tagId="578">
        <name>medieval craft</name>
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      <tag tagId="581">
        <name>Murdoch University</name>
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      <tag tagId="569">
        <name>re-creation</name>
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      <tag tagId="168">
        <name>recreation</name>
      </tag>
      <tag tagId="572">
        <name>Saint Basil</name>
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      <tag tagId="573">
        <name>Saint Lazarus</name>
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      <tag tagId="167">
        <name>SCA</name>
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      <tag tagId="664">
        <name>Society for Creative Anacrhonism</name>
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      <tag tagId="655">
        <name>St. Basil</name>
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      <tag tagId="656">
        <name>St. Lazarus</name>
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      <tag tagId="571">
        <name>tournament</name>
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      <tag tagId="570">
        <name>tourney</name>
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      <tag tagId="582">
        <name>University of Western Australia</name>
      </tag>
      <tag tagId="583">
        <name>UWA</name>
      </tag>
    </tagContainer>
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