1 8 2 https://ausmed.arts.uwa.edu.au/files/original/71a1ff66fdaef453bae8e3fe7b6ad4e0.jpg b95e0dcfa94e0c8e4a5b28d2e6801654 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 614 Width 819 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Labyrinth, Kryal Castle, Ballarat Subject The topic of the resource Kryal Castle, castle, labyrinth, maze, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria Description An account of the resource An image of the great stone labyrinth at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. Described as ‘Australia’s unique medieval castle’, Kryal Castle can be hired for weddings, conferences, functions, and other functions. It was built in 1972 and opened in 1974 by Keith Ryall. Some of its most apparent medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. Creator An entity primarily responsible for making the resource Jeffrey, N. Date A point or period of time associated with an event in the lifecycle of the resource 2007 Rights Information about rights held in and over the resource Image used with permission of N. Jeffrey Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Ballarat battlements castle crenelation drawbridge entertainment functions gate Keith Ryall Kryal Castle labyrinth leisure maze Melbourne moat porticullis re-creation recreation tourism tower Vic Victoria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <strong></strong> <p><a href="http://www.ngv.vic.gov.au/col/work/4069" target="_blank"><span style="color: #0000ff; font-family: Calibri; font-size: small;">http://www.ngv.vic.gov.au/col/work/4069</span></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fair Rosamund Subject The topic of the resource Arthur Hughes (1832-1915), Eleanor of Aquitaine, fleur-de-lys, flowers, foxgloves, garden, Henry II of England, iris, maze, mistress, poison, Rosamund, secret garden, symbolism, VIC, Victoria, Walter de Clifford, Woodstock Description An account of the resource This work by English artist Arthur Hughes depicts the twelfth-century figure of Rosamund in the garden that King Henry II of England created for her at his royal residence in Oxfordshire. Rosamund was Henry’s mistress. She was reputedly poisoned in 1176 by Eleanor of Aquitaine, Henry's wife. Eleanor can be seen in the background of the painting discovering the entrance to the secret garden, which was only accessible by way of a maze. As Ted Gott et al suggest,the selection of flowers in the painting add important symbolism - blue foxgloves, a source of poison, line the queen’s path, while purple irises are visible in the foreground. Irises were associated with the Greek Goddess Iris who chaperoned the souls of dead women to the Elysian Fields, and also with the fleur-de-lys, a symbol of the French crown. Eleanor of Aquitaine was the Queen of France from 1137-1152. (See Ted Gott et al, 19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.78). Creator An entity primarily responsible for making the resource Hughes, Arthur Source A related resource from which the described resource is derived National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1854 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on Wood Panel, 40.3 x 30.5cm; Hyperlink Arthur Hughes (1832-1915) Eleanor of Aquitaine fleur-de-lys flowers foxgloves garden Henry II of England iris maze mistress poison Rosamund secret garden symbolism Vic Victoria Walter de Clifford Woodstock