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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;This photograph shows banners advertising the &amp;lsquo;Love and Devotions: from Persia and beyond&amp;rsquo; exhibition at the State Library of Victoria. The banners form an image taken from a Persian manuscript. The exhibition features Persian manuscripts from the thirteenth to eighteenth centuries, along with manuscripts from Europe, Ottoman Turkey, and Mughal India. The majority of manuscripts on display are from the Bodleian Libraries of the University of Oxford.&lt;/p&gt;&#13;
&lt;p&gt;Such exhibitions are a rare opportunity for Australians to interact with real artefacts from the medieval period. Along with modern appropriations they often help to form people&amp;rsquo;s perceptions of the medieval era.&lt;/p&gt;&#13;
For more on the exhibition see &lt;a href="http://www.slv.vic.gov.au/event/love-and-devotion-persia-and-beyond" target="_blank"&gt;http://www.slv.vic.gov.au/event/love-and-devotion-persia-and-beyond&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>A woman demonstrating the medieval art of manuscript illumination at the Perth Medieval Fayre. â€˜Illuminationâ€™ refers to the addition of decorations and illustrations around the text on a manuscript page. These illuminations formed an integral part of medieval manuscripts, and served a number of functions. More than mere marginalia, they supplemented the written text on the page by adding additional comment or detail, stimulated the reader, and conveyed a sense of the workâ€™s value. They could also be used to personalise manuscripts and to communicate ideas and traits about individuals, for example the piety of the owner or gratitude and deference towards a patron.&#13;
The Perth Medieval Fayre is organised and run by the Western Australian Medieval Alliance. In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Theatre, Wind of Heaven, medieval saints, saint, saints, hagiography, saints in drama, drama, children, children as portents of the divine, divine, divinity, Genesian players, Sydney, The Marvellous History of Saint Bernard, Barry Jackson, Henri Gheon, fifteenth century, manuscript, The Green Pastures, play, Marc Connelly, angel, Gabriel, Adam, Eve, Adam and Eve, Bernard Shaw â€˜Saint Joanâ€™, good versus evil, Minerva Theatre, Jerome K. Jerome, â€˜The Passing of the Third Floor Backâ€™ play, jester, pilgrims, pilgrim</text>
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                <text>A.T. critiques three plays that have an angel or saint in them. Set in a Welsh village, â€˜The Wind of Heavenâ€™ is about a boy named Gwyn who works a miracle in a village devastated by cholera. He brings back to life a dead soldier and new hope to the soldierâ€™s widow and the whole town. Jerome K. Jeromeâ€™s play about a mysterious Stranger is â€˜the saint over-doneâ€™. The final play, â€˜The Marvellous History of Saint Bernardâ€™, divides its stage into heaven, earth and hell. This picture â€˜was as real to the medieval mind as the Harbour Bridge is to usâ€™. The author notes that it is illegal to depict the Deity on stage in England so Mary was substituted for God in the latter play. A.T. remarks that Bernard Shaw deployed similar techniques in his play â€˜Saint Joanâ€™.</text>
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                <text>Sydney Morning Herald</text>
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        <name>â€˜The Passing of the Third Floor Backâ€™ play</name>
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        <name>Minerva Theatre</name>
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        <name>The Green Pastures</name>
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        <name>The Marvellous History of Saint Bernard</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;&lt;a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/fig-latrobe-04-081a.html"&gt;http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/fig-latrobe-04-081a.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Jesse Gregson Illuminated Address from New Winning (Newcastle) and Hebburn collieries</text>
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                <text>Illuminated manuscripts, manuscript, Jesse Gregson, heraldry, pastoralist, agriculture, agricultural, Australian Agricultural Company, Warrah, Liverpool Plains, Newcastle, illuminated addresses, illumination, address, New Winning (Newcastle) and Hebburn collieries, Nobbyâ€™s Head, Newcastle Wharf, vellum, medieval illumination, Valda Rigg, coalminer</text>
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                <text>The trend in medievalist revivals in all aspects of colonial life included medieval illumination found in addresses, books, presentation certificates or albums. These pieces of carefully crafted work, sometimes on precious vellum, marked special occasions such as retirement, welcomes, congratulations and condolences. Valda Rigg (see Bibliography below) notes the use of chivalric language in these manifestoes. Each address portrayed unique iconography pertinent to its recipient. The addresses are visual insignia or historical keepsakes showing relevant landscapes and/or labour tools and Australian flowers. The Powerhouse Museum has an extensive collection of â€˜Illuminated Addressesâ€™. Jesse Grigsonâ€™s are but two examples of this genre.</text>
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                <text>Copyright Applies&#13;
Australian National University Archive Collection, Jesse Gregson Collection (Aa. Co.) &#13;
Reference Code: N17/2&#13;
Noel Butlin Archives Centre&#13;
http://www.archives.anu.edu.au/nbac/html/index.php#</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Beggar, De Regimine Principum, dialogue, Geoffrey Chaucer (c.1340-1400), heresy, John Gower (c.1330-1408), John Lydgate (c.1370-1450), knight, manuscript, marginalia, medieval dress, medieval poetry, Occleve, poet, poetry, portrait, Sir John Oldcastle (d.1417), The Regiment of Princes, Thomas Hoccleve (c.1367-1426), tribute, review</text>
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                <text>&lt;p class="MsoNormal"&gt;In this &lt;em&gt;Western Mail &lt;/em&gt;article from 1930, the author begins by providing a somewhat negative review of Thomas Hoccleve&amp;rsquo;s poem, &amp;ldquo;The Regiment of Princes&amp;rdquo;. Asserting that the poem &amp;ldquo;looks better than it reads&amp;rdquo;, the author describes it as a &amp;ldquo;long and tedious poem on virtues and vices in imitation of an older writing&amp;rdquo;. The author goes on to suggest that Hoccleve has &amp;ldquo;an historical, rather than a literary value&amp;rdquo;, because he drew in the margin of the book what was thought to be the most accurate portrait of his near contemporary, Geoffrey Chaucer (c.1340-1400), and revered him in the text. The author concludes that although not a great poet, Hoccleve was probably an &amp;ldquo;earnest, forthright man&amp;rdquo;, because he knew his limitations.&lt;/p&gt;&#13;
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                <text>Anon.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>A drawing of a heraldic shield redolent of medieval manuscript annotation found on the second last page of the Journal of Arthur Bowes Smyth. Smyth (1750-1790) was the surgeon responsible for the women convicts on the Lady Penrhyn in the First Fleet, from 22 March 1787 â€“ 8 August 1789. His journal contains a number of sketches, doodles and drawings of English emblems, some of which - like this heraldic shield - are medieval. </text>
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                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.ms-ms4568-s288" target="_blank"&gt;http://nla.gov.au/nla.ms-ms4568-s288&lt;/a&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>A scanned copy of the journal of Arthur Bowes Smyth held by the National Library of Australia. Smyth was the surgeon responsible for the women convicts on the Lady Penrhyn in the First Fleet, from 22 March 1787 â€“ 8 August 1789. The journal contains a number of sketches, doodles and drawings of English emblems, some of which are medieval. For example, the drawings of fleur-de-lys. The second last page also contains a detailed image of a heraldic shield, redolent of medieval manuscript annotation. </text>
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