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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Priestâ€™s Lodge, Morawa</text>
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                <text>Catholic, Catholicism, church, Gothic, John Cyril Hawes, lodge, Morawa, pointed arch, Priestâ€™s Lodge, WA, Western Australia, religion</text>
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                <text>The Priestâ€™s Lodge in the small rural Western Australian town of Morawa was built to the design of Monsignor John Cyril Hawes as accommodation for visiting priests. The diminutive stone building was completed in 1933 and features Gothic pointed arches in keeping with the adjacent Church of the Holy Cross, also designed by Hawes.&#13;
&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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                <text>Munro, Tony</text>
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                <text>22 February 2010</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://photosau.com.au/Canterbury/scripts/home.asp"&gt;http://photosau.com.au/Canterbury/scripts/home.asp&lt;/a&gt;</text>
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                <text>Druitt's Lodge Procession Along Beamish Street, Campsie, New South Wales</text>
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                <text>banner, banners, Campsie, celebration, Druitt's Lodge, event, festival, fraternities, fraternity, Freemasonry, Lodge, masons, men, Mt Druitt, New South Wales, NSW, parade, parades, procession, processions, recreation, road, street,  Sydney</text>
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                <text>Hyperlink to an image of a Druitt's Lodge procession along Beamish Street in Campsie, Sydney, NSW.  &#13;
&#13;
The photograph was taken in the 1920s and shows a parade of Freemasons, some of whom are carrying banners. Although the origins of Freemasonry are extremely obscure, the earliest document which may be associated with Freemasonry is the Halliwell Manuscript or Regius Poem dating from the late fourteenth to mid fifteenth century and now held in the British Library. </text>
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                <text>Canterbury City Council</text>
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