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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Novaroâ€™s Italian Restaurant sign, Launceston, Tasmania</text>
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                <text>Coat of arms, flag, halo, Italy, Latin, Launceston, lion, Lion of St Mark, logo, Novaroâ€™s Italian Restaurant, Republic of Venice, Restaurant, sign, St Mark, Tas, Tasmania, Venice, winged lion.</text>
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                <text>&lt;p&gt;Novaro&amp;rsquo;s Italian Restaurant is in Brisbane Street in the northern Tasmanian city of Launceston. The photograph shows the sign for the restaurant, which features a Lion of St Mark. This particular version is, with the addition of a halo, essentially the same as the one that appeared on the flag and coat of arms of the medieval Republic of Venice and still continues to be associated with Venice today, including its film festival. The logo features a winged lion holding an open book with one paw. The Latin text on the book reads &amp;lsquo;Pax tibi Marce, evangelista meus&amp;rsquo; (Peace be with you, Mark my evangelist), which comes from an early medieval Venetian legend about an angel appearing to St Mark at a lagoon at Venice.&lt;/p&gt;&#13;
&lt;p&gt;For their website, which features a silhouette of the Lion of St Mark, see &lt;a href="http://www.novaros.com/site/index.html"&gt;http://www.novaros.com/site/index.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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                <text>Roaming Tiger, &lt;em&gt;The West Australian&lt;/em&gt;, 12 December 1953</text>
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                <text>Aesop, Androcles, animals, anthropomorphism, coat of arms, circus, courage, emblem, fables, folklore, gratitude, honour, lion, loyalty, medieval romance, Narrandera, New South Wales, NSW, popular culture, Reynard the Fox, Red Riding Hood, Remus, she-wolf, stories, story-tellers, symbolism, tiger, wolf.</text>
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                <text>This interest piece from &lt;em&gt;The West Australian&lt;/em&gt; in 1953 discusses the symbolic use of animals in roman legends and medieval fables, and their anthropomorphic investment with human characteristics. Using an incident in New South Wales where a circus tiger wandered into a neighbouring house and licked a sleeping child as their impetus, the author claims that animal stories have been popular since the days of Aesop. Amongst other examples, they note that in medieval stories about Reynard the Fox, he was usually depicted as a genial, roguish hero, and that the writers of medieval romances regularly employed the lion to symbolise courage and honour.</text>
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                <text>C. R. Collins </text>
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                <text>National library of Australia: &lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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                <text>12 December 1953, p.33</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;Holy Trinity Anglican Church is in the northern Tasmanian city of Launceston. The church was designed by local architect Alexander North (1858-1945) and consecrated in 1902. The brick building is in the Gothic Revival style and features numerous relief sculptures around the exterior of the church. These include foliage, grotesque winged creatures, and a lion holding a heraldic shield.&lt;/p&gt;&#13;
&lt;p&gt;The church website is at: &lt;a href="http://www.holytrinitylaunceston.org/" target="_blank"&gt;http://www.holytrinitylaunceston.org/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For&amp;nbsp;external photographs see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/975" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/975&lt;/a&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/969" target="_self"&gt;&lt;br /&gt;http://ausmed.arts.uwa.edu.au/items/show/969&lt;/a&gt;&lt;br /&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/966" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/966&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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