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                <text>&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt; An image of the window and mosaic featured on the northern side of the Great Gate at the University of Western Australia, Crawley. The University commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber in 1931. The mosaic, known as the &amp;lsquo;Five Lamps of Learning&amp;rsquo;, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the &amp;lsquo;Five Lamps of Learning&amp;rsquo; mosaic, see the UWA Archives website: &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://archives.uwa.edu.au/page/84543" target="_blank"&gt;&lt;span style="font-family: 'Times New Roman','serif';"&gt;http://archives.uwa.edu.au/page/84543&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;, accessed 1/2/2011). &lt;/span&gt;</text>
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                <text>McEwan, Joanne</text>
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            <elementTextContainer>
              <elementText elementTextId="15863">
                <text>No Copyright</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Trussed Timber Roof of Christ Church, Claremont, WA</text>
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                <text>altar, Anglican, Anglican church, apse, arch, arch-brace, architect, architecture, chancel arch, church, church building, Church of England, Claremont, corbel, Cottesloe limestone, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, limestone, masonry, nave, neo-gothic, purlin, sanctuary, T. W. L. Powell, trussed ceiling, Western Australia</text>
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                <text>A view of the timber trusses and arch braces of the ceiling at Christ Church, Claremont, in Western Australia. The ceiling of the church is comprised of tongue and groove pine boards. It is supported by timber crucks extending from corbels on the walls between the arcading. The curved timbers intersect to form functional, but also decorative, arch-braces. Arches roof trusses were a common feature of medieval architecture.&#13;
&#13;
About Christ Church, Claremont:&#13;
&#13;
Christ Church is an Anglican Church located in Claremont, Western Australia. It was designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. </text>
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