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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The current Sydney City Library building in Haymarket was built for the Commercial Banking Corporation of Sydney in 1875. The sandstone building on the corner of George and Hay Streets incorporates a number of architectural styles that can be traced back to the medieval period. The ground level of the building has semi-circular arched windows and doorway (not in photograph) in the Romanesque Revival style. Semi-circular arched windows are also featured on the second storey, but the pointed arch mouldings above the windows are in the Gothic Revival style. The small windows on the third storey have Tudor arches. The columns with decorated capitals on the second and third storeys are also common in Romanesque, as well as Classical, architecture.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) Town Hall, Bothwell, Tasmania </text>
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                <text>Bothwell (Tasmania) Town Hall was built in 1902. The building also served as the towns Police Station and Court Room. It is now used as the local library. The stone building features three semi-circular arches supported by columns with decorated capitals. The arches are in the Romanesque style, whilst the foliage decoration on the capitals is also commonly found in medieval Romanesque (and Gothic) architecture. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>arched window, arch, window, Byzantium, Byzantine, Jubilee building, Government Geology building, John Grainger, Perth, Perth Cultural Centre, Perth Library, library, museum, education, Perth Museum, Romanesque, State Library, George Temple-Poole, Victorian Byzantine, WA, Western Australia, Western Australian Museum</text>
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                <text>A photograph of the Government Geology building/former Library, now a wing of the Western Australian Museum â€“ Perth. The building was completed in 1902 and was designed by Government architect John Grainger. It was built to blend in with the Jubilee Building built by Graingerâ€™s predecessor George Temple-Poole. As can be seen in this photograph, the building originally housed the State Library and the Government Geologist. The former Library building was built in brick and stone, including stone left over from the Jubilee Building. It is in the Victorian Byzantine/Romanesque style with arched windows.</text>
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                <text>McEwan, Joanne</text>
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                <text>20 January 2012</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/hacket-buildings_the-architects-description_western-mail_21-april-1932_pp13-14_93621bff86.pdf</src>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper Article taken from &lt;em&gt;The Western Mail:&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;a href="http://nla.gov.au/nla.news-article38891565" target="_blank"&gt;&lt;span lang="EN"&gt;http://nla.gov.au/nla.news-article38891565&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Hackett Buildings. The Architectâ€™s Description.</text>
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                <text>architecture, architect, gothic architecture, gothic revival, neo-gothic, Arts and Administration Building, cloisters, commemoration, coogee stone, Court of Honour, dais, George Benson, Great Gate, great hall, Hackett Hall, jarrah flooring, library, marble flooring, monument, Mervyn Napier Wallace, Rodney Alsop, Romanesque style, rose window, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, vaulted ceilings, Winthrop Hall</text>
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                <text>This article provides a description of Winthrop Hall and the Hackett Buildings at the University of Western Australia by the architect, Rodney Alsop, shortly after they were opened in 1932. Alsop describes the guidelines he was set, namely that there was to be a multi-functional hall capable of seating a large number of people, two other buildings that would house lecture rooms, offices, the University administration, the Guild and a refectory, and that the buildings were to be monumental in order to adequately commemorate their founder, Sir John Winthrop Hackett (1848-1916). Alsop explains his rationale for the lay out of the buildings along three sides of the Court of Honour, (with the fourth side open to what was then known as the Perth-Fremantle road) and the addition of â€˜cloistersâ€™ along the front of the Hackett Hall and the Arts and Administration Building as an attempt to unify the different buildings. He refers to Winthrop Hall repeatedly as a â€˜great hallâ€™ and describes its shape as rectangular with transepts at the ends of the dais â€œafter the tradition of the halls of Englandâ€. He also describes some of its main features, including the rose window and elaborately patterned ceiling in the hall, and the vaulted ceiling, marble floor and colourful mosaics in the foyer.&#13;
&#13;
The architecture is influenced by the Romanesque style of the medieval period, which is suggested by the semi-circular arches, stone columns, arcading, thick walls and large square tower. However, the architect stops short of saying this definitively. On the style from which the architectural design for the buildings was developed, Alsop initially states that â€œit arose as the natural outcome of the planning, combined with the study of the architecture of older countries, with climate and other conditions not unlike those in Western Australiaâ€. Later in the article, he elaborates slightly: â€œWhile the ancestry of the style used is undoubtedly Italian, it has been anglicised and adapted to the local conditions, and cannot be called Italian, Spanish, or any other foreign style. It is my conception of architecture suitable for the University of Western Australia.â€</text>
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                <text>National Library of Australia</text>
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                <text>21 April 1932, pp.13-14.</text>
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                <text>The Western Mail</text>
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