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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1. go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt; &lt;span style="color: #0000ff;"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;2. search by artist or title.&lt;/p&gt;</text>
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                <text>How Sir Bedivere cast the Sword Excalibur into the Water</text>
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                <text>art, Arthur, Arthurian, Arthuriana, legend, legends, myth, mythology, Aubrey Beardsley (1872-1898), Avalon, death, Excalibur, illustration, J.M. Dent &amp; Sons, king, knight, lake, Le Morte dâ€™Arthur, SA, Sir Bedivere, South Australia, sword, Thomas Malory, wounded king</text>
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                <text>This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Following the battle at Barnham Down where Arthur is mortally wounded, he commands Sir Bedivere (at this point the only knight left standing) to take his sword Excalibur to the water and cast it in, and then to return and tell him what he has seen. Sir Bedivere twice takes the sword to the waterside but hides it rather than throw it to waste. Upon his return he tells Arthur that nothing unusual transpired when he threw the sword in and Arthur knows he is lying. On his third visit he casts the sword into the water, and a hand appears from the water to grab hold of it. Sir Bedivere afterwards takes Arthur to the lake, where a barge appears to take him to Avalon. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent &amp; Sons. </text>
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                <text>Beardsley, Aubrey</text>
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                <text>Art Gallery of South Australia</text>
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                <text>c. 1873</text>
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                <text>Art Gallery of South Australia</text>
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        <name>Aubrey Beardsley (1872-1898)</name>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Newspaper Article; Poem; PDF</text>
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                <text>Viking Song</text>
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                <text>Viking, vikings, poem, poetry, poet, poems, Adelaide, Freya, Thor, Norsemen, Odin, legend, legends, raid, The Register, SA, saga, ships, skald, South Australia</text>
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                <text>A poem included in the â€˜Poems and Rhymesâ€™ section on page 4 of the Adelaide newspaper â€˜The Registerâ€™ on August 31, 1918. The poem evokes the Norse gods Odin and Thor in its imagery of shipbuilding, specifically modern steel ships being built in Australia. </text>
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                <text>Anon.</text>
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            <name>Source</name>
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                <text>National Library of Australia</text>
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                <text>The Register</text>
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                <text>31 August 1918</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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                <text>Newspaper Article; Poem; PDF</text>
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            <description>A language of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Poem; PDF</text>
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                <text>â€˜The Vikingâ€™ poem </text>
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                <text>A poem by J.A. Fort published in the UK magazine The Spectator and reprinted on page 5 of the Adelaide newspaper The Register on September 25, 1926. The poem describes the attraction of going on a Viking raid by ship, including the knowledge that if you are killed you will go to Valhalla and meet Norse gods such as Odin, Thor and Freya, as skalds sing and tell sagas. The poem was presumably reprinted as it was considered of interest to the readers of the newspaper. </text>
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                <text>Fort, J.A.</text>
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                <text>National Library of Australia; The Spectator</text>
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            <name>Publisher</name>
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                <text>The Spectator; The Register</text>
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              <elementText elementTextId="10509">
                <text>No Copyright</text>
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                <text>Poem; Newspaper Article; PDF</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>A second and third year undergraduate unit taught at The University of Western Australia. The unit was created by Andrew Lynch and features novels, poetry and film from the nineteenth, twentieth and twenty-first centuries that reinterpreted medieval literature and themes. Texts include Tennysonâ€™s â€˜The Passing of Arthurâ€™, the film â€˜Monty Python and the Holy Grailâ€™, Twainâ€™s â€˜A Connecticut Yankee in King Arthurâ€™s Courtâ€™, Gardnerâ€™s â€˜Grendelâ€™, the Zemeckis/Gaiman film â€˜Beowulfâ€™, poetry by Borges, Hill, and Heaney, Bressonâ€™s â€˜Lancelot du Lacâ€™, and Gavriel Kayâ€™s â€˜A Song for Arbonneâ€™. Of particular note is the inclusion of works by Australian authors: Kate Forsythâ€™s â€˜Morgan of the Fayâ€™, Maggie Hamiltonâ€™s â€˜Merlinâ€™, Juliet Marillerâ€™s â€˜Son of the Shadowsâ€™, â€˜The Girl Green as Elderflowerâ€™ by Randolph Stow, and Jules Watsonâ€™s â€˜The White Mareâ€™.  </text>
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                <text>&lt;p&gt;Aposter for the second and third year undergraduate course &amp;lsquo;Mythistory&amp;rsquo;  offered at The University of Western Australia. The course examines  popular science fiction and fantasy films and literature of the  twentieth and twenty-first century within their historical context.&lt;/p&gt;&#13;
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