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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Christ Church St Laurence Anglican Church interior, Haymarket, Sydney, New South Wales </text>
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                <text>Anglican, Edmund Thomas Blacket, William Grant Broughton, Bishop Broughton, Christ Church St Laurence, John Burcham Clamp, Gothic, Gothic Revival, Haymarket, lancet windows, New South Wales, NSW, pointed arch, Henry Robertson, stained glass, Sydney, tracery</text>
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                <text>&lt;p&gt;Christ Church St Laurence Anglican Church is at 812 George Street in the inner-city suburb of Haymarket in Sydney, New South Wales. The foundation stone of the church was laid by William Grant Broughton (1788-1853), Australia&amp;rsquo;s first Bishop, on New Year&amp;rsquo;s Day 1840, and he consecrated the church on September 10, 1845. The original architect was Henry Robertson, who completed the walls of the nave and the base of the tower. Edmund Thomas Blacket (1817-1883) was responsible for much of the interior, including the stone window tracery and ceiling. Following a fire in 1905 the architect John Burcham Clamp (1869-1931) restored much of the interior. Christ Church St Lawrence is in the Gothic Revival style and the interior features pointed arch windows lancet windows with stone window mouldings, tracery, and stained glass, a timber ceiling with trusses, and a painted wall around the east window. Painted interiors of churches was common during the medieval period before the Reformation, after which many were white-washed in countries which turned from Catholicism.&lt;/p&gt;&#13;
&lt;p&gt;For their very informative website of the church see &lt;a href="http://www.ccsl.org.au/"&gt;http://www.ccsl.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Anglican, George Arthur, James Blackburn, buttress, Church of England, William Henry Clayton, convict, crenellation, Gothic, Gothic Revival, lancet windows, Francis Russell Nixon, parapet, pinnacle, pointed arch, porch, St Andrewâ€™s Anglican Church, Tas, Tasmania, tower, tracery, Westbury.</text>
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                <text>&lt;p&gt;St Andrew&amp;rsquo;s Church of England (Anglican) is opposite the Village Green in the small Tasmanian town of Westbury. The foundation stone was laid in 1836 by Lieutenant George Arthur (1784-1854) and the sandstone brick church was first used in 1841. The nave was designed by the convict architect James Blackburn (1803-1854) in 1840-02.&amp;nbsp;The church&amp;nbsp;was finally consecrated in 1851 by Tasmania&amp;rsquo;s first Bishop, Francis Russell Nixon (1803-1879). The tower was added in 1859 under the supervision of architect William Henry Clayton (1823-1877). The sanctuary and chancel were completed in 1888 and consecrated in 1890. St Andrew&amp;rsquo;s is in the Gothic Revival style and features buttresses, lancet windows, a porch, tracery in the east window, and pointed arch doorways. The tower is topped by a crenelated parapet and originally had pinnacles but these were removed following serious storm damage in 1877.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;St Michael and All Angels Anglican Church is in the&lt;br /&gt;small town of Bothwell in Tasmania. It was built from 1887 and consecrated in 1891 after disputes between the towns Anglican and Presbyterian congregations made the continued sharing of St Luke&amp;rsquo;s (1830) impossible.&amp;nbsp; St Michael and All Angels was designed by Launceston architect Alexander North (1858-1945) and built of local stone by stonemason Thomas Lewis. The tower, with an internal stone spiral staircase and stair turret, was added in 1923. The proportions of the Gothic Revival church make it appear to be a small country cathedral. The church features buttresses, blind arcading, lancet windows, and pointed arch entrances. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For&amp;nbsp;more of the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1158"&gt;http://ausmed.arts.uwa.edu.au/items/show/1158&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;St Michael and All Angels Anglican Church is in the small town of Bothwell in Tasmania. It was built from 1887 and consecrated in 1891 after disputes between the towns Anglican and Presbyterian congregations made the continued sharing of St Luke&amp;rsquo;s (1830) impossible. St Michael and All Angels was designed by Launceston architect Alexander North (1858-1945) and built of local stone by stonemason Thomas Lewis. As is clearly evident from these photographs, the cruciform church is not yet complete and is missing its north transept and spire. Instead, a weatherboard extension has been added, with Gothic-style windows sympathetic to the main building. The church is in the Gothic Revival style and features buttresses and lancet windows.&lt;/p&gt;&#13;
&lt;p&gt;For more of the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&amp;nbsp;and&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1157"&gt;http://ausmed.arts.uwa.edu.au/items/show/1157&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>Medievalism at the Foundations</text>
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                <text>Anglican, arcade, George Frederick Bodley, buttress, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet windows, leadlight window, pointed arch, Brooke Robinson, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania, tracery, turret.</text>
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                <text>&lt;p&gt;The main entrance to St David&amp;rsquo;s Cathedral is on Murray Street, Hobart. The cathedral was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The pointed-arch doorway is entered through an arcade consisting of three pointed-arch entrances. The large west window above the entrance includes tracery, five lancet windows, and&amp;nbsp;leadlight made in Melbourne by Brooke Robinson and installed in 1965. The entrance is flanked by two additional pointed-arch windows featuring three lancet windows each, as well as buttressed turrets.&lt;/p&gt;&#13;
&lt;p&gt;George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford.&lt;/p&gt;&#13;
&lt;p&gt;For the cathedral tower see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1145"&gt;http://ausmed.arts.uwa.edu.au/items/show/1145&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Holy Trinity Catholic Church is in the small Tasmanian town of Westbury. The building of the bluestone church began in 1869 under the direction of the townâ€™s first resident Catholic priest, Father James Hogan (1825-1899), who had arrived in 1850. Holy Trinity was consecrated in 1874 and the clock tower was added in 1901 as a memorial to Hogan. The cruciform church was designed by Henry Hunter (1832-1892) in the Gothic Revival style, in particular the Decorated Gothic style originally popular in England from c. 1270-1380. The church features buttresses, lancet windows, rose windows, a crenelated parapet and pointed corner finials on the tower, window tracery, and pointed arch doorways.    &#13;
 &#13;
Irish-born James Hogan helped the convicted Irish nationalist activist John Mitchel (1815-1875) escape Tasmania in 1853.   &#13;
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        <name>Henry Hunter</name>
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        <name>Holy Trinity Catholic Church</name>
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        <name>James Hogan</name>
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        <name>parapet</name>
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        <name>Westbury.</name>
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              <description>A name given to the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St Maryâ€™s College, Hobart, Tasmania</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Buttress, Catholic, education, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, St Maryâ€™s Cathedral, St Maryâ€™s College, Daniel Murphy, niche, lancet windows, pointed arch, Presentation Sisters, school, Tas, Tasmania, tower, tracery.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>St Maryâ€™s College is a day school for girls is located beside St Maryâ€™s Catholic Cathedral in Hobart, Tasmania. The opening of the college was instigated by Bishop Daniel Murphy (1815-1907) in 1866 when he invited his sister Mother Superior Francis Murphy and four other Presentation Sisters to Hobart from Ireland. The school opened in February 1868. The original convent and school rooms were designed by architect Henry Hunter (1832-1892) and are still in use. The school is still administered by the Presentation Sisters. The large convent building (photograph one and two) includes Gothic features such as the pointed arch doorway, buttresses, pointed arch windows with tracery on the third storey, and three lancet windows in the tower. The smaller school building (photograph three) is in the Gothic Revival style and includes corner buttresses and groups of three lancet windows.    </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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            <name>Date</name>
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                <text>October 6, 2012</text>
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            <name>Rights</name>
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                <text>No Copyright</text>
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            <name>Format</name>
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        <name>tower</name>
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        <name>tracery.</name>
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