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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;The Old Squire&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 28 May 1908</text>
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                <text>â€˜As it is in the Days of Now,â€™ Black Death, conquest, despotism, famine, Henry Lawson (1867-1922), honour, ingratitude, justice, king, knight, knighthood, loyalty, neglect, noble, pestilence, plague, Old Swithin, rescue, service, sickness, siege, Sir William, squire, Swithin, sword, Virland (Old Estonia).</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;, which was resolutely &amp;ldquo;anti-imperialist&amp;rdquo; in its outlook, published a range of verses, ballads and other &amp;ldquo;poems in which the Middle Ages were represented as despotic and barbaric&amp;rdquo; (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.143). While &amp;lsquo;The Old Squire&amp;rsquo; doesn&amp;rsquo;t do this explicitly, it is undeniably a &amp;ldquo;tale of faithful service unrewarded&amp;rdquo; (D&amp;rsquo;Arcens, p.144). Here we again follow the adventures of Sir William, Henry Lawson&amp;rsquo;s cuckolded knight from &amp;lsquo;As it is in the Days of Now&amp;rsquo; (See &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1020" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1020&lt;/a&gt;). Sir William, his squire, the King and the narrator ride into Virland with the intention of conquering the City, only to find the inhabitants suffering in the throes of the Black Death. Sir William is portrayed in the poem as arrogant and thoughtless for failing to appreciate the longstanding and faithful service of his squire, Old Swithin. After dutifully clearing out the dead from the City, Swithin collapses after trying to rescue a child from plague infested quarters. He is portrayed as noble in character but, unjustly, not in name; instead, &amp;lsquo;His heart was ever pained, / because of that old knighthood / that he should once have gained&amp;rsquo;. When his worth is finally recognised and the King attempts to knight him at the end of the poem, it is too late for he is already dead. While not an outright attack on all authority, this poem &amp;ldquo;implicitly condemns aristocratic arrogance and the [...] inequity of the feudal system&amp;rdquo; (D&amp;rsquo;Arcens, p.144).</text>
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                <text>Henry Lawson</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>28 May 1908, p.40</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1020"&gt;http://ausmed.arts.uwa.edu.au/items/show/1020&lt;/a&gt;</text>
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        <name>â€˜As it is in the Days of Now</name>
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        <name>â€™ Black Death</name>
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        <name>Henry Lawson (1867-1922)</name>
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        <name>neglect</name>
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        <name>Old Swithin</name>
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        <name>Sir William</name>
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        <name>squire</name>
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        <name>Swithin</name>
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        <name>Virland (Old Estonia)</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://www.whiteknights.com.au/" target="_blank"&gt;http://www.whiteknights.com.au&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The White Knights for Justice</text>
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                <text>cross, crosses, Gold Coast, horse, justice, knights, law, legal, QLD, Queensland, SAS, Special Air Service Regiment, secret society, White Knights, White Knights for Justice</text>
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                <text>The White Knights for Justice are a society who represents victims of injustice. They were founded in 1992 and are based in the Gold Coast suburb of Southport, Queensland, and were founded by a member of the Special Air Services Regiment (SAS), and the White Knights follow similar disciplines. It is a secret society with no acknowledged political or religious affiliations. Their logo features a medieval knight in armour on a horse. The knight carries a shield and banner, both of which have a cross on it. According to their website the name â€˜Whiteâ€™ (purity) â€˜Knightsâ€™ (loyalty, bravery and honesty) was chosen due to its association with fighting tyranny and doing good in the community.    </text>
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                <text>McLeod, Shane</text>
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                <text>&lt;div class="element-text"&gt;&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://www.whiteknights.com.au/" target="_blank"&gt;http://www.whiteknights.com.au&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>&lt;div class="element-text"&gt;&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://www.whiteknights.com.au/" target="_blank"&gt;http://www.whiteknights.com.au&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>21 September 2011</text>
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        <name>SAS</name>
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        <name>Special Air Service Regiment</name>
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        <name>White Knights</name>
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        <name>White Knights for Justice</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&#13;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 10pt;"&gt;&lt;span style="line-height: 115%; font-size: 10pt;"&gt;National Library of Australia&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;, &lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article32493762" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://nla.gov.au/nla.news-article32493762&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Distinctions</text>
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            <description>The topic of the resource</description>
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                <text>bench, church court, Cope, County Court, court, crime, criminal classes, criminal justice, criminal law, ecclesiastical court, General Sessions, judge, judiciary, judicial, justice, Kalgoorlie, law, legal profession, magistrate, Nolan, offence, punishment, Quinlan, religion, sentence, sessions, Skinner, tribunal, WA, Western Australia</text>
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                <text>In this article from the Kalgoorlie Western Argus, an opening statement about the strength and integrity of the County Court bench in 1900 is contrasted with comments about the incompetence of former members of the judiciary. Four judges are identified as having been â€˜lame ducksâ€™, the worst of whom was a man named Quinlan. He, the author suggests â€œwas more fitted for an ecclesiastical medieval tribunal than a secular modern courtâ€ because he allowed his religious zeal to influence his decisions, sentencing a defendant who stole from a church with much more severity that one who stole from a private dwelling. â€œThese distinctions between the house of God and that of plain Bill Smith may be acceptable in older countriesâ€, the article continues, â€œbut not in this new landâ€. </text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="9942">
                <text>Anon.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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                <text>Kalgoorlie Western Argus</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14400">
                <text>Medieval "Justice" Had Strange Ways</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="14401">
                <text>accused, barbarity,  criminal, criminality, crime, divine intervention, fire, guilt, innocence, justice, law, legal, medieval law, oath, ordeal, Ordeal by Fire, Ordeal by Water, punishment, water</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This article from the Junior Argus section of Melbourne newspaper The Argus describes what the author regards as 'strange' methods for ascertaining guilt or innocence in the medieval past. Short of finding reputable people to swear to a personâ€™s innocence upon oath, the article outlines the three different methods used in trials by ordeal. In the Ordeal of Fire, it explains, an accused person was forced to hold a red hot brazier and guilt was determined by whether the hands healed or blistered within a matter of days. Sometimes boiling water was used instead of fire. Alternatively the accused was restrained and thrown into a pool of water, and guilt was determined by whether they sank or swam. The premise of these ordeals was that God would intervene to protect the innocent. The author of the article concludes by drawing modern parallels between these â€˜terribleâ€™ and â€˜unjustâ€™ medieval practices and the â€˜barbaricâ€™ methods of punishment that were still being used in some countries.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14403">
                <text>Unknown</text>
              </elementText>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="14404">
                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article11264482" target="_blank"&gt;http://nla.gov.au/nla.news-article11264482&lt;/a&gt;</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="14405">
                <text>The Argus</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14406">
                <text>5 October 1939</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14407">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14408">
                <text>Newspaper article</text>
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        <name>accused</name>
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        <name>Barbarity</name>
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        <name>divine intervention</name>
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        <name>fire</name>
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        <name>guilt</name>
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        <name>innocence</name>
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        <name>justice</name>
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        <name>legal</name>
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        <name>medieval</name>
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        <name>oath</name>
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        <name>ordeal</name>
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        <name>ordeal by fire</name>
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        <name>ordeal by water</name>
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        <name>punish</name>
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        <name>trial by ordeal</name>
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        <name>water</name>
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