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                <text>&amp;lsquo;On Tapestry&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 14 July 1910</text>
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                <text>Ballad, chivalry, Courtly Love, crusade, E. J. Brady (1869-1952), Holy Land, joust,  knight, romance.</text>
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                <text>This engaging &amp;ldquo;McCrae-like medieval narrative ballad&amp;rdquo; (John B. Webb, &amp;ldquo;A Critical Biography of Edwin James Brady 1869-1952&amp;rdquo; PhD Thesis, The University of Sydney, 1972, p.95) concerns the fortunes of a triad of ill-starred lovers. On one hand there is brave Sir Maurice, the wealthy and impetuous knight who excels in chivalric conduct but who is tragically slain while crusading in the Holy Land. On the other is the golden-haired Lady Alice, a romantic counterpart for him who naively &amp;ldquo;vowed [...] Her Lord he&amp;rsquo;d be&amp;rdquo;. Unknown to either of these two quixotically tempered day-dreaming protagonists is the real target of Cupid&amp;rsquo;s dart, the &amp;ldquo;crow-haired&amp;rdquo; ladies maid, who recognises from the outset that her suit is hopeless, and who must content herself with plaintive prayers and &amp;ldquo;A [hasty] daylight glance.&amp;rdquo; The tragedy of the missed opportunity that is all too often &amp;lsquo;staring you in the face&amp;rsquo; is a theme that Brady also favours and highlights in his less accomplished, more light-hearted medievalist poem, &amp;lsquo;On Keira (See: &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1032" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1032&lt;/a&gt;).&amp;rsquo;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1032" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1032&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;The variety of Buffalo Lawn known as Sir Walter was developed in 1996. The logo for the associated company features a medieval knight wearing a helmet and armour riding a horse. The knight carries a lance and a shield, and the appearance of the horse and rider suggests that they are taking part in a jousting tournament. The shield is divided into four squares and carries the title &amp;lsquo;SIR W&amp;rsquo; in two of the squares, whilst the remaining two squares have patterns suggesting grass.&lt;/p&gt;&#13;
&lt;p&gt;For the website see&lt;a href="http://www.sirwalter.com.au/"&gt; http://www.sirwalter.com.au/&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>An image of a Kryal Castle knight preparing for a Jousting display at Kryal Castle in Ballarat, Victoria. Jousting was a popular medieval and Renaissance sport from the thirteenth century, and is often associated with the chivalric ideal.&#13;
&#13;
About Kryal Castle:&#13;
&#13;
Located 8km from Ballarat in Victoria, Kryal Castle is a local tourist attraction. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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                <text>Image used with permission of N. Jeffrey</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Image used with permission of N. Jeffrey</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>An image of a person jousting at Kryal Castle in Ballarat. Jousting was a popular medieval and Renaissance sport from the thirteenth century, and is often associated with the chivalric ideal.&#13;
&#13;
About Kryal Castle:&#13;
&#13;
Located 8km from Ballarat in Victoria, Kryal Castle is a local tourist attraction. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. &#13;
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Image used with permission of N. Jeffrey</text>
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        <name>gate</name>
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      <tag tagId="1256">
        <name>horse</name>
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        <name>joust</name>
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        <name>Keith Ryall</name>
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        <name>Kryal Castle</name>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>arcade, Architecture, armour, Bernard Evans, caprison, castle, chivalry, Claude de Bernales, clock, Elizabethan, Hay Street, heraldic decoration, horse, horseback, Inter-War Old English style, joust, jousting, knight, knights, lance, London Court, Perth, retail, shops, St George cross, St Georgeâ€™s Terrace, sword, tournament, tourney, Tudor, Western Australia, WA</text>
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                <text>Images of â€œThe Tournament of Armoured Knightsâ€ at London Court in Western Australia. In a window above the clock at the Hay Street entrance, these four mechanical knights joust at the chiming of every quarter hour on the clock. Each of the four knights appears fully armoured on horseback armed with a lance. They can be differentiated by the â€˜caprisonsâ€™, or horse blankets, which display varying heraldic decorations. A crenellated Norman style castle serves as a backdrop.&#13;
&#13;
London Court is a retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture.</text>
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                <text>McEwan, Joanne</text>
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            <description>Information about rights held in and over the resource</description>
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