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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/703/&lt;/a&gt;</text>
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                <text>â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown</text>
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                <text>Alice Perrers (1348-1400), anniversary, art, artwork, birthday, Black Prince (1330-1376), Court, Custance, Dante Gabriel Rossetti (1828-1882), Edward III (1312-1377), English language, Geoffrey Chaucer (c.1343-1400), history painting, jester, John of Gaunt (1340-1399), knight, â€˜Legend of Custanceâ€™, Lute, palace of Sheen, poetry, Pre-Raphaelite, reading, royalty, troubadour.</text>
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                <text>This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled &amp;ldquo;Geoffrey Chaucer Reading the &amp;lsquo;Legend of Custance&amp;rsquo; to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince&amp;rsquo;s Forty-Fifth Birthday&amp;rdquo;, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King&amp;rsquo;s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown&amp;rsquo;s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer &amp;amp; Laura MacCulloch, &lt;em&gt;Ford Madox Brown: The Unofficial Pre-Raphaelite&lt;/em&gt;, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the &amp;lsquo;Father of English poetry&amp;rsquo;. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because &amp;ldquo;the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity&amp;rdquo; (Velma Bourgeois Richmond, &amp;ldquo;Ford Madox Brown&amp;rsquo;s Protestant Medievalism: Chaucer and Wycliffe&amp;rdquo;, &lt;em&gt;Christianity and Literature&lt;/em&gt;, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled &lt;em&gt;The Seeds and Fruits of English Poetry&lt;/em&gt;, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns.</text>
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                <text>Ford Madox Brown</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>1847-1851</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>Oil on Canvas, 372cm x 296cm</text>
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        <name>â€˜Legend of Custanceâ€™</name>
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        <name>Dante Gabriel Rossetti (1828-1882)</name>
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        <name>Geoffrey Chaucer (c.1343-1400)</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>'Kryal Castle Dwarf'</text>
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                <text>Kryal Castle, castle, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria, dwarf, dwarves, little people, imp, royal court, court, royalty, royal, jester, statue, figure</text>
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                <text>An image of the 'Kryal Castle Dwarf' behind glass at Kryal Castle in Ballarat, Victoria. According to the description alongside the figure, the Kryal Castle Dwarf was inspired by the medieval period, when "little people...traveled from Court to Court, Castle to Castle" as entertainers for the Royal Court.&#13;
&#13;
About Kryal Castle:&#13;
Kryal Castle is a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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                <text>Jeffrey, N.</text>
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                <text>2007</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Image used with the permission of N. Jeffrey</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Newspaper article/review;&#13;
PDF</text>
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                <text>Theatre review: Emlyn Williams â€˜The Wind of Heavenâ€™</text>
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                <text>Theatre, Wind of Heaven, medieval saints, saint, saints, hagiography, saints in drama, drama, children, children as portents of the divine, divine, divinity, Genesian players, Sydney, The Marvellous History of Saint Bernard, Barry Jackson, Henri Gheon, fifteenth century, manuscript, The Green Pastures, play, Marc Connelly, angel, Gabriel, Adam, Eve, Adam and Eve, Bernard Shaw â€˜Saint Joanâ€™, good versus evil, Minerva Theatre, Jerome K. Jerome, â€˜The Passing of the Third Floor Backâ€™ play, jester, pilgrims, pilgrim</text>
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                <text>A.T. critiques three plays that have an angel or saint in them. Set in a Welsh village, â€˜The Wind of Heavenâ€™ is about a boy named Gwyn who works a miracle in a village devastated by cholera. He brings back to life a dead soldier and new hope to the soldierâ€™s widow and the whole town. Jerome K. Jeromeâ€™s play about a mysterious Stranger is â€˜the saint over-doneâ€™. The final play, â€˜The Marvellous History of Saint Bernardâ€™, divides its stage into heaven, earth and hell. This picture â€˜was as real to the medieval mind as the Harbour Bridge is to usâ€™. The author notes that it is illegal to depict the Deity on stage in England so Mary was substituted for God in the latter play. A.T. remarks that Bernard Shaw deployed similar techniques in his play â€˜Saint Joanâ€™.</text>
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                <text>A.T.</text>
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                <text>Sydney Morning Herald</text>
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                <text>Sydney Morning Herald</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="6435">
                <text>Public Domain&#13;
Trove&#13;
</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper Review</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>â€˜The Passing of the Third Floor Backâ€™ play</name>
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      <tag tagId="1994">
        <name>Adam</name>
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      <tag tagId="1996">
        <name>Adam and Eve</name>
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      <tag tagId="564">
        <name>angel</name>
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      <tag tagId="1989">
        <name>Barry Jackson</name>
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      <tag tagId="1997">
        <name>Bernard Shaw â€˜Saint Joanâ€™</name>
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      <tag tagId="85">
        <name>children</name>
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      <tag tagId="1984">
        <name>children as portents of the divine</name>
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      <tag tagId="1986">
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        <name>Eve</name>
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        <name>fifteenth century</name>
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      <tag tagId="1993">
        <name>Gabriel</name>
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      <tag tagId="1987">
        <name>Genesian players</name>
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      <tag tagId="1998">
        <name>good versus evil</name>
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        <name>hagiography</name>
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      <tag tagId="1990">
        <name>Henri Gheon</name>
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        <name>Jerome K. Jerome</name>
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        <name>manuscript</name>
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        <name>Marc Connelly</name>
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      <tag tagId="1982">
        <name>medieval saints</name>
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      <tag tagId="1999">
        <name>Minerva Theatre</name>
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      <tag tagId="2002">
        <name>pilgrim</name>
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        <name>pilgrims</name>
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        <name>saint</name>
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        <name>saints</name>
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      <tag tagId="1983">
        <name>saints in drama</name>
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      <tag tagId="122">
        <name>Sydney</name>
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      <tag tagId="1991">
        <name>The Green Pastures</name>
      </tag>
      <tag tagId="1988">
        <name>The Marvellous History of Saint Bernard</name>
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      <tag tagId="348">
        <name>theatre</name>
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      <tag tagId="1981">
        <name>Wind of Heaven</name>
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  <item itemId="58" public="1" featured="0">
    <fileContainer>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/ed1ce0a5393e9f2d2c516dd25973a8e7.pdf</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Jest and Quip. Undergrads' Day Out. Mirth in City Streets"</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Brisbane, Brisbane Courier,  "commem day", commemoration procession,  jesters, "medieval mummers", mummery, mummer, Queensland, student pranks, university student, University of Queensland. </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This article taken from The Brisbane Courier in 1929 discusses undergraduate students from the University of Queensland taking to the streets on "Commem Day". The author compares them to medieval mummers.The anonymous author also explains that on commem day students put on the cap and bells of jesters. Jesters were pranksters and jokers often employed to provide entertainment, whilst mummers perform in comic 'mummers' plays'. Both of these traditions date back to the medieval period.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="17389">
                <text>The National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article21402277" target="_blank"&gt;http://nla.gov.au/nla.news-article21402277&lt;/a&gt;</text>
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            <name>Publisher</name>
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                <text>The Brisbane Courier</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>04 May 1929, p.19</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17392">
                <text>National Library of Australia</text>
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        <name>"medieval mummers"</name>
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        <name>jester</name>
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        <name>mummer</name>
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        <name>mummery</name>
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        <name>Queensland</name>
      </tag>
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