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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>&lt;p&gt;This photograph shows Alana Bennett playing a six stringed Phoenix Standard hurdy gurdy made by Helmut Gotschy in Germany (&lt;a href="http://www.gotschy.com"&gt;www.gotschy.com&lt;/a&gt;). The hurdy gurdy is a stringed instrument played by using a crank-turned wheel. It developed from fiddles and was first used during the medieval period. The predecessor of the hurdy gurdy, the organistrum, is first mentioned in a treatise found in a manuscript written at Augsburg (Germany) in c. 1100. Alana presented a paper at the &amp;lsquo;Receptions: Medieval and Early Modern Cultural Appropriations&amp;rsquo; conference held at The University of Western Australia in August 2012 and gave an impromptu demonstration of the hurdy gurdy during a break.&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="https://sites.google.com/site/harlequintas/home"&gt;https://sites.google.com/site/harlequintas/home&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Alfonso 10th, Cantigas de Santa Maria, Galician Portuguese, hammered dulcimer, Harlequin, hurdy gurdy, instrument, moraharpa, percussion, performance, re-enactment, shawm, Spain, Tas, Tasmania, vielle, vocal, Harry Wass, whistle. </text>
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                <text>&lt;p&gt;Formed in 2005, Harlequin is a four-piece band from Tasmania who play medieval music taken from medieval manuscripts. As well as vocal and percussion a number of medieval instruments are played, including hammered dulcimer, hurdy gurdy, moraharpa, shawm, vielle, and whistle. Many of the instruments are made by band member Harry Wass. Much of the band&amp;rsquo;s repertoire is drawn from the 13&lt;sup&gt;th&lt;/sup&gt; century manuscript &lt;em&gt;Cantigas de Santa Maria &lt;/em&gt;which contains 400 songs. The manuscript came from the court of Alfonso 10&lt;sup&gt;th&lt;/sup&gt; of Spain and the songs are sung in the medieval language Galician Portuguese.&lt;/p&gt;&#13;
&lt;p&gt;More about the band, including upcoming performances and cds, can be found at: &lt;a href="https://sites.google.com/site/harlequintas/home"&gt;https://sites.google.com/site/harlequintas/home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/952" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/952&lt;/a&gt;</text>
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                <text>ABC, Rowan Dix, dulcimer, hammered dulcimer, Harlequin, instrument, Graeme McCormack, Medieval Instruments, moraharpa, Pelverata, Renaissance, Stateline Tasmania, Tas, Tasmania, television, tv, Harry Wass. </text>
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                <text>&lt;p&gt;The ABC TV programme Stateline Tasmania featured a report in 2009 titled &amp;lsquo;Medieval Instruments&amp;rsquo;. Reporter Rowan Dix interviewed Harry Wass and Graeme McCormack, two instrument makers based in the southern Tasmanian region of Pelverata. They specialise in wooden instruments from the eleventh century and into the Renaissance. The report specifically mentions the late-medieval instruments the hammered dulcimer and the moraharpa. The pair also plays in the medieval-influenced band Harlequin.&lt;/p&gt;&#13;
&lt;p&gt;A transcript of the report can be found at: &lt;a href="http://www.abc.net.au/stateline/tas/content/2006/s2509772.htm"&gt;http://www.abc.net.au/stateline/tas/content/2006/s2509772.htm&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Renaissance Polonaise, Government House, Perth</text>
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                <text>Advertising, Baroque, early music, ensemble, festival, Festival of Polish Visual and Performing Arts, Floripari, Government House, instrument, music, Perth, Poland, PolArt, poster, re-creation, Renaissance, Renaissance Polonaise, WA, Western Australia.</text>
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            <description>An account of the resource</description>
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                <text>This poster advertises â€˜Renaissance Polonaiseâ€™, an evening performance of Renaissance and Baroque music by the Polish early music ensemble Floripari. Floripari play period instruments and often also wear period costume. The performance is part of PolArt 2012, the Festival of Polish Visual and Performing Arts.</text>
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                <text>PolArt 2012: &lt;a href="http://www.polart2012.com.au" target="_blank"&gt;www.polart2012.com.au&lt;/a&gt;</text>
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                <text>19 March 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>PolArt 2012</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Event Poster; jpeg</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <description>Title, URL, Description or annotation.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Black &amp; White Photograph</text>
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              <text>16.8 x 21.5 cm. </text>
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              <text>&lt;a href="http://nla.gov.au/nla.pic-vn3289435"&gt;http://nla.gov.au/nla.pic-vn3289435&lt;/a&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Members of the Renaissance players on the steps of the Gothic Style buildings of the University of Sydney.</text>
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                <text>music, musical, instrument, re-enactment, mummery, player, players, Renaissance, Renaissance players, mummers, carnival, carnivale, carnivalesque, photograph, photography, architecture, gothic, , New South Wales, NSW, Alex Ozolins, Sydney, University of Sydney</text>
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                <text>&lt;span style="font-family: tahoma; font-size: x-small;"&gt;This photograph shows members of the musical group The Renaissance Players on the steps of a building in Gothic style at the University of Sydney. The photograph was taken in 1974 by Alex Ozolins for the Australian Information Service. Although designated 'Renaissance' both the clothing and instruments were current in the late medieval period and there are similarities to medieval images of troubadours.&lt;/span&gt;&lt;br /&gt;</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia.&#13;
Australian Information Service.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>National Library of Australia</text>
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            <name>Date</name>
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                <text>1974</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="17300">
                <text>National Library of Australia and Australian Information Service</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph: 1 photograph : b&amp;w ; 16.8 x 21.5 cm. Hyperlink.</text>
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        <name>Alex Ozolins</name>
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