1 8 6 https://ausmed.arts.uwa.edu.au/files/original/12a504b0237bb0ffa3127aeb70ca2a03.png ba2daa99899b4e75639e0ad7fbfd40d3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Height 150 Width 150 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data http://geelongtradeshall.blogspot.com/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Logo of Geelong Trades Hall Council Subject The topic of the resource Labor Omnia vincit, Knights of Labor, Geelong Trades Hall Building, Latin mottoes, unions, Eureka Flag, Australian Nationalism, Geelong Trades Hall Council logo, logo, insignia Description An account of the resource â€˜Labor Omnia Vincitâ€™ (work conquers everything) is a historically significant slogan associated with the American and English labour movements. It was also the motto of the Knights of Labour, a group started in the 1860s in America. The Knights of Labor had members in Australia in the late nineteenth century. Geelong (Vic.) Trades Hall adopted the slogan as its motto and inscribed it on their building. A large number of Australian schools have also taken the slogan as their school code. Geelong Trades Hall Council log associates the Eureka flag (a symbol of Australian nationalism) with the Latin Motto of some of the union movement in America and Australia. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived http://geelongtradeshall.blogspot.com/ Date A point or period of time associated with an event in the lifecycle of the resource Unknown Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Still Image Australian Nationalism Eureka Flag Geelong Trades Hall Building Geelong Trades Hall Council logo insignia Knights of Labor Labor Omnia vincit Latin mottoes logo unions Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Glass, Paper, Wood (no image available) URL <a href="http://cas.awm.gov.au/item/RELAWM12571">http://cas.awm.gov.au/item/RELAWM12571</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Framed coat of arms - General Sir John Monash Subject The topic of the resource Badge of Coat of Arms of Sir John Monash, Coat of arms, heraldry, insignia, John Monash, shield, scroll, â€˜marte et arteâ€™, knight, knights, knighthood, chivalry, knightâ€™s helmet, helmet, lion, compass, College of heralds, Latin motto, Latin, motto Description An account of the resource Hand drawn and coloured picture of the Monash coat of arms, which has been signed vertically 'R K PEACOCK'. The image shows a blue shield divided horizontally by a gold band. Above the band are five eight pointed gold stars. Beneath the band is a sword with two laurel branches, all in gold. A scroll beneath the shield bears the motto 'MARTE ET ARTE'. The ends of the scroll are a dark pink, gradually lightening to a white centre. Above the shield is a knight's helmet with a gold and blue ribbon and leaf design on both sides. Sitting above the helmet is the upper half of a dark pink (possibly meant to be red) lion, holding a pair of gold compasses. The drawing is held in a brown wooden frame with a brown matte. A paper label is pasted on the back with typed details: ' ARMS OF / GENERAL SIR JOHN MONASH, / G.C.M.G., K.C.B. / (Granted by the College of Heralds, 1918) / ARMS- Azure, a fess between in chief five / mullets of eight points three and / two, and in base a sword within two / branches of laurel all Or. / CREST - On a wreath of the colours a demi / lion Gules holding between the paws / a pair of compasses Or. / MOTTO - "MARTE ET ARTE". / (Authority - "Fox-Davies Armorial Families" / Vol.II, page 1371)". Next to 'MARTE ET ARTE' is hand written '(BY WAR AND BY ARTS)' . The label is signed 'R.K. Peacock / 1937'. Permalink: <a href="http://cas.awm.gov.au/item/RELAWM12571" target="_blank">http://cas.awm.gov.au/item/RELAWM12571</a> Also see <ol type="1"> <li class="MsoNormal" style="line-height: normal;">Serle, G. John Monash: A Biography (Melb, 1982) </li> <li class="MsoNormal" style="line-height: normal;">Pedersen, P. Monash as Military Commander (Melb, 1985). </li> </ol> Creator An entity primarily responsible for making the resource Peacock, Robert Knox Source A related resource from which the described resource is derived Australian War Memorial Website Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource Australian War Memorial RELAWM12571 Format The file format, physical medium, or dimensions of the resource Hyperlink â€˜marte et arteâ€™ Badge of Coat of Arms of Sir John Monash chivalry coat of arms College of heralds Compass helmet heraldry insignia John Monash knight knightâ€™s helmet knighthood knights Latin Latin motto lion motto scroll shield Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data PDF image on Australian War Memorial Website URL <a href="http://cas.awm.gov.au/item/REL/12508.023">http://cas.awm.gov.au/item/REL/12508.023</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource General Sir John Monash - Gold Signet Ring Subject The topic of the resource Sir John Monash, knighthood, First World War, World War I, World War, WW1, personal jewellery, Orders of Knighthood, knight, knighthood, ring, rings, jewellery, insignia, heraldry, latin motto, 'marte et arte', lion rampant, compass, seal ring, privy seal Description An account of the resource Signet ring made from 18 carat gold. The face of the ring is impressed with a lion rampant holding a compass. In a scroll below is the latin motto 'MARTE ET ARTE' [By war and arts]. These words are impressed in the reverse to enable the ring to be used as a seal. The inner band of the ring is stamped with a maker's mark and the carat. John Monash GCMG, KCB (1865-1931) was born in West Melbourne and died in 1931 in Melbourne. Of Prussian Jewish heritage, he participated in the landing at Anzac Cover Gallipoli and assumed command of the Australian Corps in May 1918. He was a key strategist in the campaigns in France and served and commanded troops in Gallipoli. Entry on Australian War Memorial website: 'John Monash was born in Melbourne on 27 June 1865. He was dux of Scotch College and studied arts and engineering at Melbourne University, where he was also involved in debating and student politics. Outside of university he dabbled in acting. In 1884 he joined the university company of the 4th Battalion, Victorian Rifles. Monash worked on the construction of the Princes Bridge in Melbourne and in 1888 was placed in charge of constructing a new railway even though he had yet to complete his degree. Monash married Hannah Moss in April 1891. He finished his studies in 1895 and, having decided to combine engineering with a military career, was promoted to captain in the Garrison Artillery that year. In 1897 Monash was promoted to major in the North Melbourne Battery and served there for 11 years. Meanwhile, he and a friend had established a private engineering practice in 1894. The business grew steadily but a series of setbacks left him with large debts in 1902. Starting again, Monash recovered and became wealthy. He also gained promotion to lieutenant colonel in the Australian Intelligence Corps in 1908. Now prospering in business and the Army, in 1913 Colonel Monash took command of the 13th Infantry Brigade. After the outbreak of war, Monash took command of the AIF's 4th Infantry Brigade, landing at Gallipoli on 26 April 1915. In July he was promoted to brigadier. Monash took his brigade to France in June 1916. He became a major general in July and took command of the 3rd Division. The division's first major battle, Messines, was hailed as a great success. Further success followed and in May 1918, Monash was promoted to lieutenant general and given command of the Australian Corps. His first battle in this role, Hamel, came to be considered the 'perfect battle'. Monash remained in command through the victorious battles in the last months of the war. After spending eight months in London overseeing the repatriation of the AIF, Monash was welcomed home in Melbourne by an enthusiastic public on Boxing Day 1919. He returned to business and in 1920 became manager of Victoria's State Electricity Commission. An advocate for returned soldiers, Monash also held a range of high-level positions. His opinions were widely sought and he became a leading figure in Melbourne's Jewish community. Monash was promoted to general in November 1929. He died of heart disease in Melbourne on 8 October 1931 and was given a state funeral attended by some 250,000 mourners. '   <div> <div> <div> <div> <div> <div><cite>Permalink: <a href="http://cas.awm.gov.au/item/REL/12508.023" target="_blank">http://cas.awm.gov.au/item/REL/12508.023</a></cite></div> </div> </div> </div> </div> </div> Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived Australian War Memorial REL/12508.023 Date A point or period of time associated with an event in the lifecycle of the resource c. 1918 Rights Information about rights held in and over the resource Australian War Memorial REL/12508.023 Format The file format, physical medium, or dimensions of the resource Hyperlink; Digital image of object 'marte et arte' Compass First World War heraldry insignia jewellery knight knighthood Latin motto lion rampant Orders of Knighthood personal jewellery privy seal ring rings seal ring Sir John Monash World War World War I WW1 https://ausmed.arts.uwa.edu.au/files/original/a1b0a34d9b18fc4ac511a857b0a12278.jpg a2c389009db4f7a6572b19d8b293edaf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Papal Insignia, St Patrickâ€™s Basilica, Fremantle, Western Australia Subject The topic of the resource architect, architecture, basilica, Benedict XI (1303-1304), Boniface VIII (1294-1303), Catholic, Catholic Church, church, church building, Clement V (1305-1314), ecclesiastical heraldry, emblem, Federation Gothic Style, Fremantle, gothic architecture, gothic revival, heraldry, insignia, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, papal insignia, papal keys, papal tiara, Sydney freestone, Thomas Ryan OMI, three-tiered tiara, triple-crowned tiara, Vatican, Western Australia, WA Description An account of the resource An image of the papal insignia consisting of a three-tiered tiara and keys at the entrance of St Patrickâ€™s Basilica in Fremantle, Western Australia. The Vatican recognised St Patrickâ€™s as a minor basilica in 1994. The tiara and keys are exclusive symbols of the papacy in ecclesiastical heraldry. The tiara represents the extra-liturgical headpiece worn by the Pope. While the origins of a distinct papal head-dress are debated, the evolution of the three tiers can be dated to the medieval period. Mitres adorned with a crown appear in artwork from the thirteenth century, and Pope Boniface VIII (1294-1303) added a second crown to his tiara to represent his temporal and spiritual power. A triple-crowned tiara is mentioned in an inventory of the Papal Treasury from 1315, suggesting that the third crown was added by either Benedict XI (1303-4) or Clement V (1305-1314). The use of keys to symbolise papal authority also dates from the thirteenth century. For more information, see Bruno Bernard Heim, Heraldry in the Catholic Church: Its Origins, Customs and Laws, (Van Duren, Gerardâ€™s Cross, 1978), pp. 49-55. About St Patrickâ€™s Basilica: St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was designed by architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. St Patrickâ€™s was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph architect architecture Basilica Benedict XI (1303-1304) Boniface VIII (1294-1303) Catholic Catholic Church Church church building Clement V (1305-1314) ecclesiastical heraldry emblem Federation Gothic Style Fremantle gothic architecture Gothic Revival heraldry insignia masonry Michael Cavanagh minor basilica missionaries neo-Gothic Oblates of Mary Immaculate papal insignia papal keys papal tiara Saint Patrick St. Patrick Sydney freestone Thomas Ryan OMI three-tiered tiara triple-crowned tiara Vatican WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/p1012322_822612899a.jpg 36cd3c558a84f07f2b007a0b524f0342 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 432 Width 640 https://ausmed.arts.uwa.edu.au/files/original/p1012325_cfed19a5d4.jpg 750827f5e805e05f79be8fc541c5ffb4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 493 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coat of Arms, New Norcia Monastery. Subject The topic of the resource Abbot, Benedictine monks, Benedictines, Catholic, Coat of Arms, crosier, cross, ecclesiastical heraldry, external ornaments, galero, hat, heraldry, insignia, lion, mitre, monastery, monasticism, monks, New Norcia, Order of St Benedict, patriarchal cross, pontifical hat, religious house, shield, swan, St Benedict of Nursia, vestments. Description An account of the resource This coat of arms is displayed above the gates of the New Norcia monastery. The pontifical hat at the top, called a galero, has been a common motif in ecclesiastical heraldry since the fifteenth century. As a vestment, the galero dates to c.1245, when red hats were bestowed upon cardinals by Innocent IV. In heraldry it is used to symbolise church hierarchy; different colours and numbers of tassels denote different offices. The 6 tassels on either side of the shield in the New Norcia coat of arms signify that the monastery is overseen by a bishop. The mitre hat below the galero is the insignia of bishops and abbots. In this case, it most likely refers to the fact that the monastery is presided over by an abbot. Behind the shield, a cross and crosier in saltire are also common external ornaments on ecclesiastical coats of arms. On the shield itself, symbols identify the building as a religious house (the all-seeing eye with a cross and the word “fides”) and a male Benedictine community (the patriarchal cross bearing the Benedictine motto “pax”). The swan is emblematic of its location in Western Australia. For more on ecclesiastical heraldry, see Bruno Bernard Heim, Heraldry in the Catholic Church: Its Origins, Customs and Laws, (Van Duren, Buckinghamshire, 1978).   About New Norcia: New Norcia is a monastic town located 132 km north of Perth in Western Australia. The town is owned and run by a community of Benedictine monks and houses one of only three Benedictine monasteries (for men) in Australia. At its height the monastery housed approximately 80 monks, but currently there are only seven in residence. The Benedictines are part of a religious order within the Catholic Church known as the Order of St Benedict (OSB). Benedictines live in small, largely autonomous communities and base their way of life on the Rule of St Benedict, which prioritises a balance of prayer and work and calls for promises of stability, obedience and a conversion of life. The first Benedictine community was established in the sixth century in Italy by St Benedict of Nursia (c.480-547).   Originally intended as a mission to evangelise and educate the indigenous peoples of the Victoria Plains, the site at New Norcia was founded in 1847 by two Spanish Benedictine missionaries, Dom José Benito Serra and Dom Rosendo Salvado. Serra’s involvement in the missionary activities at new Norcia decreased following his appointment as Co-adjutor Bishop of Perth in 1849, while Salvado (1814-1900) committed himself wholly to developing the mission and leading the monastic community. He subsequently became the key figure in the first 50 years of New Norcia’s history. He made numerous fundraising trips to Europe, which provided him with the means to purchase books, vestments, artwork and equipment for the community and also to oversee the construction of new buildings. He died in Rome in 1900 and his body was returned to New Norcia. Under Salvado’s successor, Bishop Fulgentius Torres (1861-1914), New Norcia became more like a traditional monastic settlement. An increased focus on education and artistic pursuits led to the establishment of two schools and improvements to many of the town’s buildings. For more information on New Norcia, see the New Norcia Benedictine Community website: <a href="http://newnorcia.wa.edu.au/" target="_blank">http://newnorcia.wa.edu.au/</a>. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 7 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Abbot Benedictine monks Benedictines Catholic coat of arms crosier cross ecclesiastical heraldry external ornaments galero hat heraldry insignia lion mitre monastery monasticism monks New Norcia Order of St Benedict patriarchal cross pontifical hat religious house shield St Benedict of Nursia Swan vestments. https://ausmed.arts.uwa.edu.au/files/original/f2ce0f2f0401c4fbd9f1dcfd469b4259.pdf 2301406818dd25c18f24ba6191caf902 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Halberd or Nulla Nulla? Amusing Mistake in Leeds," in The Argus. Subject The topic of the resource Aboriginal weapon, Aboriginal, halberd, Indigenous, Indigenous weaponry, insignia, Joseph Lyons, medieval weaponry, Nulla nulla, Prime Minister, warfare, weapon, weaponry Description An account of the resource This newspaper article from The Argus in 1935 reports on an amusing incident during a visit by Australian Prime Minister Joseph Lyons to Manchester, UK. Lyons was asked to pose with a medieval halberd for a photograph, which was mistakenly thought to be an Indigenous Australian weapon. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived National Library of Australia: <a href="http://nla.gov.au/nla.news-article12248881" target="_blank">http://nla.gov.au/nla.news-article12248881</a> Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 15 June 1935, p.24 Contributor An entity responsible for making contributions to the resource National Library of Australia Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English aboriginal Aboriginal weapon Australian Prine Minister halberd Indigenous weaponry insignia Joseph Lyons medieval weaponry nulla nulla weapon