1 8 10 https://ausmed.arts.uwa.edu.au/files/original/a43ee0428edc8f68afc6756bf91d78b8.jpg 2f79b79a2a5f70b67640cf43a29a074a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 360 IPTC Array a:2:{s:7:"caption";s:22:"OLYMPUS DIGITAL CAMERA";s:11:"object_name";s:22:"OLYMPUS DIGITAL CAMERA";} IPTC String caption:OLYMPUS DIGITAL CAMERA object_name:OLYMPUS DIGITAL CAMERA Width 934 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Love and Devotions: from Persia and beyond, Melbourne Subject The topic of the resource Advertisement, banner, Bodleian Libraries, exhibition, illustration, Love and Devotions: from Persia and beyond, manuscript, Melbourne, Mughal India, Ottoman Turkey, Oxford University, Persia, sign, State Library of Victoria, Vic, Victoria Description An account of the resource This photograph shows banners advertising the ‘Love and Devotions: from Persia and beyond’ exhibition at the State Library of Victoria. The banners form an image taken from a Persian manuscript. The exhibition features Persian manuscripts from the thirteenth to eighteenth centuries, along with manuscripts from Europe, Ottoman Turkey, and Mughal India. The majority of manuscripts on display are from the Bodleian Libraries of the University of Oxford. Such exhibitions are a rare opportunity for Australians to interact with real artefacts from the medieval period. Along with modern appropriations they often help to form people’s perceptions of the medieval era. For more on the exhibition see <a href="http://www.slv.vic.gov.au/event/love-and-devotion-persia-and-beyond" target="_blank">http://www.slv.vic.gov.au/event/love-and-devotion-persia-and-beyond</a> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource May 19, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG advertisement banner Bodleian Libraries exhibition illustration Love and Devotions: from Persia and beyond manuscript Melbourne Mughal India Ottoman Turkey Oxford University Persia sign State Library of Victoria Vic Victoria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queen Guenever as a nun Subject The topic of the resource Abbess, Almesbury, art, Arthur, Arthurian, Aubrey Beardsley (1872-1898), convent, death, Guenever, Guinevere, illustration, J.M. Dent & Sons, Le Morte dâ€™Arthur, nun, nunnery, penance, queen, SA, South Australia, Thomas Malory Description An account of the resource This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Upon hearing of Arthurâ€™s death in the final book, his queen Guinevere goes with five ladies to a nunnery at Almesbury. Here she leads a virtuous and penitential life of fasting and prayers, dressed in white and black, until her own death years later. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons. Creator An entity primarily responsible for making the resource Beardsley, Aubrey Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1893 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource line-block reproduction on paper, 20.8 x 16.0 cm; Hyperlink Language A language of the resource English Abbess Almesbury art Arthur Arthurian Aubrey Beardsley (1872-1898) convent death Guenever Guinevere illustration J.M. Dent & Sons Le Morte dâ€™Arthur nun nunnery penance queen SA South Australia Thomas Malory Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Sir Bedivere cast the Sword Excalibur into the Water Subject The topic of the resource art, Arthur, Arthurian, Arthuriana, legend, legends, myth, mythology, Aubrey Beardsley (1872-1898), Avalon, death, Excalibur, illustration, J.M. Dent & Sons, king, knight, lake, Le Morte dâ€™Arthur, SA, Sir Bedivere, South Australia, sword, Thomas Malory, wounded king Description An account of the resource This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Following the battle at Barnham Down where Arthur is mortally wounded, he commands Sir Bedivere (at this point the only knight left standing) to take his sword Excalibur to the water and cast it in, and then to return and tell him what he has seen. Sir Bedivere twice takes the sword to the waterside but hides it rather than throw it to waste. Upon his return he tells Arthur that nothing unusual transpired when he threw the sword in and Arthur knows he is lying. On his third visit he casts the sword into the water, and a hand appears from the water to grab hold of it. Sir Bedivere afterwards takes Arthur to the lake, where a barge appears to take him to Avalon. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons. Creator An entity primarily responsible for making the resource Beardsley, Aubrey Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1873 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Hyperlink art Arthur Arthurian Arthuriana Aubrey Beardsley (1872-1898) Avalon death Excalibur illustration J.M. Dent & Sons king knight lake Le Morte dâ€™Arthur legend legends myth mythology SA Sir Bedivere South Australia sword Thomas Malory wounded king Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.  go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.   search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Galahad and the Pale Nun Subject The topic of the resource Alfred Lord Tennyson (1809-1892), Art, Arthur, Arthurian, Arthurian legend, Arthurian romance, chivalric, chivalry, Galahad, gallantry, Holy Grail, Idylls of a King, illustration, knight, Le Morte dâ€™Arthur, legend, Mabinogion, narrative poem, nostalgia, nun, piety, poem, purity, Sir Galahad, Sir Thomas Malory (1405-1471), Victorian revival Description An account of the resource This photograph, taken by Julia Margaret Cameron in 1874, is held by the Art Gallery of South Australia. It depicts Sir Galahad, one of the Knights of the Round Table in Arthurian legend, and a nun. The illegitimate son of Lancelot and Elaine of Corbenic, Galahad was raised in a convent under the care of the Abbess, his Great Aunt. He was one of only 3 Knights to see the Holy Grail, and is renowned in legend for his gallantry, his piety and his purity. He was a popular character in the Victorian revival of Arthurian myth, and these qualities were emphasised in Alfred Lord Tennysonâ€™s 1842 poem â€˜Sir Galahadâ€™. This particular photograph appeared as Plate IX in Alfred Lord Tennysonâ€™s Idylls of the King and Other Poems, a collection of 12 narrative poems retelling the King Arthur legend published between 1856 and 1885. Tennysonâ€™s version was based primarily on two well-known medieval texts: Sir Thomas Maloryâ€™s Le Morte dâ€™Arthur and the Mabinogion. Creator An entity primarily responsible for making the resource Cameron, Julia Margaret Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1874 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Albumen-silver photograph, 33.4 x 27.2 cm; Hyperlink Alfred Lord Tennyson (1809-1892) art Arthur Arthurian Arthurian legend Arthurian romance chivalric chivalry Galahad gallantry Holy Grail Idylls of a King illustration knight Le Morte dâ€™Arthur legend Mabinogion narrative poem nostalgia nun piety poem purity Sir Galahad Sir Thomas Malory (1405-1471) Victorian revival https://ausmed.arts.uwa.edu.au/files/original/488bc5aa3effb2887a57b49a8aa6527a.JPG fb5bf5c469b552d8cce497788cb5b185 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 648 Width 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midden Pits, Balingup Medieval Carnivale Subject The topic of the resource Balingup, Balingup Medieval Carnivale, carnival, parade, parades, processions, procession, illustration, midden, midden pits, Shire of Donnybrook-Balingup, South-West WA, toilet, WA, Western Australia Description An account of the resource A digital photograph of the transportable toilet area at the Balingup Medieval Carnivale. The area is referred to as â€˜Midden Pitsâ€™, a term commonly used by archaeologists to describe pits containing household and human waste. The illustration of the medieval man on the sign leaves no doubt as to what is taking place! Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 27 August 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Balingup Balingup Medieval Carnivale carnival illustration midden midden pits parade parades procession processions Shire of Donnybrook-Balingup South-West WA toilet WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/0fcfd469a3197bdf6440addf343ee2c8.pdf 385e8e52dab32ce5a5de784061c4929b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viking Tales: Olafâ€™s Farm Subject The topic of the resource Brisbane, Denmark, dragon ship, fiction, Jennie Hall, illustration, literature, Norway, Odin, QLD, Queensland, The Queenslander, ship, Thor, Valhalla, Viking, vikings Description An account of the resource An illustrated story on page 48? Of the Brisbane newspaper, The Queenslander, published on 23 November, 1907. The story by Jennie Hall is about a young Viking from Denmark named Olaf who, as the youngest son, has to â€˜go a-Vikingâ€™ (raiding) in order to accumulate wealth. He builds a ship with a dragon prow and leads a crew to Norway where they successfully raid along the coast. After forcing themselves upon a local farming household the Danes end up having a pleasant evening with the farmer and his family and reward them richly with gifts the following morning. The crew are then defeated in a naval battle by the fleet of king Halfdan and all die except Olaf who becomes a â€˜thrallâ€™ (servant) of Halfdan. The characters also invoke aspects Norse mythology, including Valhalla and the gods Odin and Thor. The story was taken from â€˜Prairie Farmerâ€™ and includes an illustration of the armed Vikings bursting into the farmhouse. Creator An entity primarily responsible for making the resource Hall, Jennie Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Queenslander Date A point or period of time associated with an event in the lifecycle of the resource November 23 1907 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Brisbane Denmark dragon ship fiction illustration Jennie Hall literature Norway Odin Qld Queensland ship The Queenslander Thor Valhalla viking vikings https://ausmed.arts.uwa.edu.au/files/original/c79b336ef275bfbec4c20f1226bed280.pdf e0ae0b67d7a27670b1ddb8cf5a8698de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article; PDF <a href="http://nla.gov.au/nla.news-article55725222" target="_blank">http://nla.gov.au/nla.news-article55725222</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On the Viking Trail Subject The topic of the resource Adelaide, Iceland, illustration, Leifur Eiricksson, The Mail, photograph, SA, Jeune Scott-Kemball, ship, South Australia, Viking, vikings Description An account of the resource A travel report on page 4 of the Adelaide newspaper The Mail, on January 11, 1936. The report was written by artist and aviator Jeune Scott-Kemball who, with her mother, became the first South Australian women to visit Iceland. Despite its title, the article includes no information about Viking-Age Iceland, except for a brief report on the sculpture of Leifur Eiricksson, the semi-legendary â€˜discovererâ€™ of America, near Reykjavik. As well as photographs taking during their journey, the article also includes an illustration of a Viking ship, perhaps by Jeune. Creator An entity primarily responsible for making the resource Scott-Kemball, Jeune Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Mail Date A point or period of time associated with an event in the lifecycle of the resource January 1936 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Adelaide Iceland illustration Jeune Scott-Kemball Leifur Eiricksson photograph SA ship South Australia The Mail viking vikings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Hyperlink Title, URL, Description or annotation. URL <a href="http://knutthelastviking.wordpress.com/" target="_blank">http://knutthelastviking.wordpress.com/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Last Viking teaching blog Subject The topic of the resource blog, blogs, child, children, fiction, juvenile, literature, childrenâ€™s literature, curriculum, James Foley, Fremantle Press, illustration, interactive, Norman Jorgensen, picture book, runes, teachers, themes, Viking, WA, Western Australia Description An account of the resource A blog for the childrenâ€™s picture book â€˜The Last Vikingâ€™ by Australian authors Norman Jorgensen and James Foley (illustrator) published by the Western Australian publisher Fremantle Press. The story is about a boy who connects with his inner Viking to help him outwit bullies. The blog includes educational childrenâ€™s activities (how to read runes, rune puzzles, colouring in), historical information (for example on William the Conqueror), and a section for teachers outlining how the book fits into the school curriculum, its themes, book design, and instructions on how students should post comments to the blog. Creator An entity primarily responsible for making the resource Jorgensen, Norman, and James Foley Source A related resource from which the described resource is derived <a href="http://knutthelastviking.wordpress.com/" target="_blank">http://knutthelastviking.wordpress.com/</a> Date A point or period of time associated with an event in the lifecycle of the resource 26 June 2011 Rights Information about rights held in and over the resource Jorgensen, Norman, and James Foley Relation A related resource Jorgensen, Norman, and James Foley, "The Last Viking," in Medievalism in Australian Cultural Memory, Item #420, <a href="../../../items/show/420">http://ausmed.arts.uwa.edu.au/items/show/420</a>   <a href="../../items/show/420"></a> <a href="../../items/show/420"></a> <a href="../../items/show/420"></a> Jorgensen, Norman, and James Foley, "The Last Viking," in Medievalism in Australian Cultural Memory, Item #420, <a href="../../items/show/420">http://ausmed.arts.uwa.edu.au/items/show/420</a>   Format The file format, physical medium, or dimensions of the resource Blog Language A language of the resource English blog blogs child children Childrenâ€™s literature curriculum fiction Fremantle Press illustration interactive James Foley juvenile literature Norman Jorgensen picture book runes teachers themes viking WA Western Australia