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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The â€˜Advance Australiaâ€™ Arms Window in the Queen Victoria Building, Sydney</text>
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                <text>Urry, David (Digital Image)</text>
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                <text>3 November 2011</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://hdl.handle.net/10462/deriv/112714"&gt;http://hdl.handle.net/10462/deriv/112714&lt;/a&gt;</text>
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                <text>Decorated Float in the St. Patrick's Day Procession, Warwick, ca. 1910</text>
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                <text>St Patrick, Saint Patrick, St. Patrick, St. Patrick's Day, saints, saint, Irish, Ireland, Irish national identity, national identity, nationalism, identity, parades, processions, parade, procession, float, banner, banners, horse-drawn vehicle, politics, political, radical politics, Robert Emmet, Erin Go Bragh, Ireland forever, Queensland</text>
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                <text>Image of a St. Patrick's Day float bearing a banner advocating Irish nationalist sentiments. </text>
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                <text>Anon.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>ca. 1910</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Establishing the Commonwealth Culture: A Distinctly Australian Event</text>
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                <text>Federation procession, Federation parade, 1901, Federation, procession, processions, parades, parade, unity, nationhood, national identity, identity, nationalism, nationalist, Australia, Australian, Australian national identity, Australian culture, egalitarian, culture, egalitarianism, Trade Unionism, unions, unionism, Trade Union, labourer, labourers, labour, working class, Ancient Order of Druids, Oddfellows, Irish, Irish National Foresters</text>
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                <text>This article written by the Australian Broadcasting Commission in 2010 displays a collection of primary source materials pertaining to the Australian Federation Parade in Sydney in 1901. Of particular interest are the groups of people present at/participating in the parade. E.g. the Oddfellows, the Ancient Order of Druids, the Irish National Foresters, mounted police, a squadron of Lancers, the Australian Holy Catholic Guild, trade unionists bearing an 'Eight Hour' banner.&lt;br /&gt;&lt;br /&gt;Also of interest is the poem extracted from the Left-wing Melbourne newspaper, &lt;em&gt;The Tocsin&lt;/em&gt;, which, through the use of medieval imagery, laments the end of Victorian economic autonomy.&lt;br /&gt;</text>
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                <text>Compiled by the Australian Broadcasting Commision</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Australian Broadcasting Commission, 2010</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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        <name>Federation parade</name>
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