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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu"&gt;http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu&lt;/a&gt;</text>
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                <text>'Performance of excerpt from Aucassin et Nicolette' </text>
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                <text>Aucassin and Nicolette, Aucassin et Nicolette, Alana Bennett, Belinda Bennett, Centre for Medieval and Early Modern Studies, chantefable, costume, education, film, hurdy gurdy, Eugene Mason, MEMS, Minervaâ€™s Tower, music, performance, Perth, University of Western Australia, UWA, WA, website, Western Australia, YouTube.</text>
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                <text>&lt;p&gt;This performance of an excerpt from Aucassin et Nicolette was performed by Alana Bennett on November 1, 2012 as part of her MEMS (Medieval and Early Modern Studies) Honours dissertation at the University of Western Australia. The four minute film made by Belinda Bennett was uploaded to YouTube on November 1, 2012. Alana (a member of the medieval band Minerva&amp;rsquo;s Tower) plays a hurdy gurdy and wears medieval clothing. Aucassin et Nicolette is an anonymous twelfth or thirteenth century French chantefable (sung story) which combines prose and verse.&lt;/p&gt;&#13;
&lt;p&gt;For the performance see &lt;a href="http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu"&gt;http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;An English translation of Aucassin et Nicolette by Eugene Mason is available at &lt;a href="http://www.yorku.ca/inpar/aucassin_mason.pdf"&gt;http://www.yorku.ca/inpar/aucassin_mason.pdf&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Alana Bennett, conference, demonstration, hurdy gurdy, instrument, music, performance, Perth, poem, â€˜Receptionsâ€™, University of Western Australia, WA, Western Australia.</text>
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                <text>&lt;p&gt;This photograph shows Alana Bennett playing a six stringed Phoenix Standard hurdy gurdy made by Helmut Gotschy in Germany (&lt;a href="http://www.gotschy.com"&gt;www.gotschy.com&lt;/a&gt;). The hurdy gurdy is a stringed instrument played by using a crank-turned wheel. It developed from fiddles and was first used during the medieval period. The predecessor of the hurdy gurdy, the organistrum, is first mentioned in a treatise found in a manuscript written at Augsburg (Germany) in c. 1100. Alana presented a paper at the &amp;lsquo;Receptions: Medieval and Early Modern Cultural Appropriations&amp;rsquo; conference held at The University of Western Australia in August 2012 and gave an impromptu demonstration of the hurdy gurdy during a break.&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="https://sites.google.com/site/harlequintas/home"&gt;https://sites.google.com/site/harlequintas/home&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Alfonso 10th, Cantigas de Santa Maria, Galician Portuguese, hammered dulcimer, Harlequin, hurdy gurdy, instrument, moraharpa, percussion, performance, re-enactment, shawm, Spain, Tas, Tasmania, vielle, vocal, Harry Wass, whistle. </text>
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                <text>&lt;p&gt;Formed in 2005, Harlequin is a four-piece band from Tasmania who play medieval music taken from medieval manuscripts. As well as vocal and percussion a number of medieval instruments are played, including hammered dulcimer, hurdy gurdy, moraharpa, shawm, vielle, and whistle. Many of the instruments are made by band member Harry Wass. Much of the band&amp;rsquo;s repertoire is drawn from the 13&lt;sup&gt;th&lt;/sup&gt; century manuscript &lt;em&gt;Cantigas de Santa Maria &lt;/em&gt;which contains 400 songs. The manuscript came from the court of Alfonso 10&lt;sup&gt;th&lt;/sup&gt; of Spain and the songs are sung in the medieval language Galician Portuguese.&lt;/p&gt;&#13;
&lt;p&gt;More about the band, including upcoming performances and cds, can be found at: &lt;a href="https://sites.google.com/site/harlequintas/home"&gt;https://sites.google.com/site/harlequintas/home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/952" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/952&lt;/a&gt;</text>
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