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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>courtyard, Kryal Castle, castle, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria, arch, arched, gateway</text>
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                <text>An image of a courtyard at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. It was built in 1972 and opened in 1974 by Keith Ryall.&#13;
&#13;
Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events.&#13;
&#13;
Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>'The Five Lamps of Learning' Featured on the Great Gate at the University of Western Australia</text>
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                <text>&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt; An image of the window and mosaic featured on the northern side of the Great Gate at the University of Western Australia, Crawley. The University commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber in 1931. The mosaic, known as the &amp;lsquo;Five Lamps of Learning&amp;rsquo;, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the &amp;lsquo;Five Lamps of Learning&amp;rsquo; mosaic, see the UWA Archives website: &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://archives.uwa.edu.au/page/84543" target="_blank"&gt;&lt;span style="font-family: 'Times New Roman','serif';"&gt;http://archives.uwa.edu.au/page/84543&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;, accessed 1/2/2011). &lt;/span&gt;</text>
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                <text>McEwan, Joanne</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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&#13;
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&#13;
However, although the description lists Corineus was an alternate name for Gog, Geoffrey of Monmouth describes Corineus as an ally of Brutus in his twelfth-century Historia Regum Britanniae, and credits him with slaying the giant GoÃ«magot (by throwing him into the sea).</text>
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                <text>A view of the southern side of the Great Gate joining Winthrop Hall to the old Arts and Administration building and the clock tower at the University of Western Australia. The flanking towers of the Gate are square at the base and octagonal at the top, which was supposed to liken it to the Tudor gateways of Oxford and Cambridge colleges (Rodney Alsop, &amp;ldquo;The Architecture of the Hackett Buildings&amp;rdquo;, in &lt;em&gt;Opening of Winthrop Hall: Commemorative Volume and Official Programme, 1932&lt;/em&gt;). The northern side of the Gate features the &amp;ldquo;Five Lamps of Learning&amp;rdquo; mosaic by Mervyn Napier Waller. The clock tower resembles a Renaissance bell tower. Winthrop Hall, Hackett Hall, the Great Gate and the Arts and Administration Building were designed and built together as a group of University Buildings collectively referred to as the Hackett Memorial Buildings. They were funded by a bequest from The University of Western Australia&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932.</text>
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                <text>&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;A view of the northern side of The Great Gate joining Winthrop Hall to the old Administration building at the University of Western Australia&amp;rsquo;s Crawley campus. The flanking towers of the Gate are square at the base and octagonal at the top, which was supposed to liken it to the Tudor gateways of Oxford and Cambridge colleges (Rodney Alsop, "The Architecture of the Hackett Buildings", in &lt;em&gt;Opening of Winthrop Hall: Commemorative Volume and Official Programme, 1932&lt;/em&gt;). It was designed and constructed in conjunction with Winthrop Hall, Hackett Hall and the Administration Building from a bequest by the University&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916). The buildings were officially opened on 13 April 1932. The University also commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber on the northern side of the Great Gate in 1931. The mosaic, known as the &amp;lsquo;Five Lamps of Learning&amp;rsquo;, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the &amp;lsquo;Five Lamps of Learning&amp;rsquo; mosaic, see the UWA Archives website: &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://archives.uwa.edu.au/page/84543" target="_blank"&gt;&lt;span style="font-family: 'Times New Roman','serif';"&gt;http://archives.uwa.edu.au/page/84543&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;, accessed 1/2/2011). &lt;/span&gt;&lt;/p&gt;</text>
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