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                <text>Arcade, architecture, Bernard Evans, bypass, Claude de Bernales, clock, cobblestones, corbels, Elizabethan, gable, gargoyles, Hay Street, heraldic shield, horse, Inter-War Old English style, iron gate, jettying, knight, leadlight windows, London Court, oriel window, pageantry, Perth, portcullis  retail, shops, St George, St George cross, St Georgeâ€™s Terrace, timber panelling, tourney, Tudor, WA, weather vanes, Western Australia</text>
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                <text>Image of London Court in Perth, Western Australia. London Court is an open air retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned in 1936 by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937, when the arcade was opened with a â€˜Ye Olde English Fayreâ€™. London Court is distinctive for its Inter-War Old English style of architecture. At each end of the arcade is a three-storey entrance with a Tudor facade, a large wrought iron gate, heraldic shields â€“ many bearing the St George cross â€“ and an oriel window containing a large, decorative clock. Inside the narrow arcade, the Tudor facade continues with extensive half-timbering and timber-panelling on the walls, gabled roofs, leadlight windows and corbelled window boxes. Hand-carvings, gargoyles and crests also adorn the walls, and a number of weather vanes can be seen on the roof.</text>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>"Jokes in Stone", in The Sydney Morning Herald</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>gargoyle, gargoyles, University of Queensland, University of QLD, Queensland, stone carving, sculpture, medieval sculpture, stone mason, stone masonry, Colin Clark, Theodore Muller, jest, jesting, mummer, mummery</text>
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            <description>An account of the resource</description>
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                <text>Newspaper article regarding a carving by the sculptor Thomas Muller. The carving is said to bear a resemblance to the economist Colin Clark. By carving the gargoyle-like creature in the image of a public figure, the journalist argues that Muller has revived the 'medieval practice' of caricaturing public figures in gargoyles on buildings.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>A Special Correspondent</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>9 July 1954</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3047">
                <text>National Library of Australia</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3048">
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            <name>Language</name>
            <description>A language of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span style="font-family: tahoma; font-size: x-small;"&gt;&lt;a href="http://nla.gov.au/nla.news-article32887052" target="_blank"&gt;http://nla.gov.au/nla.news-article32887052&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Perth's Skyline Adornments</text>
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                <text>Taken from the West Australian, 15 June 1935, p. 2. Pertains to the aesthetics of the Perth City Skyline, which includes a number of Gothic architectural features, including a griffin, spires and a gargoyle. </text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Australian War Memorial: Largest Stone Building in the Southern Hemisphere."</text>
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            <description>The topic of the resource</description>
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                <text>ACT, architecture, Australian Capital Territory, Australian War Memorial, Canberra, cloisters, Court of Honour, gargoyles,  Hall of Memory, loggia, medieval architecture, memorial, monument, sandstone, stone building, Tower, war, war memorial.</text>
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                <text>This article from The Canberra Times in 1941 provides an update on the building of the Australian War Memorial in Canberra. Construction had begun in 1937, and the Memorial was set to be the largest stone building in the southern hemisphere. A description of the memorial is provided, from which it is apparent that some of its features are based on medieval architecture. This includes a row of decorative gargoyles lining the Court of Honour, and the inclusion of loggia and cloisters in the overall design.  Cloisters were a common feature of medieval monasteries, while gargoyles were used in gothic architecture to direct water away from buildings. </text>
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                <text>Unknown</text>
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                <text>The National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article2561830" target="_blank"&gt;http://nla.gov.au/nla.news-article2561830&lt;/a&gt;</text>
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            <name>Publisher</name>
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                <text>The Canberra Times</text>
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                <text>15 July 1941</text>
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                <text>National Library of Australia</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/d0e558de8a9e24ff147642393e128f9f.pdf</src>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
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                <text>"Harder than Steel"</text>
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                <text>Architecture, carving, clay, Daily Telegraph building, Fleet Street, gargoyles, London, mason, masonry, medieval cathedrals, medieval methods, modelling, sculptor, sculpture, stone, stonework.</text>
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                <text>This article from the Canberra Times discusses changing methods of sculpting designs into stone. It distinguishes between recent methods (in 1930) in which designs were modelled onto clay and then copied onto stone or marble by masons, and older medieval methods by which designs were carved directly into the stone. This method, the author claims, was making a comeback, as evidenced by the heads on the Daily Telegraph building in Fleet Street, London.</text>
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                <text>Unknown.</text>
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            <name>Source</name>
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              <elementText elementTextId="17315">
                <text>The National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article2354231" target="_blank"&gt;http://nla.gov.au/nla.news-article2354231&lt;/a&gt;</text>
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              <elementText elementTextId="17316">
                <text>The Canberra Times</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="17317">
                <text>24 December 1930, p.5</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17318">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <name>architecture</name>
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        <name>clay</name>
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        <name>Daily Telegraph building</name>
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        <name>Fleet Street</name>
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        <name>London</name>
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        <name>masonry</name>
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        <name>stone</name>
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        <name>stonework.</name>
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