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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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                <text>Roaming Tiger, &lt;em&gt;The West Australian&lt;/em&gt;, 12 December 1953</text>
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                <text>Aesop, Androcles, animals, anthropomorphism, coat of arms, circus, courage, emblem, fables, folklore, gratitude, honour, lion, loyalty, medieval romance, Narrandera, New South Wales, NSW, popular culture, Reynard the Fox, Red Riding Hood, Remus, she-wolf, stories, story-tellers, symbolism, tiger, wolf.</text>
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                <text>This interest piece from &lt;em&gt;The West Australian&lt;/em&gt; in 1953 discusses the symbolic use of animals in roman legends and medieval fables, and their anthropomorphic investment with human characteristics. Using an incident in New South Wales where a circus tiger wandered into a neighbouring house and licked a sleeping child as their impetus, the author claims that animal stories have been popular since the days of Aesop. Amongst other examples, they note that in medieval stories about Reynard the Fox, he was usually depicted as a genial, roguish hero, and that the writers of medieval romances regularly employed the lion to symbolise courage and honour.</text>
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                <text>C. R. Collins </text>
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                <text>National library of Australia: &lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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                <text>12 December 1953, p.33</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;strong&gt;&lt;/strong&gt;</text>
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                <text>No 'Robin Hood' financial transaction tax coming to Australia, says Wayne Swan</text>
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                <text>Australian businesses, bank, business, economic crisis, economic growth, economy, finance, financial transaction tax, folklore, France, investor, Nicolas Sarkozy, outlaw, penalty, revenue, Robin Hood,  â€œRobin Hoodâ€ tax, tax, treasury, Wayne Swan</text>
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                <text>This article from the online news site Perth Now reports on Australian Federal Treasurer Wayne Swanâ€™s decision not follow the lead of European nations such as France and introduce a financial transactions tax to deal with economic crisis. Such a measure would slow economic growth, Swan said, because it would affect the transactions that Australian businesses engaged in every day and raise the cost of capital. French President Nicolas Sarkozyâ€™s plan to introduce a 0.1 per cent tax on all financial transactions has been dubbed a â€œRobin Hoodâ€ tax. This name stems from the legendary medieval outlaw who stole from the rich to give to the poor, because it imposes taxation on businesses and investors in order to help the ailing economy. </text>
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                <text>Perth Now</text>
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                <text>30 January 2012</text>
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                <text>Perth Now</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Jack and the Beanstalk, East Devonport </text>
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                <text>arched windows, domestic architecture, domestic, architecture, East Devonport, folktale, folklore, fairy tale, fairy-tale, Jack and the Beanstalk, Gothic, Gothic Revival, Tas, Tasmania</text>
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                <text>One of three photographs of a house in East Devonport built in the Gothic Revival architectural style. Gothic features of the house include the arched windows and steeped pitch of the roof. This photograph shows a boy, presumably Jack, climbing a beanstalk that grows to the roof of the house. Jack and the Beanstalk is an enduringly popular English folktale which has existed in some form since at least the mid-18th century. Versions of the tale often have medievalism aspects, especially in the depiction of the giant, where he might be thought to represent an uncouth medieval past.</text>
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                <text>Dorey, Margaret</text>
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                <text>3 December 2011</text>
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                <text>This entertainment piece from The West Australianâ€™s online edition reviews the BBC series Merlin (2008). At the time the article was written in 2010, the second season of the series was being aired on Australian television by Channel 10. The characters and setting of the show are based on figures and places from Arthurian legend, however, the plot focuses on the lives of the characters prior to the mythologised events of the medieval legend. The characters include Merlin, Arthur, Guinevere, Gaius and Morgana, and the story is set in Camelot. Merlinâ€™s Producer, Johnny Capps, is quoted as saying that they needed a mythological tale and he thought that Merlin â€œjust seemed to be right for re-interpretation for a 21st- century audienceâ€. On the motivation for the plot, he continued: â€œWe decided to start before they were famous because what appealed to us was a story of empowerment. What if we had a young Arthur who was not yet King and Merlin as a young wizard, coping with trying to be a teenager and at the same time his destiny and extraordinary power? And we subverted the expectation around Guinevere by making her a lowly servant girl."</text>
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                <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://thewest.com.au/" target="_blank"&gt;Thewest.com.au&lt;/a&gt;&lt;/span&gt;</text>
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&#13;
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                <text>anthem, Austria, Blondel, capture, cell, chivalry, chivalric legend, confinement, deception, dupe, DÃ¼rnstein Castle, Eleanor of Aquitaine (c.1122-1204), escape, folklore, Franz Hofer (1902-1975), imprisonment, legend, Leopold V of Austria (1157-1194), medieval folklore, minstrel, Nazi, page, prison, ransom, Richard Coeur de Lion, Richard I (1157-1199), Richard the Lionheart, ruse, song, Third Crusade (1189-1192), troubadour, Tunsbruck gaol</text>
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                <text>In this report from Munich in 1933, an â€˜amusing storyâ€™ about the escape of Nazi leader Franz Hofer from an Austrian prison is recounted for WA readers. Not long before his escape in August 1933, Hofer said, he heard one of the Austrian warders singing the Nazi anthem with the additional line â€œBondage will only last a short time nowâ€. This he correctly interpreted as a sign that he would soon be rescued. The article likens the incident to a legend concerning the imprisonment of Richard the Lionheart in the twelfth century. In 1192, Richard I of England was captured by Leopold V of Austria on his return from the Third Crusade. He was held for a significant ransom, which Richardâ€™s mother - Eleanor of Aquitaine - raised. Richard was eventually released and returned to England in 1194. A popular chivalric legend emerged that a faithful troubadour named Blondel travelled from castle to castle after Richard was captured singing a song that would be recognisable only to him, in order to discover the place of Richardâ€™s imprisonment.   </text>
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                <text>National Library of Australia &lt;a href="http://nla.gov.au/nla.news-article33326172" target="_blank"&gt;http://nla.gov.au/nla.news-article33326172&lt;/a&gt;</text>
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