1 8 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/4069" target="_blank">http://www.ngv.vic.gov.au/col/work/4069</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fair Rosamund Subject The topic of the resource Arthur Hughes (1832-1915), Eleanor of Aquitaine, fleur-de-lys, flowers, foxgloves, garden, Henry II of England, iris, maze, mistress, poison, Rosamund, secret garden, symbolism, VIC, Victoria, Walter de Clifford, Woodstock Description An account of the resource This work by English artist Arthur Hughes depicts the twelfth-century figure of Rosamund in the garden that King Henry II of England created for her at his royal residence in Oxfordshire. Rosamund was Henryâ€™s mistress. She was reputedly poisoned in 1176 by Eleanor of Aquitaine, Henry's wife. Eleanor can be seen in the background of the painting discovering the entrance to the secret garden, which was only accessible by way of a maze. As Ted Gott et al suggest,the selection of flowers in the painting add important symbolism - blue foxgloves, a source of poison, line the queenâ€™s path, while purple irises are visible in the foreground. Irises were associated with the Greek Goddess Iris who chaperoned the souls of dead women to the Elysian Fields, and also with the fleur-de-lys, a symbol of the French crown. Eleanor of Aquitaine was the Queen of France from 1137-1152. (See Ted Gott et al, 19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.78). Creator An entity primarily responsible for making the resource Hughes, Arthur Source A related resource from which the described resource is derived National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1854 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on Wood Panel, 40.3 x 30.5cm; Hyperlink Arthur Hughes (1832-1915) Eleanor of Aquitaine fleur-de-lys flowers foxgloves garden Henry II of England iris maze mistress poison Rosamund secret garden symbolism Vic Victoria Walter de Clifford Woodstock https://ausmed.arts.uwa.edu.au/files/original/e51785e885aeff744bd5b51b95bb86a9.jpg a03bd7443312ec29553c812080a51ebd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 825 Width 522 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statue of Jeanne dâ€™Arc, at the State Library of Victoria, Melbourne. Subject The topic of the resource armour, banner, banners, battles, battle, Bernard Hall, bronze, Charles VII (r., Charles de Ponthieu (1403-1461), DomrÃ©my, Emmanuel FrÃ©miet (1824-1910), equestrian, execution, Felton Bequest, fleur-de-lys, Jeanne dâ€™Arc, Joan of Arc (1412-1431), La Pucelle, legend, maid of OrlÃ©ans, Melbourne, National Gallery of Victoria, oriflamme, OrlÃ©ans, Paris, pennant, Place des Pyramides, sculpture, State Library of Victoria, statue, Victoria, war, war-banner, war-horse, war horse, war banner Description An account of the resource <div class="element-text"> Image of the Jeanne d’Arc bronze statue at the State Library of Victoria in Melbourne. The statue is the work of French sculptor Emmanuel Frémiet, and is a cast of the 1899 version of his Jeanne d’Arc which stands in the Place des Pyramides in Paris. Purchased in 1906 by Bernard Hall, the Director of the National Gallery of Victoria, with funds from the Felton Bequest, it was installed at the entrance to the State Library of Victoria on 4 February 1907. The sculpture depicts the young Joan of Arc astride a war-horse, dressed in her body-armour and raising an oriflamme banner. About Joan of Arc: Joan of Arc was born in 1412 in the French village of Domrémy. From the age of about 12, Joan had visions of saints and heard heavenly voices that increasingly urged her to fight for France during the Hundred Years’ War. She travelled to the court of Charles De Ponthieu, the Orléanist claimant to the throne, where she was provided with a suit of armour and her distinctive banner depicting a golden fleur-de-lys. She secured a decisive military victory to rescue the city of Orléans from the Earl of Salisbury’s English army in 1429, and was present at the coronation of Charles VII. However, in May the following year Joan was captured by Burgundian forces at Compiègne, and was handed over to the English. She was tried at Rouen on charges of witchcraft and heresy, and was condemned to death. On 30 May 1431, she was executed. Two and a half decades later, the case was appealed and her conviction was overturned. She was beatified in 1909 and canonised as a saint in 1920. For more information about this statue and its background, see Ted Gott, ‘An Iron Maiden for Melbourne – The History and Context of Emmanuel Frémiet’s 1906 Cast of Jeanne d’Arc’, The La Trobe Journal, vol.81, Autumn 2008, pp.53-68: <a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html" target="_blank">http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html</a>. </div> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 27 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Armour banner banners battle battles Bernard Hall bronze Charles de Ponthieu (1403-1461) Charles VII (r. DomrÃ©my Emmanuel FrÃ©miet (1824-1910) equestrian execution Felton Bequest fleur-de-lys Jeanne dâ€™Arc Joan of Arc (1412-1431) La Pucelle legend maid of OrlÃ©ans Melbourne National Gallery of Victoria oriflamme OrlÃ©ans Paris pennant Place des Pyramides sculpture State Library of Victoria statue Victoria war war banner war horse war-banner war-horse https://ausmed.arts.uwa.edu.au/files/original/b22ed7e43c32fdb635be064411c48321.jpg 672a4d8e2cd62b8213731a631e5c170b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 836 Width 510 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeanne dâ€™Arc, State Library of Victoria, Melbourne. Subject The topic of the resource armour, banner, banners, battles, battle, Bernard Hall, bronze, Charles VII (r., Charles de Ponthieu (1403-1461), DomrÃ©my, Emmanuel FrÃ©miet (1824-1910), equestrian, execution, Felton Bequest, fleur-de-lys, Jeanne dâ€™Arc, Joan of Arc (1412-1431), La Pucelle, legend, maid of OrlÃ©ans, Melbourne, National Gallery of Victoria, oriflamme, OrlÃ©ans, Paris, pennant, Place des Pyramides, sculpture, State Library of Victoria, statue, Victoria, war, war-banner, war-horse, war horse, war banner Description An account of the resource Image of the Jeanne d’Arc bronze statue at the State Library of Victoria in Melbourne. The statue is the work of French sculptor Emmanuel Frémiet, and is a cast of the 1899 version of his Jeanne d’Arc which stands in the Place des Pyramides in Paris. Purchased in 1906 by Bernard Hall, the Director of the National Gallery of Victoria, with funds from the Felton Bequest, it was installed at the entrance to the State Library of Victoria on 4 February 1907. The sculpture depicts the young Joan of Arc astride a war-horse, dressed in her body-armour and raising an oriflamme banner. About Joan of Arc: Joan of Arc was born in 1412 in the French village of Domrémy. From the age of about 12, Joan had visions of saints and heard heavenly voices that increasingly urged her to fight for France during the Hundred Years’ War. She travelled to the court of Charles De Ponthieu, the Orléanist claimant to the throne, where she was provided with a suit of armour and her distinctive banner depicting a golden fleur-de-lys. She secured a decisive military victory to rescue the city of Orléans from the Earl of Salisbury’s English army in 1429, and was present at the coronation of Charles VII. However, in May the following year Joan was captured by Burgundian forces at Compiègne, and was handed over to the English. She was tried at Rouen on charges of witchcraft and heresy, and was condemned to death. On 30 May 1431, she was executed. Two and a half decades later, the case was appealed and her conviction was overturned. She was beatified in 1909 and canonised as a saint in 1920. For more information about this statue and its background, see Ted Gott, ‘An Iron Maiden for Melbourne – The History and Context of Emmanuel Frémiet’s 1906 Cast of Jeanne d’Arc’, The La Trobe Journal, vol.81, Autumn 2008, pp.53-68: <a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html" target="_blank">http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html</a>. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 27 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Armour banner banners battle battles Bernard Hall bronze Charles de Ponthieu (1403-1461) Charles VII (r. DomrÃ©my Emmanuel FrÃ©miet (1824-1910) equestrian execution Felton Bequest fleur-de-lys Jeanne dâ€™Arc Joan of Arc (1412-1431) La Pucelle legend maid of OrlÃ©ans Melbourne National Gallery of Victoria oriflamme OrlÃ©ans Paris pennant Place des Pyramides sculpture State Library of Victoria statue Victoria war war banner war horse war-banner war-horse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.ms-ms4568">http://nla.gov.au/nla.ms-ms4568</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Journal of Arthur Bowes Smyth Subject The topic of the resource Arthur Bowes Smyth (1750-1790), convicts, drawing, early Australian journal, emblem, emblems, First Fleet, fleur-de-lys, fleur-de-lis, heraldic, heraldic badge, heraldic shield, heraldry, journal, Lady Penrhyn, manuscript, manuscript annotation, manuscript tracery text, personal writing, sketch, surgeon, transportation, travel. Description An account of the resource A scanned copy of the journal of Arthur Bowes Smyth held by the National Library of Australia. Smyth was the surgeon responsible for the women convicts on the Lady Penrhyn in the First Fleet, from 22 March 1787 â€“ 8 August 1789. The journal contains a number of sketches, doodles and drawings of English emblems, some of which are medieval. For example, the drawings of fleur-de-lys. The second last page also contains a detailed image of a heraldic shield, redolent of medieval manuscript annotation. Creator An entity primarily responsible for making the resource Smyth, Arthur Bowes Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available National Library of Australia Date A point or period of time associated with an event in the lifecycle of the resource 1787 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Hyperlink Arthur Bowes Smyth convicts drawing early Australian journal emblem emblems First Fleet fleur-de-lis fleur-de-lys heraldic heraldic badge heraldic shield heraldry journal Lady Penrhyn manuscript manuscript annotation manuscript tracery text personal writing sketch surgeon transportation travel