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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Preparing for the Exhibition â€“ Gilding the Dome</text>
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                <text>architecture, Brunelleschi, building, Carlton Gardens, centennial, Centennial International Exhibition, dome, exhibition, exhibition building, flagpole, Florence Cathedral, gilding, Great Hall, industry, international exhibition, Italian influence, Joseph Reed (c.1823-1890), Melbourne, painting, Royal Exhibition Building, Rundbogenstil style, semi-circular arches, showcase, Victoria, World Fair</text>
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                <text>In this article, an update is provided on repainting work being carried out at the Exhibition Building in Melbourne in the lead up to the 1888 Centennial International Exhibition. The most difficult task being undertaken as part of this redecoration, according to the author, was the gilding of the gold ball surmounting the dome. To complete this, painters had been swung 300 feet above ground level. The dome of the Royal Exhibition Building was modelled on Brunelleschiâ€™s fifteenth-century design for the dome of the Florence Cathedral.&#13;
About the Royal Exhibition Building:&#13;
The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. It hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 and the Melbourne Centennial International Exhibition in 1888. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (â€˜Rundbogenstilâ€™). Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004.</text>
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                <text>Preparing for the Exhibition â€“ Gilding the Dome (Illustration)</text>
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                <text>An illustration of painters gilding the dome of the Royal Exhibition Building in Melbourne. This task was undertaken in association with other contracted repainting and redecorating work in the lead-up to the 1888 Centennial International Exhibition. The dome of the Royal Exhibition Building was modelled on Brunelleschiâ€™s fifteenth-century design for the dome of the Florence Cathedral.&#13;
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