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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Theatre review: Emlyn Williams â€˜The Wind of Heavenâ€™</text>
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                <text>Theatre, Wind of Heaven, medieval saints, saint, saints, hagiography, saints in drama, drama, children, children as portents of the divine, divine, divinity, Genesian players, Sydney, The Marvellous History of Saint Bernard, Barry Jackson, Henri Gheon, fifteenth century, manuscript, The Green Pastures, play, Marc Connelly, angel, Gabriel, Adam, Eve, Adam and Eve, Bernard Shaw â€˜Saint Joanâ€™, good versus evil, Minerva Theatre, Jerome K. Jerome, â€˜The Passing of the Third Floor Backâ€™ play, jester, pilgrims, pilgrim</text>
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                <text>A.T. critiques three plays that have an angel or saint in them. Set in a Welsh village, â€˜The Wind of Heavenâ€™ is about a boy named Gwyn who works a miracle in a village devastated by cholera. He brings back to life a dead soldier and new hope to the soldierâ€™s widow and the whole town. Jerome K. Jeromeâ€™s play about a mysterious Stranger is â€˜the saint over-doneâ€™. The final play, â€˜The Marvellous History of Saint Bernardâ€™, divides its stage into heaven, earth and hell. This picture â€˜was as real to the medieval mind as the Harbour Bridge is to usâ€™. The author notes that it is illegal to depict the Deity on stage in England so Mary was substituted for God in the latter play. A.T. remarks that Bernard Shaw deployed similar techniques in his play â€˜Saint Joanâ€™.</text>
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                <text>Sydney Morning Herald</text>
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                <text>26 April 1947</text>
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              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
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                <text>A Medieval Manor House</text>
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                <text>accommodation, aviary, buttery, chapel, children, dining-room, enemies, fifteenth century, fortification, gardens, great hall, hall, housing, kitchen, Lord, Lord of the Manor, Manor, manor-house, medieval housing, medieval social relations, pantry, residence, tower, tunnel</text>
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                <text>In this article from a regular childrenâ€™s column in the Sunday Times called â€œThe Girls and Boys Clubâ€, a standard and idealised description of medieval manor houses is provided. According to the author, a fifteenth-century manor house was a grand residence that featured a great hall, a huge kitchen with adjoining pantry and buttery, a large dining-room, a private chapel, an aviary, a tower, courtyards and beautifully landscaped gardens. It was presided over by a lord and is described as a â€˜little townâ€™ because it housed hundreds of people. An interesting but unexplained comment towards the end of the article also suggests that manor houses had underground tunnels because in the â€˜bad old daysâ€™ of the medieval period, the Lord of the manor â€˜was likely to make enemies almost overnight, through no fault of his ownâ€™.</text>
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                <text>Anon.</text>
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            <name>Source</name>
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                <text>National Library of Australia</text>
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            <name>Date</name>
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                <text>6 October 1935</text>
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PDF</text>
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