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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Local URL</name>
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              <text>&lt;a href="http://www.abbeymuseum.com.au/"&gt;www.abbeymuseum.com.au/&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Abbey Museum of Art &amp; Archaeology, Brisbane</text>
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            <description>The topic of the resource</description>
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                <text>Abbey, Abbey Medieval Festival, Abbey Museum, Abbey Museum of Art and Archaeology, art, archaeology, costume, festivals, festival, recreation, re-creation, re-enactment, QLD, Queensland, Brisbane, education, children, school, interactive, learning, experience</text>
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                <text>The Abbey Museum of Art &amp; Archaeology, located in Brisbane, Queensland, aims to provide an understanding of the human past through dynamic interpretation and historical re-enactment. They provide displays and offer a diversity of events and activities (such as the Abbey Medieval Festival) to educate and inspire interest in history. </text>
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                <text>The Abbey Museum of Art &amp; Archaeology</text>
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            <name>Date</name>
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                <text>Accessed 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The Abbey Museum of Art &amp; Archaeology, 2012.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Website</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>Abbey</name>
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        <name>Abbey Medieval Festival</name>
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        <name>Abbey Museum</name>
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        <name>Abbey Museum of Art and Archaeology</name>
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        <name>Brisbane</name>
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        <name>children</name>
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        <name>education</name>
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      <tag tagId="6094">
        <name>experience</name>
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        <name>festival</name>
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        <name>festivals</name>
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      <tag tagId="2817">
        <name>interactive</name>
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      <tag tagId="4067">
        <name>learning</name>
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        <name>Qld</name>
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        <name>recreation</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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            <description>A name given to the resource</description>
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                <text>St. Alban's Church, Highgate, at the 2011 Beaufort Street Festival</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Beaufort, Beaufort Street, Beaufort Street Festival, festival, festivals, leisure, recreation, street festival, street festivities, Mt Lawley, Mt. Lawley, Mount Lawley, Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St Alban, Anglicanism, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA</text>
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            <description>An account of the resource</description>
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                <text>An image of St. Alban's Church, Highgate, Western Australia being used by the community at the Beaufort Street Festival. &#13;
&#13;
St Albanâ€™s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). &#13;
&#13;
Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St Georgeâ€™s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Albanâ€™s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St Georgeâ€™s Cathedral. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Carter, Bree</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>12th November 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="16035">
                <text>No Copyright</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="16036">
                <text>Digital Photograph; JPEG</text>
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        <name>architect</name>
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        <name>Beaufort</name>
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        <name>buttresses</name>
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        <name>festival</name>
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        <name>festivals</name>
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        <name>leadlight windows</name>
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        <name>St. Michael</name>
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        <name>The Sisters of the Church of England</name>
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        <name>Victorian Romanesque style</name>
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      <tag tagId="838">
        <name>WA</name>
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